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Wyszukujesz frazę "Mahabharata" wg kryterium: Wszystkie pola


Tytuł:
Mahabharata w literaturze polskiej. Przekłady, tłumaczenia, inspiracje
The Mahabharata Epic in Polish Literature. Translations and Inspirations
Autorzy:
Milewska, Iwona
Tematy:
Mahabharata
translation
Indian epics
Pokaż więcej
Wydawca:
Łódzkie Towarzystwo Naukowe
Powiązania:
https://bibliotekanauki.pl/articles/579284.pdf  Link otwiera się w nowym oknie
Opis:
The article covers the topic of the more than one hundred years old tradition of translations of fragments of the Indian epic Mahabharata to Polish. The works of professional indologists like Jan Leciejewski, Helena Willman-Grabowska, Andrzej Ługowski, Halina Marlewicz, Iwona Milewska, Marek Mejor and Joanna Jurewicz are discussed in detail. All these translations are unquestionably direct ones whereas this directness is not certain in regard to the ones which were prepared by Antoni Lange, a famous Polish poet and by Antoni Kałuski. This problem of direct and non-direct translations is indicated in the article. But for the presentation of the tradition of Polish translations of the fragments of the Mahabharata it provides some information on the potential influence given to Polish poets based on the stories coming from this Indian epic. One can definitely trace such influences in the works of Jan Kasprowicz and Bolesław Leśmian.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Franz Bopp’s Latin achievements dedicated to the Sanskrit epics "Mahabharata"
Łacińskie prace Franza Boppa poświęcone sanskryckiemu eposowi "Mahabharata"
Autorzy:
Milewska, Iwona
Opis:
The paper mainly concerns Franz Bopp’s achievements in the field of knowledge of Indian epics as shown in his works written in Latin. The focus in on the stories coming from the "Mahabharata", their translations, and critical editions of their fragments. Additionally, some information on the Bopp’s way to get to know Sanskrit in the times when it was hardly known in Europe is given.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Female and male attractiveness as depicted in the "Vanaparvan" of the "Mahābhārata"
Opis:
This paper deals with the bodily attractiveness of heroines and heroes, as described in one of the two most important epics of India. The basis for this analysis is the love stories and episodes included in the main plot of the Vanaparvan, the third book of the Mahābhārata. The stories from this book have been taken into consideration due to their numerous occurrences, which are a sufficient ground for generalizations. Many characteristic features of their protagonists are repeated in different sub‑stories. Also, the images of female and male characters, princesses, queens and kings are presented and discussed in detail. The external beauty of such female heroines as Damayantī, Sāvitrī, Sukanyā, Suśobhanā and Sitā; as well as the attractiveness of two semi‑goddesses, called Apsarases, are described and analysed. The names of the Apsarases discussed in the context of female beauty are Urvaśī and Menakā. Besides this, the image of an unnamed courtesan is discussed, as it is the most detailed description of a female character and probably follows the ideal of female beauty as shown in the Mahābhārata. As far as the male protagonists are concerned, the images of heroes such as Nala, Bhīma, Aśvapati, Rāma and Daśaratha are taken into consideration. The examples of male attractiveness also include features of the five main heroes of the Mahābhārata: the Paṇḍava brothers.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Female and male attractiveness as depicted in the Vanaparvan of the Mahābhārata
Autorzy:
Milewska, Iwona
Tematy:
sanskrit literature
indian epics
mahābhārata
beauty
female and male attractiveness
Pokaż więcej
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Powiązania:
https://bibliotekanauki.pl/articles/943972.pdf  Link otwiera się w nowym oknie
Opis:
This paper deals with the bodily attractiveness of heroines and heroes, as described in one of the two most important epics of India. The basis for this analysis is the love stories and episodes included in the main plot of the Vanaparvan, the third book of the Mahābhārata. The stories from this book have been taken into consideration due to their numerous occurrences, which are a sufficient ground for generalizations. Many characteristic features of their protagonists are repeated in different sub‑stories. Also, the images of female and male characters, princesses, queens and kings are presented and discussed in detail. The external beauty of such female heroines as Damayantī, Sāvitrī, Sukanyā, Suśobhanā and Sitā; as well as the attractiveness of two semi‑goddesses, called Apsarases, are described and analysed. The names of the Apsarases discussed in the context of female beauty are Urvaśī and Menakā. Besides this, the image of an unnamed courtesan is discussed, as it is the most detailed description of a female character and probably follows the ideal of female beauty as shown in the Mahābhārata. As far as the male protagonists are concerned, the images of heroes such as Nala, Bhīma, Aśvapati, Rāma and Daśaratha are taken into consideration. The examples of male attractiveness also include features of the five main heroes of the Mahābhārata: the Paṇḍava brothers.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dharmarāja and Dhammarāja (II). Yudhiṣṭhira’s moral dilemmas before the great battle (Mahābhārata 5,70)
