Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "MUSIC" wg kryterium: Temat


Tytuł:
Muzyka klasyczna w Imperium Osmańskim
European Classical Music in the Ottoman Empire
Autorzy:
Pawlina, Agata
Tematy:
music
Ottoman music
Turkish music
westernization (Turkey)
Pokaż więcej
Wydawca:
Polskie Towarzystwo Orientalistyczne
Powiązania:
https://bibliotekanauki.pl/articles/578010.pdf  Link otwiera się w nowym oknie
Opis:
This paper aims to present a historical overview of the westernization process in music culture of the Ottoman Empire. Contrary to what is generally believed, the transformation of Ottoman music from the monophonic system based on melodic and rhythmic patterns (makams and usuls) to the European polyphony was not the idea of the newly formed Turkish state of the early 20th century. In the beginning of the 19th century, the Ottoman Empire faced decline. Under the threat of European domination, remaining sultans tried to balance the level of development in science and technology between the West and their own country by great reforms. In the 19th century, for the Ottoman court the adaptation of the western music system was a symbol of acculturation and modernization. In the last decades of the Ottoman Empire, with the help of European musicans and theoreticians, the first institutions of western style music education were established. Thus, surprisingly, music culture seems to be a shared heritage of the Ottoman Empire and the Republic of Turkey.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Key-Finding Algorithm Based on Music Signature
Autorzy:
Kania, Dariusz
Kania, Paulina
Tematy:
music information retrieval
computational music cognition
music data mining
music visualisation
Pokaż więcej
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Powiązania:
https://bibliotekanauki.pl/articles/177312.pdf  Link otwiera się w nowym oknie
Opis:
The paper presents the key-finding algorithm based on the music signature concept. The proposed music signature is a set of 2-D vectors which can be treated as a compressed form of representation of a musical content in the 2-D space. Each vector represents different pitch class. Its direction is determined by the position of the corresponding major key in the circle of fifths. The length of each vector reflects the multiplicity (i.e. number of occurrences) of the pitch class in a musical piece or its fragment. The paper presents the theoretical background, examples explaining the essence of the idea and the results of the conducted tests which confirm the effectiveness of the proposed algorithm for finding the key based on the analysis of the music signature. The developed method was compared with the key-finding algorithms using Krumhansl-Kessler, Temperley and Albrecht-Shanahan profiles. The experiments were performer on the set of Bach preludes, Bach fugues and Chopin preludes.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wzorce i eksperymenty: struktury kompozycyjne w muzyce popularnej Japonii
Patterns and experiments: Compositional structures in Japanese popular music
Autorzy:
Szewczyk, Karolina
Tematy:
Japanese music
music theory
scales
jazz music
20th century music
21st century music
Pokaż więcej
Wydawca:
Wydawnictwo Adam Marszałek
Powiązania:
https://bibliotekanauki.pl/articles/51827400.pdf  Link otwiera się w nowym oknie
Opis:
This work is a study of Japan’s popular music and its theoretical aspects, as well as an analysis of the influence of jazz music on its development. It begins by defining Japanese music, then the history of music in Japan in the 20th century is outlined. Subsequent chapters are devoted to music theory, with particular emphasis on comparing the use of intervals and scales in Western and Japanese music. The work discusses the theory of Japanese scales, analyzing their structure and function in the context of modern Japanese music. The next chapter focuses on the popular music in Japan in the 21st century, while identifying its characteristic features. Special attention is given to the influence of jazz on the development of Japanese popular music and its presence in today’s musical culture. The final chapter compares mainstream popular music from Japan, Poland and the USA, showing the differences and similarities in styles, structure and use of musical elements. The paper ends with conclusions emphasizing the importance of understanding cultural and theoretical context in music research.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Automatic Music Summarization.A "Thumbnail" Approach
Autorzy:
Głaczyński, J.
Łukasik, E.
