Temat: perception - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Facing facts : neuronal mechanisms of face perception
Opis:: The face is one of the most important stimuli carrying social meaning. Thanks to the fast analysis of faces, we are able to judge physical attractiveness and features of their owners’ personality, intentions, and mood. From one’s facial expression we can gain information about danger present in the environment. It is obvious that the ability to process efficiently one’s face is crucial for survival. Therefore, it seems natural that in the human brain there exist structures specialized for face processing. In this article, we present recent findings from studies on the neuronal mechanisms of face perception and recognition in the light of current theoretical models. Results from brain imaging (fMRI, PET) and electrophysiology (ERP, MEG) show that in face perception particular regions (i.e. FFA, STS, IOA, AMTG, prefrontal and orbitofrontal cortex) are involved. These results are confirmed by behavioral data and clinical observations as well as by animal studies. The developmental findings reviewed in this article lead us to suppose that the ability to analyze face-like stimuli is hard-wired and improves during development. Still, experience with faces is not sufficient for an individual to become an expert in face perception. This thesis is supported by the investigation of individuals with developmental disabilities, especially with autistic spectrum disorders (ASD).
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 2.

Tytuł:: Smellscapes and diachronic olfaction
Autorzy:: Skrzypulec, Błażej
Opis:: According to a common view, olfactory experiences lack well-developed spatial content. Nevertheless, there is also an important opposition to such a restricted perspective on olfactory spatiality, which claims that a view ascribing only rudimentary spatial content to olfaction arises from a narrow focus on short and passive olfactory experiences. In particular, it is claimed that due to the active and diachronic aspects of olfaction, olfactory experiences represent ‘smellscapes,’ i.e., spatially organized arrangements of odor plumes. This paper considers the thesis that olfaction represents smellscapes by distinguishing weaker and stronger understandings of smellscapes. Weak smellscapes are odors standing in allocentric spatial relations, while strong smellscapes, in addition, are odors located at places having specific sizes and shapes. It is argued that only weak smellscapes are plausibly represented by human olfaction.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 3.

Autorzy:: Nęcka, Edward
Wydawca:: Elsvier
Opis:: Perception is a key to cognition because it provides basic information on which people construct mental representations of the world. It is also vital for creativity because the way people perceive things determines the way they think, reason, and solve problems. The role of perception in creative processes is reviewed according to such keywords as the creative organization of perception, physiognomic and allocentric perception, and visual thinking. Finally, the role of perception in art appreciation is discussed.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 4.

Tytuł:: Music Perception and Cognition as Action. Epistemological foundations of the psychology of perception
Autorzy:: Gruhn, Wilfried
Tematy:: perception
cognition
perceptual illusions
perception as action
ecological theory of perception; Pokaż więcej
Wydawca:: Akademia Pomorska w Słupsku
Powiązania:: https://bibliotekanauki.pl/articles/566464.pdf Link otwiera się w nowym oknie
Opis:: A general discussion of the epistemological foundations of a psychology of perception will be exemplified by examples from visual and aural illusions. Based on differences between perception and cognition, the idea of perception as action is introduced and discussed in the light of modern theories of perception. Finally, a clear differentiation between perception as the sensorial input and cognition as a process that generates meaning consolidates the focus on perception and action.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Structural unity of audio-visual experiences
Autorzy:: Skrzypulec, Błażej
Opis:: The temporal unity of multimodal audio–visual experiences seems to be stronger than their spatial unity. In particular, when one has an ordinary audio–visual experience, one is able to recognize that there is a non-visual part of space-behind one's head-but one is not aware of purely visual or auditory parts of time. This paper investigates the spatiotemporal unity of audio–visual experiences by applying a distinction between experiential contents and experiential structures, that is, relatively invariant ways of organizing content. General structural factors that determine multimodal unity are identified, which are also likely to be relevant to other types of multimodal experiences. In particular, it is shown that certain relationships between so-called ‘limitation structural boundaries’ lead to a limited multimodal unity where one is aware of unimodal parts of a multimodal experiential structure.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 6.

Tytuł:: Silence perception and spatial content
Autorzy:: Skrzypulec, Błażej
Opis:: It seems plausible that visual experiences of darkness have perceptual phenomenal content that clearly differentiates them from absences of visual experiences. I argue, relying on psychological results concerning auditory attention, that the analogous claim is true about auditory experiences of silence. More specifically, I propose that experiences of silence present empty spatial directions like "right" or "left", and so have egocentric spatial content. Furthermore, I claim that such content is genuinely auditory and phenomenal in the sense that one can, in principle, recognize that one is experiencing silence. This position is far from obvious, as the majority of theories concerning silence perception do not ascribe perceptual phenomenal content to experiences of silence.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 7.

