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Wyszukujesz frazę "artistic" wg kryterium: Temat


Tytuł:
Between employability and artistic vision : problems of managing artistic universities in Poland
Autorzy:
Wrona, Sylwia
Bogacz-Wojtanowska, Ewa
Wydawca:
IATED Academy
Opis:
Artistic schools are distinctive group among universities in Poland for number of reasons. First, they are the only ones exclusively under supervision of Ministry of Culture and National Heritage. Secondly, as sole ones pertain to specific and distinctive in polish legislation knowledge category, that relates to art. It makes them the only authorized entities to grant science titles and degrees in area of art. Thirdly, they form quite homogenous group of 19 art universities in Poland, concentrated on higher education in the fields of music, theater, film and arts. Fourthly, just as rest of the universities they are struggling with different problems related with adaptation to the conditions created by their environment, however their profile and some sense of stability related with the ways of education and the art makes them unique. Therefore the research problem, that we are trying to pick up in this paper, is connected to management in that kind of universities in Poland, specific problems faced by the deans in their charge, which in the same time distinguish those from other universities in Poland. The goal of this study is to recognize and asses most important areas of artistic university management in Poland, as well as to create general comparison to most important challenges related to managing this kind of universities in the world. In particular, we would like to discover how main stakeholders are perceiving problems of managing them in relation to challenges, that are identified by people in charge. This research paper was based on studies done in years 2016-2018 among 15 (of 19 existing) artistic universities in Poland. It was assumed that studied universities will form single case study, as part of which mixed scientific methods, both quantitative as qualitative, will be used. Conducted were: - Individual interviews with three groups of artistic universities stakeholders: graduates (28 in-depth interviews, realized in 2016); people in charge of artistic universities (10 in-depth interviews in 2016) and employers, that were hiring graduates - artists (28 in-depth interviews with representatives of public organizations, non-governmental organizations and companies; - Focus interviews with management staff (deans, councilors) of artistic universities, performed in 2016 and 2017; - CAWI survey (Computer Assisted Web Interviewing), performed yearly in 2016-2018 with graduates of artistic universities (surveys of 2500 graduates from years 2012-2017 were analyzed).
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Inne
Tytuł:
L’errance de l’artiste dans La Montagne secrète de Gabrielle Roy
The vagabondage of the artist in The Hidden Mountain by Gabrielle Roy
Autorzy:
Żurawska, Anna
Tematy:
symbolic
existential and artistic wandering
search for the artistic ideal
concept of art
artistic creation
Pokaż więcej
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Powiązania:
https://bibliotekanauki.pl/articles/483576.pdf  Link otwiera się w nowym oknie
Opis:
The aim of the article is to examine the figure of a vagabond and an artist in the novel The Hidden Mountain (La Montagne secrète) by Gabrielle Roy which, according to Antoine Boisclair, is the first Quebec novel completely devoted to painting. It presents the wandering of the artist who does not perceive his vagabondage as movement from one place to another, but regards it as the essence of both his existence and his creation. First, the analysis explores the problem of wandering as narrative basis, examining the tension between the external reality and the inner experience of the painter. Then, the aim of the artist’s journey, symbolically delineated by the Hidden Mountain, is analyzed. The final part of the article is devoted to the concept of art presented in the novel, with particular emphasis on the humanistic dimension of artistic creation.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Баллады Адама Мицкевича в художественной интерпретации Александра Пушкина
Ballads by Adam Mickiewicz in Alexander Pushkin’s artistic interpretation
Autorzy:
Macapura, Walentina
Tematy:
a ballad
an original
translation
artistic interpretation
artistic structure
Pokaż więcej
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Powiązania:
https://bibliotekanauki.pl/articles/482201.pdf  Link otwiera się w nowym oknie
Opis:
The main target of research in this article is the ballads by Mickiewicz Czaty (The watch), Trzech Budrysów (The three brothers Budrys) in comparison with the ballads by Pushkin Воевода (The waywode) and Будрыс и его сыновья (Budrys and his sons). In particular, there have been compared the artistic specific features of the mentioned works, the role of opposition, the role of ethnic flavour in their structure, language features, peculiarities of rhythm system and stanzaic prosody, functions of aposiopesis, rhetorical questions and exclamations and etc. When finding out the common and the different between the ballads by Mickiewicz and Pushkin, the author of the article points up the difference between the original and the translation. The type of these differences testifies, that the ballads The waywode and Budrys and his sons mediate between the translation and the original creative work and can be considered an independent interpretation of the ballads by Mickiewicz. It becomes apparent especially well in the text of Pushkin’s ballad The waywode.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contemporary artistic practices of cultural communication: problematization of co-creation opportunities
Współczesne praktyki artystyczne komunikacji kulturowej: problematyzacja możliwości współtworzenia
Autorzy:
Zhyvohliadova, Iryna
Tematy:
contemporary artistic practices
cultural communications
postmodern
co-creation
artistic perception.