Tematy:
automatic music summarization
music thumbnail
key phrases
automatic music transcription
music information retrieval
Pokaż więcej
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Powiązania:
https://bibliotekanauki.pl/articles/177412.pdf  Link otwiera się w nowym oknie
Opis:
In the paper, various approaches to automatic music audio summarization are discussed. The project described in detail, is the realization of a method for extracting a music thumbnail – a fragment of continuous music of a given duration time that is most similar to the entire music piece. The results of subjective assessment of the thumbnail choice are presented, where four parameters have been taken into account: clarity (representation of the essence of the piece of music), conciseness (the motifs are not repeated in the summary), coherence of music structure, and overall quality of summary usefulness.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Music education through audiation teaches aesthetically
Autorzy:
Zwolińska, Ewa
Tematy:
Music education
aesthetic upbringing
listening to music
understanding music
Pokaż więcej
Wydawca:
Uniwersytet Kazimierza Wielkiego w Bydgoszczy
Powiązania:
https://bibliotekanauki.pl/articles/1178507.pdf  Link otwiera się w nowym oknie
Opis:
Music education through audiation consists of two processes: 1) informal direction developing subjective sense of tonality and meter, which takes place at home and nursery on the basis of intuition and learning how to audiate things; 2) formal teaching in school in order to develop a sense of objective tonality and meter, in which the emphasis is on understanding and mastering of how things should be audiated. Aesthetics is a general theory of art, a science of: 1) social and psychological sources of the formation of art and views on it; 2) social function of art and its development; 3) evaluation criteria for items in terms of their beauty; 4) historical development of the criteria of beauty. The article poses the question of whether music education is based on the assumptions of the theory of learning music by Gordon combined with aesthetic education in terms of Lissa. The purpose of music education and art education is to develop interests and needs of one’s own experience of artistic expression in an imitative and creative activity in various forms. There were attempts of showing that aesthetic education is a natural consequence of implementation of music education based on learning theory and it was suggested to combine learning theory with aesthetic music education due to a common area of interest – dealing with the so-called aesthetic situations, and in the framework of the creator, the creative process, the work of art, listener, process, perception of art and aesthetic values. Remarks by Gordon and Lissa are consistent, intriguing and useful to create a music curriculum.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofia nowej muzyki – rediviva
Autorzy:
Brożek, Anna
Tematy:
philosophy of music
epistemology of music
ontology of music
axiology of music
Pokaż więcej
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Powiązania:
https://bibliotekanauki.pl/articles/429145.pdf  Link otwiera się w nowym oknie
Opis:
Problems of the philosophy of music may be divided into three domain: ontological, epistemological and axiological one. In the ontological domain, the ontological status of such objects as sounds and wholes composed of them, especially of musical compositions, is a leading problem. In the epistemological domain, the problem of how to obtain the adequate cognition of music plays a similar role. Finely, in the axiological domain, one finds the problem of what is the general value of musical composition which is based on partial values of different kinds as a crucial problem. In the paper, I analyze these problems from the point of view of traditional music and describe how the perspective changes if we take new music into considerations.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Auditory Display Applied to Research in Music and Acoustics
Autorzy:
Kostek, B.
