Temat: intersectionality - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: ‘In Drag’: Performativity and Authenticity in Zadie Smith’s NW
Autorzy:: Zapata, Beatriz Pérez
Tematy:: Authenticity
performativity
neocolonialism
intersectionality; Pokaż więcej
Data publikacji:: 2014-09-01
Powiązania:: https://bibliotekanauki.pl/articles/648338.pdf Link otwiera się w nowym oknie
Źródło:: International Studies. Interdisciplinary Political and Cultural Journal; 2014, 16; 83-95
1641-4233
2300-8695
Pojawia się w:: International Studies. Interdisciplinary Political and Cultural Journal
Opis:: Zadie Smith’s latest novel, NW, presents a multiverse in which multiplicity is driven into homogeneization by the forces of those dominant discourses that attempt to suppress the category of the “Other.” This paper focuses on the development of the two female protagonists. Their opposing attitudes towards motherhood, together with their confrontation with their origins, bring to the fore the performativity found in the discourses of gender, sexuality, class, and race. Thus, this paper will explore authenticity and performativity in a contemporary context, where patriarchal and neocolonial discourses still apply.
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 2.

Tytuł:: Book Review Krystyna Slany,Maria Kantos,Maria Liapi (eds.), Women in New Migrations: Current Debates in European Societies
Autorzy:: Pawlak, Mikołaj
Tematy:: migration
integration
women
intersectionality; Pokaż więcej
Data publikacji:: 2011-09-27
Powiązania:: https://bibliotekanauki.pl/articles/1929904.pdf Link otwiera się w nowym oknie
Źródło:: Polish Sociological Review; 2011, 175, 3; 417-420
1231-1413
2657-4276
Pojawia się w:: Polish Sociological Review
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 3.

Tytuł:: Intersekcjonalność na rozdrożach
Autorzy:: Oleksy, Elżbieta H.
Tematy:: intersectionality, subjectivity, sex, race, feminism; Pokaż więcej
Data publikacji:: 2014
Powiązania:: https://bibliotekanauki.pl/articles/636757.pdf Link otwiera się w nowym oknie
Źródło:: Przegląd Kulturoznawczy; 2014, 2(20)
1895-975X
2084-3860
Pojawia się w:: Przegląd Kulturoznawczy
Opis:: The article considers the intersectionality issue – its potential for contemporary research and its status among other theoretical propositions. The author presents in her text the history of the analyzed concept, as well as the main theoretical directions of it and also asks for its use in the future. Intersectionality is considered in the paper in relation to feminist theory, theories of multiculturalism, ethnographic research, and to legal discussions. The author also cites the main originators and researchers of intersectionality: Kimberlé Crenshaw, Johanna Kantola and Nousiainen Kevät, Kathy Davis.
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 4.

Tytuł:: Quitting Comedy: Analyzing the Autistic Aesthetics in Hannah Gadsby’s Stand-up Performances
Autorzy:: Chatterjee, Sinchan
Tematy:: autism
crip
intersectionality
killjoy
performativity; Pokaż więcej
Data publikacji:: 2024-04
Powiązania:: https://bibliotekanauki.pl/articles/52229636.pdf Link otwiera się w nowym oknie
Źródło:: Didaskalia. Gazeta Teatralna; 2024, 180; 142-166
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Opis:: This paper explores the (de-)constructive and critical role that autism can play in transforming the art of stand-up comedy. Analysing various aspects of audio-visual performance in Hannah Gadsby’s sets, Nanette and Douglas, this paper will attempt to identify a new autistic aesthetics in Gadsby’s performance and examine its differential relation to conventional neurotypical modalities of performing comedy. This paper will also examine how Gadsby revolutionizes and crips comedy to create space for the ‘negative’ affects (anger, tension), traditionally excluded from the domain of stand-up, in order to extract the therapeutic efficacy of ‘connection’ through story-telling.
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 5.

Tytuł:: MORAVIANS, MORMONS, MOONIES: THINKING ABOUT RELIGION, MIGRATION, AND MARRIAGE ACROSS U.S. HISTORY
Autorzy:: Sinke, Suzanne M.
Tematy:: RELIGION
MIGRATION
MARRIAGE PATTERNS
ETHNICITY
INTERSECTIONALITY; Pokaż więcej
Data publikacji:: 2014
Powiązania:: https://bibliotekanauki.pl/articles/579821.pdf Link otwiera się w nowym oknie
Źródło:: Studia Migracyjne - Przegląd Polonijny; 2014, 40, 1 (151); 89-106
2081-4488
2544-4972
Pojawia się w:: Studia Migracyjne - Przegląd Polonijny
Opis:: The study is aimed at exploring the relationship between migration, religious affiliation and marriage patterns. Drawing on the examples of three religious groups in the USA, i.e. United Brethren (Moravians), Church of Jesus Christ of Latter-Day Saints (Mormons) and Unification Church (Moonies) the paper seeks to answer the following questions: What were the consequences of religious migrations for family formation? How did marriage migration fit into religious patterns? What sanctioned options existed for adult migrant not in heterosexual relations? How did religious affiliation interact with national belonging? All groups fell outside the mainstream of religious practice of their day with Utopian visions that related at least somewhat to marriage patterns. All promoted family formation along religious lines and in so doing downplayed other categories of identity such as ethnicity or nationality.
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 6.

Tytuł:: „Naszym światem włada nieczułość” #MeToo i transformacja
"Our World Is Ruled by Insensitivity." The #MeToo Movement and Its Transformation
Autorzy:: Adamiecka-Sitek, Agata
Tematy:: #MeToo
discrimination
intersectionality
"Gardzienice"
institutional critique; Pokaż więcej
Data publikacji:: 2021-02
Powiązania:: https://bibliotekanauki.pl/articles/1815527.pdf Link otwiera się w nowym oknie
Źródło:: Didaskalia. Gazeta Teatralna; 2021, 161; 86-134
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Opis:: The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional, and social transformations, looking first of all at the dynamics the movement has created in theater in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theater: the "master and apprentice" model defining the position of a director and the "feudal" model visible in institutional relations.Looking at the "Gardzienice" case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theater. In this way, she outlines possible directions for action in Polish theater. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 7.

Tytuł:: Socioeconomic precariousness in times of COVID-19: A human rights quandary under the ECHR
Autorzy:: Ganty, Sarah
Tematy:: COVID-19
discrimination
intersectionality
poverty
stereotypes; Pokaż więcej
Data publikacji:: 2020
Powiązania:: https://bibliotekanauki.pl/articles/2143030.pdf Link otwiera się w nowym oknie
Źródło:: Polish Yearbook of International Law; 2020, 40; 151-177
0554-498X
Pojawia się w:: Polish Yearbook of International Law
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 8.

Tytuł:: Mapping belonging: analysing spaces with oral history in the border region of Melilla and Nador
Autorzy:: Steinberger, Sofie
Tematy:: Oral History
Border
Space
Belonging
Intersectionality; Pokaż więcej
Data publikacji:: 2023
Powiązania:: https://bibliotekanauki.pl/articles/31803974.pdf Link otwiera się w nowym oknie
Źródło:: Wrocławski Rocznik Historii Mówionej; 2023, 13; 64-84
2719-7522
2084-0578
Pojawia się w:: Wrocławski Rocznik Historii Mówionej
Opis:: This contribution shows how oral history and the concept of ‘belonging’ can be used for the analysis of spatial notions in borderlands over time. By giving examples of her research in the border region of Melilla (Spain) and Nador (Morocco), the author presents a transnational and intersectional approach and shows how spatial imaginaries can be taken into view from a historical perspective.
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 9.

Tytuł:: Moje ciało, moje zasady. „Carte noire nommée désir” Rébekki Chaillon w kontekście historii i kultury kolonialnej Francji
My Body, My Rules. The Performance Carte noire nommée désir by Rébecca Chaillon in the Context of French Colonial Past
Autorzy:: Semenowicz, Dorota
Tematy:: postcolonial theater
blackness
Chaillon
intersectionality
race; Pokaż więcej
Data publikacji:: 2024-04
Powiązania:: https://bibliotekanauki.pl/articles/52229633.pdf Link otwiera się w nowym oknie
Źródło:: Didaskalia. Gazeta Teatralna; 2024, 180; 52-75
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Opis:: The article proposes an analysis of the performance Carte noire nommée désir by the Afro-French artist Rébecca Chaillon and situates it both in the sociohistorical context of France and in the intersectional theories of such scholars as Elsa Dorlin, Sander L. Gilman and Patricia Hill Collins. It demonstrates how Rébecca Chaillon highlights the overlap of oppressive systems, such as racism, sexism and heterosexism, and uses her own body to dismantle sexist and racist clichés. In her performance the body becomes not only a topic, but also a tool in the fight of black French women for their subjectivity and right to self-determination. The article also draws attention to other black French theatre directors and choreographers whose artistic works have been noticed on the French stage in the last 15 years. This permits the author to consider an emergence of a new type of spectacle of blackness in which race is not an ideological category (biological and unchanging) as it was in the case of the colonial spectacle, but a political and identity category (referring to a common history and experience of discrimination).
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 10.

Tytuł:: “Our World Is Ruled by Insensitivity”: The #MeToo Movement and Transformation
Autorzy:: Adamiecka-Sitek, Agata
Rusek, Mirosław
Tematy:: #MeToo
discrimination
intersectionality
Gardzienice
institutional critique; Pokaż więcej
Data publikacji:: 2021-12
Powiązania:: https://bibliotekanauki.pl/articles/1955947.pdf Link otwiera się w nowym oknie
Źródło:: Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 4-41
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Opis:: The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional and social transformations, looking first of all at the dynamics the movement has created in theatre in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theatre: the “master and apprentice” model defining the position of a director and the “feudal” model visible in institutional relations. Looking at the Gardzienice case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theatre. In this way, she outlines possible directions for action in Polish theatre. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Dostawca treści:: Biblioteka Nauki

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