Temat: abstraction - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Sensing the Present: “Conceptual Art of the Senses”
Autorzy:: Bal, Mieke
Burke, Rachel E.
Tematy:: senses
abstraction
writing
affect
aesthetic; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/641659.pdf Link otwiera się w nowym oknie
Opis:: After Rachel E. Burke briefly introduces the essays presented with a focus on our contemporary relationship to modern subjectivity, Mieke Bal will make the case for the sense of presentness on an affective and sensuous level in Munch’s paintings and Flaubert’s writing by selecting a few topics and cases from the book Emma and Edvard Looking Sideways: Loneliness and the Cinematic, published by the Munch Museum in conjunction with the exhibition Emma & Edvard. It is this foregrounded presentness that not only produces the ongoing thematic relevance of these works, but more importantly, the sense-based conceptualism that declares art and life tightly bound together. If neither artist eliminated figuration in favour of abstraction, they had a good reason for that. Art is not a representation of life, but belongs to it, illuminates it and helps us cope with it by sharpening our senses. As an example, a few paintings will clarify what I mean by the noun-qualifier “cinematic” and how that aesthetic explains the production of loneliness.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Abstraction Made Flesh – Immediacy of the Body and Religious Experience. Derrida, Hegel and Georges de La Tour
Autorzy:: Olesik, Marta
Tematy:: religion
image
abstraction
Hegel
Derrida; Pokaż więcej
Wydawca:: Uniwersytet Warszawski. Wydział Filozofii
Powiązania:: https://bibliotekanauki.pl/articles/1930476.pdf Link otwiera się w nowym oknie
Opis:: The text juxtaposes two different understandings of religion, the first: Hegelian, where it functions as an imaginary representation of the concept, and the second: Derridean, which confronts and radicalizes the idea of the death of God. At the center of their juxtaposition is the process of abstraction and the religious figure of the “desert” which both authors use to illustrate it. Central to Derrida’s thinking of religion, understood as a figure of relentless negativity in search of difference, a “desert” can also be found in Hegel’s exploration of “unhappy consciousness,” where it is used in reference to the crusaders and serves as a metonymy of the futile imaginary association of Christ’s divinity with his actual, individual body. The text sets out to complicate what Hegel understands as the abstract nature of Christ’s body and body in general with reference to Derridean gesture of religious purification and through the analysis of Saint Thomas, a work by a baroque painter, Georges de La Tour which is analyzed as an embodiment of the complex relations between religious abstraction and image.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: "Łapać w lot", czyli kilka słów o tym, jak konceptualizujemy abstrakcję
"Łapać w lot", a few words about how we conceptualize abstraction
Autorzy:: Kraśnicka, Izabela
Wydawca:: Krakowskie Towarzystwo Popularyzowania Wiedzy o Komunikacji Językowej Tertium
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 4.

Tytuł:: Abstrakcja od konkretu? Rola abstrakcji w myśleniu socjologicznym
Abstraction from Concrete? The Role of the Abstract in the Sociological Thought
Autorzy:: Marczak-Markowski, Jarosław Julian
Markowska-Marczak, Barbara
Tematy:: abstraction
reality
ladder of abstraction
Richard Swedberg
Alfred Korzybski
Alfred N. Whitehead
abstrakcja
rzeczywistość
drabina abstrakcji; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Czasopisma i Monografie PAN
Powiązania:: https://bibliotekanauki.pl/articles/14443294.pdf Link otwiera się w nowym oknie
Opis:: The article’s main aim is to analyse the sources of the opposition between the notions of abstraction and the concrete, widespread in common thinking, and the assumption that each abstraction is secondary to empirical (concrete) reality. The authors call these concepts “abstraction from the concrete”. The article consists of a historical introduction pointing to the potential sources of the above prejudice and a critical reconstruction of the pattern of thinking regarding the ladder of abstraction metaphor, based on the example of the work of Richard Swedberg. In its final section, The last part of the paper focuses on interpretation and analysis of the consequences of the author’s main argument and the definition of abstraction he proposes in light of Alfred Korzybski’s general semantics and Alfred N. Whitehead’s philosophy of science.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Attention for Distraction: Modernity, Modernism and Perception
Autorzy:: van Alphen, Ernst
Tematy:: distraction
attention
modernity
modernism
abstraction; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/641665.pdf Link otwiera się w nowym oknie
Opis:: Particularly in the latter half of the nineteenth century sensorial experiences changed at breakneck speed. Social and technological developments of modernity like the industrial revolution, rapid urban expansion, the advance of capitalism and the invention of new technologies transformed the field of the senses. Instead of attentiveness, distraction became prevalent. It is not only Baudelaire who addressed these transformations in his poems, but they can also be recognized in the works of novelist Gustave Flaubert and painter Edward Munch. By means of the work of William James, Walter Benjamin, Siegfried Kracauer and Georg Simmel, the repercussions of this crisis of the senses for subjectivity will be discussed.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Prerequisites for Effective Requirements Management
Autorzy:: Grzanek, K.
