Temat: Nazism - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Rehabilitation of nazism as a crime in the Criminal Code of the Russian Federation
Autorzy:: Laskowska, Katarzyna
Tematy:: Nazism
rehabilitation of Nazism
criminal code of the Russian Federation; Pokaż więcej
Wydawca:: Uczelnia Łazarskiego. Oficyna Wydawnicza
Powiązania:: https://bibliotekanauki.pl/articles/2197772.pdf Link otwiera się w nowym oknie
Opis:: The paper discusses with the crime of rehabilitation of Nazism contained in the 1996 Criminal Code of the Russian Federation. It presents the rationale for its introduction into the legislation, the scope of the legal regulation, and its evaluation in terms of its content and edition. For the purpose of the publication, research questions were posed, the answers to which demonstrated the political and populist nature of the regulation and its imprecise casuistic approach, which brings few benefits to Russia’s criminal policy.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Pamięć o 1945 roku z perspektywy 70. lat w historiografii i publicystyce niemieckiej
Autorzy:: Matelski, Dariusz
Tematy:: Germany
Polska
Nazism; Pokaż więcej
Wydawca:: Wydawnictwo Adam Marszałek
Powiązania:: https://bibliotekanauki.pl/articles/2007453.pdf Link otwiera się w nowym oknie
Opis:: After World War Two, German historiography focused its attention on a few aspects: 1) the resistance movement in Nazi Germany; 2) losses that Germans suffered from the Allies in the years 1943-45 (air raids, contributions, plunder, rapes and robbing); 3) the occupation and 45-year long division of Germany. Only if the events were shown in this way, could Germans play the role of the victims instead of initiators of the war. The end of every decade after the fall of the Third Reich brought a discussion on the year 1945. A question was asked: Was it the end of German statehood or was it rather the beginning of a new stage on the way to a democratic state of free German countries? At the same time, East German historians argued with West German ones on the continuity of the German Reich after 1945. From 1951, it was the German Federal Republic that identified itself with the German Reich. Since the reunion of both German countries, the historiography of the new, joint German state has tried to show that the Third Reich was not rooted in German tra ditions, but was – as Ernst Nolte claimed – a „false link in the history of Germany”, and that the feeling of defeatism prevailed among Germans in 1945. It was social democrats and communists that were first to shake off that feeling. The contemporary German Federal Republic, does not feel responsible for the Third Reich, even though it is its legal heir. Summing up the positions of German historiography (in the years 1949-1990 of two German states – the German Federal Republic and the German Democratic Republic), I believe that the escape from the Eastern Front, expelling Germans, unconditional surrender, and hardships of the post-war period were the direct result of the war started in 1939 by the German nation led by Adolf Hitler. The sooner Germans universally accept it, the more respected European nation they will become. They must also recognise the fact that after 700 years, history came full circle – both Polish and German peoples have returned to their roots – the times when their predecessors came as settlers and conquerors…
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: In a dreary swamp of fantasy : Jonathan Littell is once again looking at the fascist soul
W ponurym bagnie fantazji : Jonathan Littell po raz kolejny przygląda się faszystowskiej duszy
Autorzy:: Urbanowski, Maciej
Miecznicka, Magdalena
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 4.