Tematy:
auditory display
music
acoustics
music technology
music information retrieval
sonification
music annotation
Pokaż więcej
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Powiązania:
https://bibliotekanauki.pl/articles/176425.pdf  Link otwiera się w nowym oknie
Opis:
This paper presents a relationship between Auditory Display (AD) and the domains of music and acoustics. First, some basic notions of the Auditory Display area are shortly outlined. Then, the research trends and system solutions within the fields of music technology, music information retrieval and music recommendation and acoustics that are within the scope of AD are discussed. Finally, an example of AD solution based on gaze tracking that may facilitate music annotation process is shown. The paper concludes with a few remarks about directions for further research in the domains discussed.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Peripheral electronic music : an ethnographic study of rock doido parties in northern Brazil
Autorzy:
Magalhães, Manoel
Opis:
Tecnobrega is a peripheral electronic music produced since the 2000s in the state of Pará, in northern Brazil. It is marked by the mix of traditional local romantic music, the rhythms from the Caribbean and electronic music globalized by the spread of recording technologies. In the last decade, the tecnobrega unfolded in several rhythm variants. This work presents an ethnography of parties related to new trend called 'rock doido,' the main current phenomenon of electronic music in Pará, both due to the size of the parties and the reach in digital media. The article presents the results of field research that were carried out in two events that took place in the city of Belém (capital of Pará state) in 2023. The first experience takes place at the Crocodilo Sound System Party, which focuses on the execution of the repertoire of rock doido. The second is a presentation by DJ Lorran, the main name of the rock doido in Pará today. The research also cross-discusses the spread of Pará production in the context of global-peripheral electronic music, enhanced by digital tools such as YouTube and social media.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Fryderyk Chopin in popular instrumental music
Autorzy:
Kasperski, Jakub
Tematy:
Fryderyk Chopin
popular culture
popular music
instrumental music
rock music
electronic music
inspiration
reception
Pokaż więcej
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:
https://bibliotekanauki.pl/articles/780379.pdf  Link otwiera się w nowym oknie
Opis:
The author considers whether Fryderyk Chopin and his oeuvre may be regarded as part of popular culture - and if so, to what extent. However, the text is mostly taken up with analysis of popular instrumental music inspired by Chopin’s works in various ways: from simple quotation, adaptation and transcription to more sophisticated instrumentation and arrangement, free improvisation or even the creation of a completely new work derived from a single motif or sample from Chopin. Consequently, the author deals with the problem of reception, but also with the issue of transculturation and the relationship between high and popular culture. The article shows and describes the variety of Chopin inspiration in a wide range of styles and genres of popular music, such as rock music, easy-listening, electronic music, dance music and disco.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ethnologia Polona 39 2018 (2019)
Indonesian Music-Culture as a Personal and Research Experience
Autorzy:
Popławska, Marzanna
Wydawca:
Institute of Archaeology and Ethnology Polish Academy of Sciences
Powiązania:
Okazaki Y. 1994. Music, Identity, and Religious Change among the Toba Batak People of North Sumatra. Ph.D. dissertation, University of California.
Lucy S. 2005. Ethnic and cultural identities. In M. Diaz-Andreu, L. Sam, S. Babić, D. N. Edwards (eds.), Archaeology of Identity. London: Routledge, 86–109.
Turino T. 2008. Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.
Cooley T J., Barz G. (eds.). 2008. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Second Edition. New York: Oxford University Press.
Hodges W. R. 2009. Ganti Andung, Gabe Ende (Replacing Laments, Becoming Hymns): The Changing Voice of Grief in the Pre-funeral Wakes of Protestant Toba Batak (North Sumatra, Indonesia). Ph.D. dissertation, University of California Santa Barbara.
Kunst J. 1942. Music in Flores. A Study of the Vocal and Instrumental Music among the Tribes Living in Flores. Leiden: E.J. Brill.
Poplawska M. 2018. Inculturation, institutions, and creation of localized Congregational repertoire in Indonesia. In M. Ingalls, M. Swijghuisen Reigersberg, Z. Sherinian (eds.), Locating Christian Congregational Music: Indigeneity, Cosmopolitanism, and Diversity. Abingdon, New York: Routledge, 133–158.
Solis T. (ed.). 2004. Performing Ethnomusicology: Teaching and Representation in World Music Ensembles. Berkeley and Los Angeles: University of California Press.
Shelemay Kaufman K. 2001. Soundscapes: Exploring Music in a Changing World. New York and London: W. W. Norton & Company.
Wilfred F. (ed.). 2014. The Oxford Handbook of Christianity in Asia, New York: Oxford University Press.
Berger H. M. 2008. Phenomenology and the Ethnography of Popular Music: Ethnomusicology at the Juncture of Cultural Studies and Folklore. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 62–75.
Nettl B. 2005. The Study of Ethnomusicology: Thirty-one Issues and Concepts. New Edition. Urbana: University of Illinois Press.
Titon J. T. 2008. Knowing fieldwork. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 25–41.