Tematy:: requirements engineering
requirements abstraction
functional programming; Pokaż więcej
Wydawca:: Społeczna Akademia Nauk w Łodzi
Powiązania:: https://bibliotekanauki.pl/articles/972917.pdf Link otwiera się w nowym oknie
Opis:: Despite an undeniable progress in the whole software creation process, software development is still more art than science. The requirements analysis is a highly critical step in the software life-cycle. Requirement managements errors are the most common errors in the software projects. The proper and effective requirements management saves the overall project costs. The key motivation behind this work was opening a way of finding approaches to managing the requirements appearing in such large software projects as compilers for various programming languages. This paper is an introduction to a full presentation of requirements management solution in which the requirements and implementation information is placed directly in the source code. We concentrate on describing a context in which the requirements management process takes place, trying to present the most interesting existing solutions, indicating the problems and opening a discussion on what ways to follow in the future scientific research.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: The Physical Platonism of Galileo Galilei: Ernst Cassirer’s Interpretation in His Published and Unpublished Writings
Autorzy:: Borbone, Giacomo
Tematy:: abstraction
Cassirer
Galileo Galilei
idealization
science; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Instytut Filozofii i Socjologii PAN
Powiązania:: https://bibliotekanauki.pl/articles/31233790.pdf Link otwiera się w nowym oknie
Opis:: The struggle undertaken by Galileo Galilei against Aristotelian physics—and his subsequent defense of Nicolaus Copernicus’s theories—led the Pisan scientist to bring about the so-called modern scientific revolution and to lay the foundations of the experimental method, the fundamental result of which was to deprive the natural world of subjective qualities and to reconfigure it in purely quantitative terms. On the purely historical level, agreement among historians of science and philosophy is almost unanimous, while the same cannot be said for questions concerning interpretations of Galilei’s modus operandi and the basic philosophical options adopted by Galilei during his demolition of the entire Aristotelian-scholastic framework. Not all experts in the Galilean thought or of science, in fact, agree in tracing the Galilean reflection within the Platonic tradition, but one authoritative voice that has instead argued for its deep intertwining between Plato and Galilei is the German philosopher Ernst Cassirer. In this contribution I will attempt to demonstrate, partly considering two unpublished manuscripts of Cassirer, the plausibility of the Cassirerian thesis about Galilei’s physical Platonism.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Rzeczy rysowane Marii Misiągiewicz albo zapisy między dekompozycją a abstrakcją
Maria Misiągiewicz’s hand-drawn things or records between decomposition and abstraction
Autorzy:: Kozłowski, D.
Tematy:: abstrakcja
rysowanie
dekompozycja
abstraction
drawing
decomposition; Pokaż więcej
Wydawca:: Politechnika Krakowska im. Tadeusza Kościuszki. Wydział Architektury. Instytut Projektowania Architektonicznego. Zakład Architektury Mieszkaniowej i Kompozycji Architektonicznej
Powiązania:: https://bibliotekanauki.pl/articles/97097.pdf Link otwiera się w nowym oknie
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Beyond the realism of mainstream economic theory. Phenomenology in economics
Autorzy:: Galbács, Peter
Tematy:: phenomenology
reality
abstraction
types
experimental economics; Pokaż więcej
Wydawca:: Uniwersytet Ekonomiczny w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/557676.pdf Link otwiera się w nowym oknie
Opis:: In this paper some special features of phenomenology which enable them to be a possible ground for a research program in economics, complementing previous mainstream results, are reviewed. The potential fruits and their importance will also be highlighted. The direct purpose is to study what scientific problems have been hidden beyond the territory of mainstream economics and what scientific methods are available for economists to scrutinize an area mainly ignored, that is, the unquestioned aspects of our socio-economic reality. Along these lines we can get to findings that can complement the traditional research directions of mainstream economics. In this paper some special features of phenomenology which enable them to be a possible ground for a research program in economics, complementing previous mainstream results, are reviewed. The potential fruits and their importance will also be highlighted. The direct purpose is to study what scientific problems have been hidden beyond the territory of mainstream economics and what scientific methods are available for economists to scrutinize an area mainly ignored, that is, the unquestioned aspects of our socio-economic reality. Along these lines we can get to findings that can complement the traditional research directions of mainstream economics.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: From Textile to Plastic: Architecture, Exhibition Design, and Abstraction (1930–1955)
Autorzy:: Ottenhausen, Clemens
Tematy:: design
exhibitions
architecture
abstraction
textiles
modernism; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/2135557.pdf Link otwiera się w nowym oknie
Opis:: This article investigates the growing proliferation of curtains and wall hangings as key elements in the design of art exhibitions in the years 1930–1955. To demonstrate how textiles were successfully employed as mediators on the threshold between architecture, design objects, and fine arts, I first examine the increasing use of curtains in the interwar period, Fascist Italy, and Nazi Germany to subsequently explore how the role of fabrics in both countries’ rationalist and neoclassicist architecture also played a significant part in exhibition design after the Second World War. I chart how the interest in textiles culminated in 1955, when glossy plastic curtains were integrated into the exhibition architecture at the first documenta in Kassel, Germany, one of the country’s most prestigious recurring art events to this day. During these politically turbulent decades, the exchange between exhibition designers in both countries was bound together by a profound reassessment of the relation between architecture, design, and art. The renewed consciousness of design as an integrated practice played a key role in 1930s architecture, also providing the foundation for the Bauhaus curriculum and the work of artists, designers, and architects (e.g., Wassily Kandinsky, Giuseppe Pagano, Le Corbusier, Carlo Scarpa, Willi Baumeister, Arnold Bode). I demonstrate that during this period textiles were essential for creating continuity between exhibitions and exhibits of vastly differing styles and contexts. The wall hangings, veils, and banners that were used as part of the monumental spaces created for the Fascist regimes in Italy and Germany were ultimately appropriated and turned into means to undermine the neoclassicist and rationalist style in a way that echoed, I argue, society’s neobaroque sensibility in the aftermath of World War II. Though the Federal Republic of Germany’s first two decades were characterized by the general will to educate its citizens in the aesthetics of internationalism, this effort and the concomitant return to the interwar period were accompanied by a strong resurgence in religiosity and desire for emotionally compelling experiences, which signify a partial disavowal of modernism’s most radical stipulations.
Dostawca treści:: Biblioteka Nauki

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