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Tytuł:
Vulnerability as a perceptual category – Martha Nussbaum’s capabilities approach from the perspective of political aesthetics
Autorzy:
Lisowska, Urszula
Tematy:
capabilities
vulnerability
perception
emotions
imagination
compassion
wonder
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Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:
https://bibliotekanauki.pl/articles/18688809.pdf  Link otwiera się w nowym oknie
Opis:
The aim of the paper is to draw politico-aesthetic consequences from Martha Nussbaum’s capabilities approach. It is argued that this can be achieved by focusing on the notion of vulnerability implied by the idea of capabilities. The recognition of the vulnerability of the human good inspires a new model of practical rationality based on perception. This idea, in turn, explores the aesthetic connotations of perception implied by its etymology (the ancient Greek for perception being aesthesis). Thus, political aesthetics is understood as the inquiry into the political consequences of the affinity between ethics and aesthetics, as well as the political relevance of the notion of beauty.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Feminist Phenomenology and the Politics of Wonder
Autorzy:
Mann, Bonnie
Tematy:
feminist phenomenology
homophobia
Irigaray
phenomenology
wonder
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Wydawca:
Projekt Avant
Powiązania:
https://bibliotekanauki.pl/articles/2158923.pdf  Link otwiera się w nowym oknie
Opis:
The philosophers agree that philosophy begins in wonder. How wonder is understood, however, is not at all clear and has implications for contemporary work in feminist phenomenology. Luce Irigaray, for example, has insisted on wonder as the passion that will renew relationships between women and men, provide a foundation for democracy, and launch a new era in history. She calls on women to enact practices of wonder in relation to men. In what follows I briefly review the most significant claims about wonder in the history of philosophy generally, and as related to the phenomenological practice of the epoché particularly. I consider Irigaray’s claims about wonder as they arise out of this tradition, and try to spell out both what is promised to women and what is asked of them through affirmations of wonder. I suggest that this prescriptive notion is at the heart of a new conservatism in “feminist” thought that turns on nostalgia for age-old beliefs about women’s proper mode of relation toward men and their accomplishments, and is deeply homophobic. I urge readers to adopt a more critical attitude toward wonder as related to sexual difference by historicizing the inquiry in keeping with the phenomenological practice of Simone de Beauvoir. Drawing on Kant, Beauvoir, and contemporary work by Sara Ahmed, I suggest that there is a politics of wonder at work here which feminists have every reason to question. Reflecting on the politics of wonder also discloses some key features of critical feminist phenomenological practice.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Radiance and Wonder: Reflections on Adam Zagajewski
Autorzy:
Lear, Gabriel R.
Tematy:
philosophical wonder
Plato
poetic experience
dialogue
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Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:
https://bibliotekanauki.pl/articles/52929067.pdf  Link otwiera się w nowym oknie
Opis:
In his poems and essays, Adam Zagajewski often described the work of poetry as discovering and giving expression to the “radiance” of the world. I argue that Zagajewski’s conception of poetry has much in common with Plato’s idea that philosophy begins in wondering. I further argue that in both cases, our confidence in the veridicality of wonder depends on our ability to share in wondering with another person, and I suggest that we can see this dynamic in several of Zagajewski’s poems about listening to music.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Znaczenie cudów w Historii mnichów w Egipcie
Senses of wonder in the Historia monachorum
Autorzy:
Jasiewicz, Arkadiusz
Tematy:
Historia mnichów
cud
Egipt
Historia monachorum
wonder
Egypt
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Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Powiązania:
https://bibliotekanauki.pl/articles/611900.pdf  Link otwiera się w nowym oknie
Opis:
The Historia Monachorum contains material which is instructive for social life in fourth century Egypt, for monasticism in its exterior aspects in Egypt, and for the spiritual and moral approach of visitors to Egypt in recording the account of the lives of the monks. One of the elements in the whole literature of early monasticism which is perhaps especially unfamiliar to the modern reader is the account it gives of miracles There are in the Historia Monachorum the miracles of clairvoyance; the miracles of healing; miraculous dreams and visions; and ‘nature’ miracles. These events are not seen primarily as mirabilia, as things to be wondered at for their strangeness, as being contrary to the course of nature. There are signs, and signs of the power of God. There are, moreover, signs that God is working as strongly now as he did among the prophets and apostles. They illustrate the virtus of the monks, and place them directly in the line of the biblical revelation of the power of God.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filming Concepts, Thinking Images: On Wonder, Montage and Disruption in an Image-Saturated World