Merriam A. 1960. Ethnomusicology, Discussion, and Definition of the Field. Ethnomusicology 14, 107–14.
Díaz-Andreau M. 2005. The Archeology of Identity: Approaches to Gender, Age, Status, Ethnicity and Religion. London, New York: Routledge.
Warden N. 2016. Ethnomusicology’s “identity” problem: the history and definitions of a troubled term in music research, El oído pensante 4(2). Retrieved from http://ppct.caicyt.gov.ar/index.php/oidopensante.
Dueck J. 2016. The Oxford Handbook of Music and World Christianities, Oxford University Press.
Wiebe D. 2017. Contextual Church Reform and the Secularization of ‘Sacred’ Balinese Music and Dance: Forging Protestant/Hindu Music Networks in an Age of Mass Tourism. Ph.D. dissertation, Wesleyan University.
Rice T. 2007. Reflections on music and identity in ethnomusicology, Muzikologija 7, 17–38.
Kunst J. 1994 [1946] Indigenous Music and the Christian Mission. In Indonesian Music and Dance: Traditional Music and its Interaction with the West. Amsterdam: Royal Tropical Institute, 57–87.
Aragon L. V. 2000. Fields of the Lord: Animism, Christian Minorities, and State Development in Indonesia. Honolulu: University of Hawai’i Press.
Manhart T. M. 2004. A Song for Lowalangi – The Interculturation of Catholic Mission and Nias Traditional Arts with Special Respect to Music. Ph.D. dissertation, National University of Singapore.
Cottrell S. 2007. Local bimusicality among London’s freelance musicians. Ethnomusicology, 51(1), 85–105.
Ethnologia Polona
Barz G. F. 2003. Performing Religion: Negotiating Past and Present in Kwaya Music of Tanzania. New York: Rodopi.
Dominguez V. R., Wu D. Y. H. (eds.). 1998. From Beijing to Port Moresby: The Politics of National Identity in Cultural Politics. Amsterdam: Gordon and Breach Publishers.
Poplawsk a M. 2011. Christianity and inculturated music in Indonesia. Southeast Review of AsianStudies 33, 186–198.
Rasmussen A. K. 2004. Bilateral negotiations in bimusicality: insiders, outsiders, and the “real version” in Middle Eastern music performance. In T. Solís (ed.), Performing Ethnomusicology. Berkeley and Los Angeles: University of California Press, 215–228.
Cooley T J. and Barz G. 2008. Casting Shadows: Fieldwork Is Dead! Long Live Fieldwork! – Introduction. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 3–24.
Rice T. 2008. Toward a mediation of field methods and field experience in ethnomusicology. In T. Cooley and G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 42–61.
Poplawska M. 2004. Wayang Wahyu as an example of Christian forms of shadow theatre. Asian Theatre Journal 21(2), 194–202.
Kim J. K. 2004. Mission Strategy for the Javanese Church of Tomorrow in the Province of Yogyakarta. Ph.D. dissertation, Biola University.
Muhammad M. et al. 2015. Reflections on researcher identity and power: the impact of positionality on community based participatory research (CBPR) processes and outcomes. Critical Sociology 41(7–8), 1045–1063.
Meka V. A. G. 2012. Katolicka kultura muzyczno-liturgiczna w regionie Manggarai na wyspie Flores (Indonezja). Ph.D. dissertation, Katolicki Uniwersytet Lubelski.
Geertz C. 1960. Religion of Java. University of Chicago Press.
Stokes, M. (ed.). 1994. Ethnicity, Identity and Music: The Musical Construction of Place. Oxford/Providence, USA: Berg Publishers.
Slobin M. 1994. Music in diaspora: the view from Euro-America. Diaspora: A Journal of Transnational Studies 3(3), 243–251.
Merriam A. 1964. The Anthropology of Music. Evanston: Northwestern University Press.
Rappoport D. 2004. Ritual music and Christianization in the Toraja Highlands, Sulawesi. Ethnomusicology 48(3), 378–404.