Tytuł:: Czystość krwi ponad wszystko. Cykl o Harrym Potterze z perspektywy ideologii narodowego socjalizmu
Pure Blood Above All. Harry Potter and the Ideology of National Socialism
Autorzy:: Dobrzycki, Jarosław
Tematy:: eugenics
Harry Potter
ideology
Nazism; Pokaż więcej
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Powiązania:: https://bibliotekanauki.pl/articles/784501.pdf Link otwiera się w nowym oknie
Opis:: The text analyses the Harry Potter series by Joanne Rowling from the perspective of eugenics and the ideology of National Socialism. What is indicated and examined are the statements or attitudes of heroes that may be considered part of the Nazi discourse, implemented in the novel by the author. The aim of the paper is to show that this cycle may be a pretext for teachers to initiate the discussion on eugenics, Nazism, as well as broadly understood ideology.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: The specifics of the investigation of manifestations of political extremism from the perspective of expert witness
Autorzy:: Svoboda, Ivo
Tematy:: Extremism
historical discourse
research methodology
extremism
Nazism
neo-Nazism
political extremism
right-wing extremism
racism
xenophobia; Pokaż więcej
Wydawca:: Wyższa Szkoła Bezpieczeństwa Publicznego i Indywidualnego Apeiron w Krakowie
Powiązania:: https://bibliotekanauki.pl/articles/1832526.pdf Link otwiera się w nowym oknie
Opis:: The paper deals with the specifics of the investigation of manifestations of political extremism. Political extremism and particularly right-wing political extremism is a present phenomenon, which is from the perspective of Criminology research so specific, that it requires a specific approach in its assessment, especially from a position of legal experts. therefore it is advisable to choose a suitable specific methodology of scientific research on this phenomenon and the need for the court to provide findings that are relevant in the decision in a particular case. in conclusion, the author is then proposing general principles and approaches to solve this current phenomenon of our time.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: ‘Schools of Hatred’. The Essence of Totalitarianism in Jerzy W. Borejsza’s Approach
Autorzy:: Ceran, Tomasz
Tematy:: totalitarianism
authoritarianism
fascism
Nazism
communism; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Powiązania:: https://bibliotekanauki.pl/articles/2131450.pdf Link otwiera się w nowym oknie
Opis:: Jerzy W. Borejsza regarded the term ‘totalitarianism’ as a helpful tool in describing the political systems in Nazi Germany, fascist Italy, and the Bolshevik/communist Soviet Union, but opted for restricted use of the term. Apart from the classical determinants of a totalitarian system, he believed that the mobilisation of hatred against the predefined ethnic/national, racial, or class enemy was essential to any totalitarianism. Rather than adding a new distinguishing feature of the totalitarian system, the Polish historian carried out a series of multi-aspect comparative analyses of its earlier-defined traits and characteristics. He has drawn a precise distinction between a totalitarian and authoritarian system. Not satisfied with apparent similarities, he tried to explore the issue more deeply, identifying different intensities of the phenomena specific to totalitarian systems. He stressed a gradation of totalitarianism in the different totalitarian systems, at the different stages of their functioning. To his credit goes the introduction in the historiography of the concept of ‘anti-Slavism’ and, as part of it, anti-Polonism, as essential traits of the National Socialist ideology. He opposed the simplifications tending to appear in broadly used terms, the attempts to ‘ideologise’ and ‘politicise’ the history, particularly in describing the communist totalitarianism. According to Borejsza, fascism, Nazism, and communism had once frequented the same school of totalitarian hatred and took there the same classes – but they were differently evaluated when it came to the finals.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Legenda o Wiecznym Żydzie Tułaczu jako narzędzie nazistowskiej propagandy (na przykładzie filmu Wieczny Żyd Fritza Hipplera)
Autorzy:: Michalska-Suchanek, Mirosława
Wydawca:: Gliwicka Wyższa Szkoła Przedsiębiorczości
Opis:: The article shows the use of the legend of the Wandering Jew in the anti-Semitic propaganda of the Third Reich on the basis of a Nazi movie The Eternal Jew (1940) directed by Fritz Hippler. A significant thing in the Hippler’s movie is the factor of time (the Jew is eternal, exists despite all the circumstances) and place (the Jew is everywhere – he dons masks and hems in). Aggregation of all the common stereotypical views shaped the propaganda. Fierce, vulgar anti-Jewish rhetoric, dehumanization in the areas of both language and image, manipulated movie shots, selective approach to the used material, understatements and deliberate compilation of certain images – all of this added up to The Eternal Jew – one of the most heinous and sophisticated manifestations of anti-Semitic Nazi propaganda.
Olimpia Gogolin
Dostawca treści:: Repozytorium Centrum Otwartej Nauki

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Skocz do pozycji: 8.