Pokaż więcej
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Powiązania:
https://bibliotekanauki.pl/articles/1376040.pdf  Link otwiera się w nowym oknie
Opis:
Modern individuals face a relatively new for themselves problem of communicating with the art. The desire to get joy from "co - creation", the desire to use it as a way of asserting and self – realization faces the problem of self - determination in the world of total artistic and aesthetic relativism. The viewer falls into the situation of the potential impossibility of perceiving information. "Freedom" of the author turns into "non-freedom" of the subject of perception. The advocacy of the sovereignty of certain creative worlds in the modern cultural space, the awareness of creativity as an individual way of self-realization, that is so acutely today, in itself, can turn the state-of-art in any direction. Modern artistic space can give a person an exciting feeling of freedom, open prospects, but can also become a fact of voluntary deindividualization of a person, to give birth to a sense of loneliness, self-negligence. The liberation pathos of "emancipated" art can turn out to be a direct violation of the sovereignty and freedom of the subjects of "co-creation," or their spiritual consolidation, the "breakthrough" of alienation and loneliness.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Employability issues and trends in artistic higher education : case study from Poland
Autorzy:
Dorczak, Roman
Bogacz-Wojtanowska, Ewa
Wydawca:
IATED Academy
Opis:
Currently, artistic higher schools in Poland educate yearly ca. 16 000 students and employ almost 6 000 employees, including almost 4 000 academic teachers. At the moment, like other Polish universities, they have to deal with increasing expectations to improve their quality of teaching, which has to be done in limited financial conditions. Artistic schools are also subject to dramatic changes, in particular the redefinition of the role that they play in contemporary societies and economies. They also have to answer the questions of stakeholders as to how they educate and whether their ways of teaching make graduates find themselves in the labour market. The employability of higher schools’ graduates has become a notion that is interesting not only for economists and social policy makers but has also become part of the quality discourse in higher education, artistic education included. The research problem that we are taking up concerns the ways in which artistic higher schools address the employability of their graduates, the needs that they identify as well as their actions as they are recognized by other participants of the artistic labour market - the graduates themselves and their employers. Therefore, the aim of this study is to identify and assess the trends connected to the employability of Poland’s artistic higher schools’ graduates, as it is seen from the point of view of those who manage artistic higher schools, of employers and of the graduates who have already entered the labour market. The paper was prepared on the basis of studies that had been conducted between 2016 and 2018 in 15 (out of the 19 existing) artistic higher schools in Poland. It was assumed that the researched higher schools would make up one case study within which we would use mixed research methods, both qualitative and quantitative. We have conducted: Individual interviews with the three groups of artistic higher schools’ stakeholders: graduates (28 in-depth interviews conducted in 2016); managers of artistic higher schools (10 in-depth interviews conducted in 2016) and employers who employed graduates of artistic schools (28 in-depth interviews with representatives of public organizations, NGOs and companies); Focus interviews with the management staff (rectors, chancellors) of artistic higher schools in Poland, conducted in 2016 and 2017; CAWI (Computer Assisted Web Interviewing) surveys, conducted every year between 2016 and 2018 with graduates of artistic higher schools (surveys of ca. 2500 graduates from years 2012-2017 were analysed).
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Inne
Tytuł:
NOWOCZESNOŚĆ W REFLEKSJI NAD SZTUKĄ
Modernity in reflection on art
Autorzy:
Dziamski, Grzegorz
Tematy:
Avant -garde
neo -avant -garde
modernism
postmodernism
language code
literary (artistic ) code
brand code
artistic sociolect
artistic idiolect
Pokaż więcej
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Powiązania:
https://bibliotekanauki.pl/articles/487834.pdf  Link otwiera się w nowym oknie
Opis:
The twentieth century has developed three models for describing contemporary art. Three narratives dominated in the 1930’s and the 1940’s: Paris-French, German-Expressionist and avant-garde-international. In the 1950’s and the 1960’s, avant-garde-centrist model included two basic phases or formations in the art of the twentieth century. Historical avantgarde period covered the years 1905–1930. Neo-avant-garde lasted from 1955 to 1970. To a pair of avant-garde – neo-avant-garde, some authors add yet proto-avant-garde they considered as the nineteenth century artistic trends leading to the birth of the historical avant-garde - romanticism, realism of Courbet, impressionism, post-impressionism and on the other hand post-avant-garde, or art after the fall of the avant-garde. In the 1980’s and the 1990’s, avant-garde model was superseded by a model operating the opposition modernism - postmodernism. According to that model, the twentieth century art include two cultural and artistic formations: modernist and postmodernist formations. The first experienced its climax around 1910, when abstract art was born; the second in the 1980’s. Modernism and postmodernism can be considered as two codes that define literary (artistic) codes, but there is a significant difference between them. The modernist code reveals modernist essentialist attitude, the trend of looking for essence, individuality, specificity of art, trying to melt pure art, while postmodernist code refers to the avant-garde and the expanded field of art, focusing on the relationship of art and life.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Значение эмоционального интеллекта в художественной деятельности
