Temat: Swinburne - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: The Dualist Project and the Remote-Control Objection
Autorzy:: Olson, Eric T.
Tematy:: Swinburne
personal identity
immortality; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:: https://bibliotekanauki.pl/articles/1791263.pdf Link otwiera się w nowym oknie
Opis:: Substance dualism says that all thinking beings are immaterial. This sits awkwardly with the fact that thinking requires an intact brain. Many dualists say that bodily activity is causally necessary for thinking. But if a material thing can cause thinking, why can’t it think? No argument for dualism, however convincing, answers this question, leaving dualists with more to explain than their opponents.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The Revival of Substance Dualism
Autorzy:: Robinson, Howard
Tematy:: Swinburne
dualism
personal identity
epiphenomenalism; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:: https://bibliotekanauki.pl/articles/1791257.pdf Link otwiera się w nowym oknie
Opis:: I argue in this essay that Richard Swinburne’s revised version of Descartes’ argument in chapter 5 of his Are We Bodies or Souls? does not quite get him to the conclusion that he requires, but that a modified version of his treatment of personal identity will do the trick. I will also look critically at his argument against epiphenomenalism, where, once again, I share his conclusion but have reservations about the argument.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 3.

Tytuł:: Swinburne’s Are We Bodies or Souls?
Autorzy:: Hasker, William
Tematy:: Swinburne
dualism
emergence
soul
thisness; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:: https://bibliotekanauki.pl/articles/1791260.pdf Link otwiera się w nowym oknie
Opis:: Richard Swinburne’s Are We Bodies or Souls? presents a sustained case for a view concerning the nature of persons that can be classified as a form of either Cartesian dualism or emergent dualism. This paper comments on two important arguments developed in the book and concludes by considering the problem of the origin of souls.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Not Just a Terminological Difference: Cartesian Substance Dualism vs Thomistic Hylomorphism
Autorzy:: Skrzypek, Jeremy W.
Tematy:: substance dualism
hylomorphism
Swinburne
Aquinas; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:: https://bibliotekanauki.pl/articles/1791264.pdf Link otwiera się w nowym oknie
Opis:: In Are We Bodies or Souls? Richard Swinburne presents an updated formulation and defense of his dualist theory of the human person. On this theory, human persons are compound substances, composed of both bodies and souls. The soul is the only essential component of the human person, however, and so each of us could, in principle, continue to exist without our bodies, composed of nothing more than our souls. As Swinburne himself points out, his theory of the human person shares many similarities with the hylomorphic theory of the human person espoused by Thomas Aquinas. Swinburne suggests at one point that the differences between the two theories are “almost entirely terminological,” pertaining chiefly to how each understands the term ‘substance’. In this essay, I aim to show that the differences between Swinburne’s Cartesian substance dualism and Thomistic hylomorphism are much more significant than that. I argue, moreover, that the distinctive claims of Thomistic hylomorphism allow it to successfully avoid some key concerns for Swinburne’s view.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Percepcja barokowych dzieł sztuki w Hiszpanii w świetle Travels through Spain in the Years 1775 and 1776 Henry’ego Swinburne’a.
Perception of works of Baroque art in Spain in view of Henry Swinburne’s Travels through Spain in the Years 1775 and 1776.
Autorzy:: Wyrzykowska, Małgorzata
Tematy:: Henry Swinburne
Hiszpania w XVIII wieku; Pokaż więcej
Wydawca:: Uniwersytet Wrocławski. Instytut Historii Sztuki
Powiązania:: https://bibliotekanauki.pl/articles/560137.pdf Link otwiera się w nowym oknie
Opis:: Henry Swinburne’s Travels through Spain in the Years 1775 and 1776, in which Several Monuments of Roman and Moorish Architecture are illustrated by Accurate Drawings Taken on the Spot, published in print in London in 1787, is one of many examples of interest in Spain in English travel literature evinced mostly by English travellers in the second half of 18th century. Swinburne was a thoroughly educated traveller, exquisite writer and art connoisseur, and his writing focused mainly on descriptions and analysis of ancient architecture and Moorish architectural monuments. Works of Baroque art were left on the margins of his interest. As a representative of the Enlightenment thought he considered these monuments as synonyms of a bad taste. In the article an analysis of the works of Spanish Baroque art – city planning, architecture, sculpture and painting – which were mentioned by Swinburne in his text, has been introduced. Next to the edifices in Seville, Granada, Málaga, Barcelona, royal residences – Palacio Real in Aranjuez and Palacio Real de la Granja de San Ildefonso near Segovia, the most extended is an analysis of architecture in Madrid. Madrid, which reached the rank of a capital city in 1561, was actually a Baroque city, which Swinburne was not enthusiastic about, so he reported that there were not many places worth visiting there. Swinburne was interested also, except for architecture, in collections of sculpture and painting. He named every painter whose works he had seen and noted down the titles worth seeing with his comment. He expressed his admiration not only for the best known Italian, Flemish and French painters, but also for the newly discovered ones, the representatives of a mystic trend in Seville school, among others.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 6.