Tytuł:: „Und du musst leiden”. Muzyka J.S. Bacha w obozie koncentracyjnym Theresienstadt
„Und du musst leiden”. On the music of J.S. Bach in the concentration camp
Autorzy:: Majewski, Józef
Tematy:: J.S. Bach
muzyka
luteranizm
nazism
antysemityzm
Holokaust
music
Lutheranism
Nazism
antisemitism
Holocaust; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Instytut Sztuki PAN
Powiązania:: https://bibliotekanauki.pl/articles/60290693.pdf Link otwiera się w nowym oknie
Opis:: Arik Shapira (zm. 2015), żydowski kompozytor urodzony w 1943 roku w Palestynie, w utworze Gideon Kleins Marterstrasse, poświęconym Holocaustowi, cytuje temat drugiej części Sonaty fortepianowej c-moll op. 111 Beethovena i chorał O große Lieb z Pasji według świętego Jana Bacha. Dlaczego ten żydowski kompozytor w utworze o Szoa cytuje tych dwóch wielkich mistrzów muzyki z Niemiec i właśnie te utwory? – to główne pytanie tego artykułu. W odpowiedzi jego autor skupia się głównie na Bachu i O große Lieb, ale nie zapomina także o Beethovenie i temacie Sonaty fortepianowej. A ponieważ odpowiedź ta ściśle wiąże się z historią powstania Gideon Kleins Marterstrasse, to artykuł zaczyna się od rekonstrukcji tej historii.
In his piece Gideon Kleins Marterstrasse dedicated to the Holocaust, Arik Shapira (d. 2015), a Jewish composer born in Palestine in 1943, quotes the theme of the second part of Beethoven’s Piano Sonata No 32 in C minor, Op. 111, as well as Bach’s chorale O große Lieb from St. John Passion. Why does this Jewish composer quote these two great masters of music from Germany and these particular works in a piece about Shoah? – this is the main question of this paper. In reply, the author focuses mainly on Bach and his O große Lieb, but he does not forget about Beethoven and the theme of the Piano Sonata. And since the reply is closely related to the history of the origin of Gideon Kleins Marterstrasse, the article begins with a reconstruction of that history.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Historyczne i ideologiczno-polityczne źródła nazistowskiego projektu „Neue Europa” i jego realizacja w Europie Środkowo-Wschodniej
HISTORICAL AND IDEOLOGICAL-POLITICAL SOURCES OF THE NAZI PROJECT „NEUE EUROPA” AND ITS IMPLANTATION IN EAST-CENTRAL EUROPA
Autorzy:: Musiał, Stanisław
Tematy:: NATIONALISM
NAZISM
ANTI-SEMITISM
EXTERMINATION
ENSLAVEMENT; Pokaż więcej
Wydawca:: Akademia Marynarki Wojennej. Wydział Nauk Humanistycznych i Społecznych
Powiązania:: https://bibliotekanauki.pl/articles/418484.pdf Link otwiera się w nowym oknie
Opis:: The present study focuses on historical and ideological-political sources of the nazi project „Neue Europa” and its implementation in East-Central Europe. The authors shows these sources can be found in the middle of 19th Century and the Nazis only radicalized the means of implementation by supplementing that project with the racist component. In the final section of this study are presented the consequences of the „Neue Europa” project for the peoples of East-Central Europe.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: O kłamstwie, kłamstwie i kłamstwie. Meandry pamięci w Kamieniu Mariusa von Mayenburga
Autorzy:: Tkaczyk, Krzysztof
Tematy:: Mayenburg
Stone
Germans
Nazism
reckoning
Holocaust; Pokaż więcej
Wydawca:: Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Powiązania:: https://bibliotekanauki.pl/articles/1826333.pdf Link otwiera się w nowym oknie
Opis:: The author of this article analyses The Stone, a play by Marius von Mayenburg, a renowned and highly acclaimed German playwright, dramatist and director. He perceives this work as a reckoning with Germany’s national so-cialist past. Through the prism of three generations of the Heising family, Mayenburg exposes the mechanisms at work in the creation of a family legend (“we are decent people; we were never Nazis; we helped the Jewish people”), which turns out to be merely a product of distortion and misrepresentation of historical truth, and an attempt to avert the blame.
Dostawca treści:: Biblioteka Nauki

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