Tytuł:: Smell and Taste in Art: Suggestions towards a Systematic Approach
Autorzy:: Sauer, Christian Dieter
Tematy:: senses
synesthetic
smell
taste
perception
perception spatial aspect
perception – bodily aspect
perception – temporal aspect
presence
physiology of the senses; Pokaż więcej
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Powiązania:: https://bibliotekanauki.pl/articles/1788547.pdf Link otwiera się w nowym oknie
Opis:: The reflections outlined in this paper on smell and taste in modern and contemporary art are divided into three larger chapters: an introductory literature review is followed by a general discussion of sense perception in terms of philosophy, physiology, and intellectual history; and this forms the backdrop for the main body, in which eight different approaches to olfactory and gustatory art are proposed. These categories take different levels as their starting point: for instance, they illuminate the significance of smell and taste as materialities, they address aspects of the process of perception, they posit questions concerning the affect of smell and taste, they consider spatial and temporal aspects, and they discuss the relation between perception and knowledge. The main body of the paper is concerned with these categories and their respective theoretical background, also providing concrete examples of relevant works of art.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: History as a Factor Creating the Value of a Luxury Brand
Autorzy:: Dryl, Wiktoria
Tematy:: luxury brand
brand value
brand value perception
luxury perception; Pokaż więcej
Wydawca:: Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Powiązania:: https://bibliotekanauki.pl/articles/16729110.pdf Link otwiera się w nowym oknie
Opis:: Theoretical background: The attributes of a luxury brand include both the physical characteristics of the product and the symbolic values that the brand provides to the consumers. Symbolism is interpreted as prestige, beauty, charisma, the creation of which requires larger and more time-consuming efforts than just producing a unique, expensive, high-quality product. An important aspect of a reliable, trustworthy image is the history of the brand and its creators. In the opinion of many authors, it is an important element of the brand’s value, not only shaping its luxurious image, but also providing psychological values. Although history is not always indicated directly among the attributes of luxury brands, it is the basis of other values ascribed to them. The luxurious nature of the brand is often defined in the literature through the prism of its symbolism, an important element of which is history, along with heritage and country of origin. A prestigious heritage is built and maintained in time and culture by brands that are embedded in historical notions of luxury. As a result of associations with the heritage, brand is perceived as the highest quality, unique and authentic one. Symbolism, heritage and the history of a luxury brand are related to emotional qualities of personal indulgence and self-expression. Purpose of the article: The aim of the article is to verify the importance of the history of the brand in the process of shaping the value of a luxury brand in the perception of consumers. Research methods: A total of 203 valid responses were collected from wealthy respondents declaring monthly income over PLN 20,000 gross. An analysis of the results of the study was carried out, as well as an analysis of the literature. Main findings: In the era of dynamic development of new technologies, unpredictable changes in consumer expectations towards companies and their offers, it turns out that history, heritage and attachment to tradition are highly valued by consumers of luxury goods. They shape a higher level of trust, both in the company’s brand and its products, and increase the consumers purchase willingness. Companies that can boast of long history should undoubtedly communicate it intensively and care about providing consumers not only with basic values related to the product itself, but also symbolic values, which are particularly important for consumer of luxury goods. History and the heritage of a luxury brand constitute one of the essential elements of the brand’s value and should also be treated as such by companies.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Need for closure and compensatory rule‐based perception : the role of information consistency
Autorzy:: Kossowska, Małgorzata
Dragon, Piotr
Opis:: When making comparisons, people tend to use routinized standards, rules, and knowledge structures. Compensatory rules (e.g., "if competent, then cold", "if incompetent, then warm") allow for the quick and easy evaluation of groups when they are compared. We claim that the application of these rules is especially attractive for people who are motivated to seek quick and firm answers (people high in the need for closure - NFC). However, we assume that when people are confronted with expectancy‐inconsistent information, higher levels of NFC lead to a lower reliance on these rules. This is because the inconsistency may serve as a signal that the rules no longer provide guidance on how to act. We demonstrated these effects in three studies set in different group contexts, where we manipulated expectancy‐consistent and expectancy‐inconsistent information. These findings allow for a more comprehensive view of the dynamic and diverse effects of NFC.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 10.

Tytuł:: Understanding perception of time in terms of perception of change
Autorzy:: Klincewicz, Michał
Opis:: In this paper, I offer an account of the dependence relation between perception of change and the subjective flow of time that is consistent with some extant empirical evidence from priming by unconscious change. This view is inspired by the one offered by William James, but it is articulated in the framework of contemporary functionalist accounts of mental qualities and higher-order theories of consciousness. An additional advantage of this account of the relationship between perception of change and subjective time is that is makes sense of instances where we are not consciously aware of changes but still experience the flow of time.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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