Tytuł:: No Work for a Theory of Personal Identity
Autorzy:: Schwenkler, John
Tematy:: Swinburne
dualism
personal identity
imaginary cases; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:: https://bibliotekanauki.pl/articles/1791259.pdf Link otwiera się w nowym oknie
Opis:: A main element in Richard Swinburne’s (2019) argument for substance dualism concerns the conditions of a person’s continued existence over time. In this commentary I aim to question two things: first, whether the kind of imaginary cases that Swinburne relies on to make his case should be accorded the kind of weight he supposes; and second, whether philosophers should be concerned to give any substantial theory, of the sort that dualism and its competitors are apparently meant to provide, to explain the conditions of personal identity after all. My suggestion, instead, will be that the concept of a person’s continued existence is better taken as philosophically unanalyzable.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Between blasphemy and desire for the sacred. Modernist litanies à rebours
Autorzy:: Majewska, Joanna
Tematy:: Baudelaire
Huysmans
Dubus
Swinburne
modernism
litany
blasphemy
Satan
God; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Powiązania:: https://bibliotekanauki.pl/articles/703058.pdf Link otwiera się w nowym oknie
Opis:: In the second half of the 19th century in the European culture appears an increased interest in evil. This phenomenon is widely spread particularly in France and England. In his famous volume of poems Les Fleurs du Mal Charles Baudelaire publishes The Litanies for Satan where the Devil replaces God as the addressee of a blasphemous prayer. Joris-Karl Huysmans, an author of the novel Là-bas, describes a black mess and a litany addressed to Satan who seems to be closer to sinful people than perfectly indifferent God. A poet from the Huysmans’ artictic circle, Édouard Dubus, devotes his litany to a „Lady of grace and immorality” – a blasphemous double of Mary, mother of Jesus. An English poet Charles Algernon Swinburne writes Dolores, a poem addressed to „Our Lady of Pain” and recognised as the apogee of the satanic litany. In all these cases the choice of a litany as a literary genre results in acceptance of a vision of the world broaden with spirituality. In spite of their seemingly blasphemous plots, all these texts express a deep hunger for the sacred – the hunger that could not be satisfied with official religion.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Dobro jako warunek konieczny zła? : teodycea Richarda Swinburnea
Autorzy:: Hubaczek, Krzysztof.
Tematy:: Swinburne, Richard twórczość.
Bóg filozofia historia Stany Zjednoczone od 1945 r.; Pokaż więcej
Cytata wydawnicza:: Przegląd Religioznawczy 2004, nr 2, s. 91-99
Dostawca treści:: Bibliografia

Artykuł

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Skocz do pozycji: 9.

Tytuł:: Swinburne on Physicalism and Personal Identity
Autorzy:: Snowdon, Paul
Tematy:: Swinburne
physicalism
entailments
privileged access
personal identity
Simple View
Reductionist View; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:: https://bibliotekanauki.pl/articles/1791255.pdf Link otwiera się w nowym oknie
Opis:: In chapter 2 Swinburne rejects physicalism for two reason. The first is that it is committed to entailments that do not exist. It is suggested that this reason is questionable both because there is no persuasive reason to deny there are such entailments, and also no reason to think that physicalism has such entailments. The second reason is that the mental involves privileged access by the subject and physical features do not allow privileged access. It is proposed that the physical does in fact permit privileged access. In chapter 3 Swinburne defends the Simple View of personal identity. The reasoning is very complex and rich, but it is proposed that Swinburne has not really shown that a reductionist account cannot be correct.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Ewolucja postaci kobiecych w literaturze arturiańskiej - od patriarchatu do upodmiotowienia kobiet
The evolution of Arthurian female characters - from patriarchy to women empowerment
Autorzy:: Bocheński, Stefan
Opis:: The main aim of this thesis is to demonstrate how the patriarchal models rooted in Middle Ages influenced the portrayals of female characters in modern Arthurian literature.The task will be performed using close analysis of cultural content such as gender roles, social attitudes, models of male-female relations and approaches towards sexuality. The primary critical tools employed will be the theory of “écriture féminine” developed by Hélène Cixous (in particular the theory of “woman as a reader”) and the theory of “sceptical feminism” developed by Marleen Barr.In the first chapter, the works of two Victorian poets – A. Tennyson’s Idylls of the King and A. Ch. Swinburne’s Tristram of Lyonesse – will be analysed. Second chapter will be devoted to the analysis of a late 20th-c. novel by M. Z. Bradley, The Mists of Avalon.By comparing and contrasting these three works, the author will point out not only the patriarchal structures underlying those works, but also draw the reader’s attention to the progressive takes on certain issues and characters. The author would want this dissertation to serve as a contribution to the discussion on feminism in literature and modern Arthurian literature in general.
Głównym celem niniejszej pracy jest ukazanie wpływu patriarchalnych wzorców zakorzenionych w średniowieczu na przedstawienia kobiecych postaci we współczesnej literaturze arturiańskiej.Zadanie to zostanie wykonane z użyciem wnikliwej analizy elementów kulturowych takich jak role płciowe, postawy społeczne, wzorce relacji damsko-męskich i podejście do kwestii seksualności.Główne narzędzia aparatu krytycznego zastosowane do niniejszej analizy to teoria „écriture féminine” autorstwa Hélène Cixous (w szczególności teoria „kobiety jako czytelnika”) oraz teoria „sceptycznego feminizmu” rozwinięta przez Marleen Barr. W pierwszym rozdziale zostaną przeanalizowane teksty dwóch wiktoriańskich poetów: Idylls of the King A. Tennysona oraz Tristram of Lyonesse A. Ch. Swinburne’a. Drugi rozdział będzie obejmował analizę dwudziestowiecznej powieści autorstwa M. Z. Bradley, The Mists of Avalon. Poprzez porównanie i skontrastowanie tych trzech dzieł autor nie tylko wskaże patriarchalne struktury będące ich podbudową, lecz również zwróci uwagę czytelnika na progresywne podejście do wybranych kwestii oraz postaci. Autor chciałby, aby ta rozprawa przysłużyła się jako wkład do dyskusji nt. feminizmu w literaturze oraz nowoczesnej literatury arturiańskiej.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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