Wong D. 2008. Moving: from performance to performative ethnography and back again. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press.
Notosudirdjo F. S. 2001. Music, Politics, and the Problems of National Identity in Indonesia. Ph.D. dissertation, University of Wisconsin–Madison.
Blacking J. 1973. How Musical is Man? Seattle: University of Washington Press.
Keane W. 2007. Christian Moderns: Freedom and Fetish in the Mission Encounter. Berkeley and Los`Angeles: University of California Press.
Poplawska M. 2016. New Christian music in Indonesia: inculturation in transition. In P. Bohlman, J. Engelhardt (eds.), Resounding Transcendence: Transitions in Music, Religion, and Ritual. New York: Oxford University Press, 111–125.
Herndon M. 1993. Insiders, outsiders: knowing our limits, limiting our knowing. The World of Music 35(1), 63–80.
Shelemay Kaufman , K. 2008. The ethnomusicologist, ethnographic method, and the transmission of tradition. In T. Cooley & G. Barz (eds.), Shadows in the Field. New York: Oxford University Press.
Solís T. 2004. Introduction. Teaching what cannot be taught: an optimistic overview. In T. Solís (ed.), Performing Ethnomusicology. Berkeley and Los Angeles: University of California Press.
Perlman M. 1994. American Gamelan in the garden of Eden: intonation in a cross-cultural encounter. The Musical Quarterly, 78(3), 510–555.
Sunquist S. W., W. B. Eerdmans (eds.). 2001. A Dictionary of Asian Christianity, Michigan: Publishing Company.
Hood M. 1960. The Challenge of Bi Musicality. Ethnomusicology 4(2), 55–59.
Smith L. T. 2012. Decolonizing Methodologies: Research and Indigenous Peoples, Second edition. London: Zed Books.
Berger H. M. 2015. Phenomenological Approaches in the History of Ethnomusicology. Oxford Handbooks Online.
Aragon L. V. 1996. Suppressed and Revised Performances: Raego’ Songs of Central Sulawesi, Ethnomusicology 40(3), 413–438.
Mendieta E. 2003. Afterword: Identities: Postcolonial and Global. In L. M. Alcoff, E. Mendieta (eds.), Identities: Race, Class, Gender, and Nationality. Malden, MA: Blackwell Pub.
Giuriati G. 2001. Ki Mantle Hood. In Grove Music Online, L. Macy (ed.). Oxford University Press. Retrieved from .
Frith S. 1996. Music and identity. In S. Hall, P. Du Gay (eds.), Questions of Cultural Identity. Thousand Oaks, CA: Sage Publications, Inc., 108–127.
Poplawska M. 2020. Performing Faith: Christian Music, Identity and Inculturation in Indonesia. Abingdon, New York: Routledge.
Steenbrink K. 2015. Catholics in Independent Indonesia: 1945–2010. Brill.
Merriam A. 1977. Definitions of ‘Comparative Musicology’ and ‘Ethnomusicology’: a historical theoretical perspective. Ethnomusicology 21(2), 189–204.
Yoder McCulloh L. 1987. The Introduction and Expression of Islam and Christianity in the Cultural Context of North Central Java. Ph.D. dissertation, Fuller Theological Seminary, School of World Mission.
Brinner B. 1995. Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction, University of Chicago Press.
Opis:
ill. ; 24 cm
il. ; 24 cm
In this article, I address music – that is, humanly and purposefully organized sound (Blacking 1973; Shelemay 2001) – as a personal, cultural and research experience. Drawing on my experience of learning, researching and performing Indonesian music, I discuss several issues that are pertinent to the ethnomusicological/anthropological study of non-native music-cultures. I examine the concept of bi-musicality, its challenges and limitations; the role of a phenomenological perspective and hermeneutics in conceptualizing the complexities of music experience and meaning in music; and the role of music in shaping identity, especially at the community level.
Dostawca treści:
RCIN - Repozytorium Cyfrowe Instytutów Naukowych
Książka

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies