Temat: Andronicus - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: “Lawes of the Forrest”: Mapping Violence on the Female Bodyscape in Titus Andronicus
Autorzy:: Kowalcze-Pawlik, Anna
Tematy:: bodyscape, law, Titus Andronicus, violence; Pokaż więcej
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:: https://bibliotekanauki.pl/articles/639119.pdf Link otwiera się w nowym oknie
Opis:: This paper discusses the definition of the forest as a space regulated by the repetitive act of appropriation on the part of the royal authority as well as the correspondences between the rhetoric of forest possession and the construction of another locus communis for the political use of nature, i.e. female body. Spatialization/naturalization of the female body in William Shakespeare’s Titus Andronicus is introduced with the use of the interlocking imaginary topographies of “feminized” topography of Rome and that of the forest as a whore. It is between these two that the politicized female bodies of Lavinia and Tamora oscillate, mapped in language as bodyscapes, onto which violence of “lawes of the forrest” is inscribed.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: "Lawes of the Forrest" : mapping violence on the female bodyscape in "Titus Andronicus"
Autorzy:: Kowalcze-Pawlik, Anna
Opis:: This paper discusses the defi nition of the forest as a space regulated by the repetitive act of appropriation on the part of the royal authority as well as the correspondences between the rhetoric of forest possession and the construction of another locus communis for the political use of nature, i.e. female body. Spatialization/naturalization of the female body in William Shakespeare’s Titus Andronicus is introduced with the use of the interlocking imaginary topographies of “feminized” topography of Rome and that of the forest as a whore. It is between these two that the politicized female bodies of Lavinia and Tamora oscillate, mapped in language as bodyscapes, onto which violence of “lawes of the forrest” is inscribed.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 3.

Tytuł:: Shakespeare’s Exceptional Violence: Reading Titus Andronicus with Hannah Arendt and Giorgio Agamben
Autorzy:: Porcelli, Stefania
Tematy:: Titus Andronicus
violence and power
biopolitics
Giorgio Agamben
Hannah Arendt; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/653537.pdf Link otwiera się w nowym oknie
Opis:: In this paper I explore the multifaceted relationship between violence, speech and power in the most graphic of Shakespeare’s plays, Titus Andronicus. I take my cue from Hannah Arendt’s reflections on violence as opposed to power, and as something “incapable of speech,” but I read the play through the lens of Giorgio Agamben’s notion of sovereignty as the suspension of the law. I consider the dichotomy speech/muteness as an example not only of the dichotomy power/violence (Arendt) but also of the opposition between bios and zoe, that is the difference between a life worth to be included in the political realm and a life understood as the mere condition of being alive, a condition common to human beings and beasts (according to classical philosophy). In Titus Andronicus, these distinctions are blurred, and zoe becomes fully exposed to the sovereign decision. While the image of a mutilated and mute body cannot match Arendt’s idea of politics as the combination of speech and action bereft of violence, Agamben has developed the notion of a politics that renders life disposable, mute, bare, and can still be called politics or power, and precisely biopower. From this perspective, I argue, Lavinia and the other characters of Titus Andronicus are the embodiment of the concept of “bare life” as developed by Agamben, and Shakespeare’s Rome is a State of exception and of exceptional violence.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus
Autorzy:: Żukowska, Agnieszka
Tematy:: William Shakespeare
Titus Andronicus
Lavinia
automaton
sculpture
automatic waterwork
Joyous Entry; Pokaż więcej
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Powiązania:: https://bibliotekanauki.pl/articles/2049069.pdf Link otwiera się w nowym oknie
Opis:: The present study focuses on the poetics of failed festivity in William Shakespeare’s Titus Andronicus, tracing analogies between early modern festival culture, in particular the Joyous Entry of the Renaissance prince into the city, and the machinery of the play, which is set in motion by Titus. The principal element of this machinery is the figure of Lavinia, who can be seen as the inverted version of such wonders of occa- sional architecture and civic pageantry as the automaton, the breathing sculpture and the automatic waterwork. One of the major problems explored is the confrontation of reality and fiction, or human flesh and art, in the manifestly echoic universe of the play, where the objectified automaton-like figure responds to the actions of its animators with its own stirring.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Jaki grzech, taka i kara. Śmierć jako odpłata za grzech według Drugiej Księgi Machabejskiej
Like-for-Like. Death as a Retribution for Sin According to the Second Book of Maccabees
Autorzy:: Laskowski, Łukasz
Tematy:: 2 Mch
kara
grzech
historiografia
Jazon
Menelaos
Antioch Epifanes
Andronik
Lizymach
Kallistenes
Nikanor
2 Macc
punishment
sin
historiography
Jason
Menelaus
Antiochus Epiphanes
Andronicus
Lysimachus
Callisthenes
Nicanor; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Powiązania:: https://bibliotekanauki.pl/articles/1044246.pdf Link otwiera się w nowym oknie
Opis:: Artykuł zawiera analizy obecnego w Drugiej Księdze Machabejskiej charakterystycznego sposobu kompozycji epizodów o śmierci grzeszników. Umierają oni w sposób, który uwydatnia związek ich zgonu z popełnianymi wcześniej grzechami. Osobnym tematem jest historia Antiocha IV Epifanesa. Król ten skonał jako buntownik przeciw Bogu. Autor połączył tu analizowany motyw z legendami o theomachoi. Antioch nie będzie miał udziału w zmartwychwstaniu do życia, gdy ciała świętych zostaną odrodzone, a utracone części ciała przywrócone. Taki sposób interpretacji historii jest wynikiem katechetycznych tendencji księgi.
This work presents a characteristic way of composition of episodes about deaths of sinners present in Second Book of Maccabees. They die in a way that emphasizes the relationship between the type of their death and previous sins. A separate topic is the story of Antiochus IV Epiphanes. This king died as a rebel against God. The author combined here the motif of concern with legends about theomachy. Antiochus will not have a part in the resurrection of life when the bodies of the saints are reborn and the lost parts of the body are restored. This way of interpreting history is the result of the catechetical tendencies of the book.
Dostawca treści:: Biblioteka Nauki

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