Autorzy:
Szczurek, Przemysław
Tematy:
Yudhiṣṭhira
Mahābhārata
Buddhist ethics
Pāli Canon
kṣatriyadharma
war
peace
Pokaż więcej
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Powiązania:
https://bibliotekanauki.pl/articles/2076782.pdf  Link otwiera się w nowym oknie
Opis:
The paper offers a close examination of the Mahābhārata’s adhyāya 5,70, one of the more interesting and representative chapters to analyse Yudhiṣṭhira’s attitude on the dharma of the king and warfare. In this long chapter addressing Kṛṣṇa (before the latter’s diplomatic mission to Kauravas), the king deprived of his kingdom presents two different attitudes. On one hand, he states that even though peaceful conflict resolution would be the best to regain the kingdom, the war must be accepted if it is inevitable. On the other hand, he expresses his disapproval of war as evil in any form (MBh 5,70.44-66). Yudhiṣṭhira’s ambivalent utterance is analysed against the background of early Buddhist ethics (as represented in the Pāli Canon), totally condemning war, and other passages from the Mahābhārata, especially those glorifying the dharma of kṣatriyas.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Freedom of choice or 'freedom of choice' : the custom of Svayamvara as described in the Indian epic Mahabharata
Autorzy:
Milewska, Iwona
Wydawca:
Dom Wydawniczy Elipsa
Opis:
In the text several love stories from the Indian epic Mahabharata are analyzed in order to find the answer to the question whether the svayamvara form of marriage was, in fact, the free choice of the husband by the maiden.
W tekście zostały przeanalizowane wybrane z indyjskiego eposu Mahabharata opowieści miłosne. Celem jest znalezienie odpowiedzi na pytanie czy sposób zawierania małżeństw określany jako swajamwara był w istocie wolnym wyborem małżonka przez przyszłą żonę.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Reportaż z pola bitwy. Jak przekładać opisy bitwy w Mahabharacie
Report from the Battlefield: How to Translate Battle Descriptions in the Mahābhārata
Autorzy:
Jurewicz, Joanna
Tematy:
Mahabharata
epos
wojna
lingwistyka kognitywna
wgląd zawężający/poszerzający
Mahābhārata
epic
war
cognitive linguistics
zoom-in/zoom-out
Pokaż więcej
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:
https://bibliotekanauki.pl/articles/63509716.pdf  Link otwiera się w nowym oknie
Opis:
This article discusses the problem of scene construal in translation, based on a selected description of the battle scene in the Mahābhārata. It is an old Indian epic (c. 400 BCE–400 CE), the greatest epic of mankind (c. 100,000 stanzas), composed in Sanskrit, most likely orally, and certainly distributed in this way. Its main theme is the war between related families. In Indology, descriptions of battles have been treated as conventional because of their orality, however, a closer analysis shows their well- thought-out structure. The article discusses examples of zooming-in/out strategy (Langacker 2005) as one of the methods of active scene building. I show how the authors of the Mahābhārata construed doubly dynamic scenes in which both the content of the description (i.e. the fight) and the description itself is dynamic, reflecting the narrator’s movement. I also discuss the difficulties it presents to the Polish translator and consider the extent to which Polish inflection allows for a similar construal, thus meeting the translation requirements proposed by Tabakowska (1993). My hypothesis is that in many cases such doubly dynamic scenes can be successfully reflected in Polish, as opposed to an English translation (Cherniak 2008–9), thus preserving the extraordinary value of the original.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Draupadi’s image in the Mahabharata as the stereotype for physical beauty of its female heroines
Draupadi jako wzór piękna fizycznego bohaterek indyjskiego eposu Mahabharata
Autorzy:
Milewska, Iwona
Opis:
The article is an analysis of the stereotyped image of physical beauty of the heroines of Indian epic Mahabharata. The features of the character of main plot, Draupadi, are compared with these of minor female characters of this epic. Draupadi’s image is shown in many fragments coming from different books of the Mahabharata but the descriptions of the heroines of sub-stories, even if not so numerous are strikingly similar. The characters of sub-stories chosen for this comparison are Śakuntala, Damayanti, Lopamudra, Sukanya, the unnamed woman of frivolous behaviour and Savitri. The comparison of images of the female characters allows to check the potential influence of the image of the main female character on the range of other images of female beauty as shown in the Mahabharata. The question of probability of this potential influence is posed and discussed in detail.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł

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