Autorzy:
Baldi, Vania
Conceição, Nélio
Tematy:
film
philosophy
wonder
speculative short circuit
montage
disruption
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Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Powiązania:
https://bibliotekanauki.pl/articles/2143156.pdf  Link otwiera się w nowym oknie
Opis:
This article explores the relation between cinema and philosophy through the lens of interest shown by some filmmakers in the lives and works of philosophers. It begins by delving into contemporary perspectives on the relationship between philosophy and cinema. In order to assess how the constitutive dissimilarity of the two terms and the ways in which they can be brought together are at the origin of speculative short circuits and experiences of wonder, it brings together the works of thinkers – Cavell, Benjamin, and Kracauer; and filmmakers Rossellini, Montaldo, Keaton, and Jarman. Reflecting on the aesthetic and cultural impact of cinema is all the more important given the current omnipresence of images and prosthetic technologies that, with their incessant solicitations, threaten the processes of apprehension, learning, and conveying of knowledge. Thinking and perceiving differently thus becomes an essential function of cinema, one keenly performed in Safaa Fathy’s Derrida’s Elsewhere, analyzed in the last two sections.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Convention as the Source of the Avant-Garde. Remarks on the Inventiveness of Poetics of the Past
Autorzy:
Niebelska-Rajca, Barbara
Tematy:
old literary theory, convention, inventiveness, poetics of wonder, conceptism, probabilism
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Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:
https://bibliotekanauki.pl/articles/1807075.pdf  Link otwiera się w nowym oknie
Opis:
The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. Modern theoretical-literary treatises, defined as normative poetics, are usually connected with the dominance of the convention and normativism, with obligatory rules, canonical concepts and restrictive directives hampering originality. The present text tries to revise the conviction that convention is a dominant tendency in the development of the old theoretical thought; it tends to show the avant-garde aspects of modern poetics and to present the relations between what is conventional and what is innovative in the most original theoretical texts of late Renaissance and Baroque. Examples of two avant-garde modern poetics—Francesco Patrizi’s theory of wonder formed at the end of the 16th century and the 17th century Emanuele Tesauro’s conceptistic theory—show that tradition and convention are necessary elements of inventive theories. The avant-garde of poetics of the past, contrary to the avant-garde of the 20th century, is not born from the defiance of the earlier theories but is formed by way of modernizing and transforming them. Old inventive theories—despite all the departures from tradition—are still part of the classical paradigm. Hence, the avant-garde character of late-Renaissance and Baroque theoretical reflection consists in a peculiar synergy of convention and novelty.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narrating Wonder in Mark Anthony Jarman’s Stories
Autorzy:
Blake, Jason
Tematy:
wonder
Mark Anthony Jarman
short stories
Canadian literature
optimism
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Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:
https://bibliotekanauki.pl/articles/55992309.pdf  Link otwiera się w nowym oknie
Opis:
Mark Anthony Jarman’s characters are often down and out, and often wandering and wondering. Using theories of wonder, this essay argues that wonder plays a key role in many of Jarman’s stories—stories that are marked not by narrative or psychological closure, but by a sense of wonder as characters muse on their lot in life. After briefly considering Jarman’s role within Canadian literature, including his innovative approaches to the short story form, and his odd status as an influential yet often ignored writer, the essay moves to a discussion of the various ways that wonder is at play in his works, both as a verb and a state. Jarman’s characters are frequently in doubt, and the act of wondering takes us into their drifting, self-reflecting minds. However, there is also the sense of wonder as the miraculous. Jarman’s narrators find optimism in the world around them, thanks to flashes of the beauty of the unlikely. Wonder, thus, has a crucial structural function.
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 36

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