The role of emotional intelligence in artistic activity
Autorzy:
Гильманова, Наиля
Tematy:
EMOTIONAL INTELLIGENCE
MUSICAL (ARTISTIC) ACTIVITY
MUSIC PERCEPTION
EMOTIONAL IMPACT
ARTISTIC COMMUNICATION
Pokaż więcej
Wydawca:
ADVSEO
Powiązania:
https://bibliotekanauki.pl/articles/443119.pdf  Link otwiera się w nowym oknie
Opis:
The paper identifies and substantiates the role and importance of the category of emotional intelligence in artistic activity, nature and characteristics of artistic activity as an example of musical activity. The definition and essence of emotional intelligence is described. Its structural components are viewed. Aspects of musical activity are presented. The significance of emotional intelligence in artistic activity is stressed.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artistic Conceptualization of Power in William Wordsworth’s Poetry
Autorzy:
Romanyshyn, Nataliia
Tematy:
William Wordsworth
literary/artistic concept
English Romanticism
artistic conceptualization
English poetry
Pokaż więcej
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Powiązania:
https://bibliotekanauki.pl/articles/2233979.pdf  Link otwiera się w nowym oknie
Opis:
This article discusses the specificity of poetic conceptualization of power in the poetry of William Wordsworth. The focus is on the diversity of textual images of a human being in general, such as an individual or collective subject, and on the philosophical concepts of human life and destiny positioned by the authors in the centre of artistic reflection synthesizing the appropriate social pragmatics. The research is based on the cognitive-discursive approach and proceeds from the scientific ideas about the dynamics of correlation between the cultural-historical paradigm and artistic thinking, the cognitive power of artistic image and artistic text as a linguistic sign of national culture. It involves the integration of research tools of linguistic and cognitive stylistics, cultural and literary studies, which builds a vector of analysis from the concept of power as a social phenomenon to its embodiment, explicit and implicit, at different levels of textual matter.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Українські і польські лінгвокультурологічні комунікативні паралелі
Ukrainian-Polish Linguistic and Cultural Parallels
Autorzy:
Matsko, Lubov
Matsko, Oksana
Tematy:
Ukrainian language;
linguistic stylistics;
Ukrainian culture;
linguistic personality;
artistic language;
artistic style.
Pokaż więcej
Wydawca:
Wyższa Szkoła Gospodarki Euroregionalnej im. Alcide De Gasperi w Józefowie
Powiązania:
https://bibliotekanauki.pl/articles/972874.pdf  Link otwiera się w nowym oknie
Opis:
Language in human civilization as a part of political, cultural and social life is an irreplaceable communicator. Ethnically language expresses facts, events, people and time. It saves and transports stylistic phenomena of language with new thinking constructs of vision, with traditional and original stylistics of folk and literary speech. This peculiarity of language is manifested in its linguistic cultures – the linguistic conceptualization signs (units) of creative, cultural content in broad sense, cultural phenomena, cultural notions and nominations, knowledge of ideologies, individuals, events, facts and epochs. The existing state of cultural consciousness includes, in addition to the modern ideologues, the inheritance of social, aesthetic and ethical culture of the previous ages of the ethnos development. It is displayed in verbal codes in the form of lexical-grammatical semantics of linguistic units of all speech levels: phonosemantics, lexicology, phraseology, grammar, word formation, syntax, linguistic, linguistic communication, text formation, linguoculture. Purpose. The aspirations of the authors to show language communication and cultural cooperation of Polish and Ukrainian scientific figures of culture in the past for the benefit of our nations, to motivate younger generation to a common cultural work have been the subjects of our linguistic style study. Methods. The descriptive method makes it possible to carry out a description of the textual material; historical and philological commentary explains the philological sense in the historical context; with the help of linguistic and linguocultural analysis of literary texts, we define stylistics and linguocultures that have a conceptual value in the studied samples. Results. The general conclusion may be the fact of the recognition of the extremely important role of numerical inter-language and intercultural contacts between Ukrainians and Poles in the past and the projections of their future development. In today's turbulent world, which is undergoing regular attacks in an undeclared information war, friendly contacts and mutual understanding between our peoples depend to a large extent on knowledge and appreciation of the road of understanding they have gone through. Polish-Ukrainian relations have been experiencing different, more and less successful periods, but in the perspective of the historical development of the two modern European powers, bright future based on mutual understanding, mutual respect and mutual assistance is seen – this implies future directions of research.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Man of Glass”, or Art Therapy through Theatre in a Group of Underprivileged Children
Autorzy:
Krasoń, Katarzyna
Tematy:
theatre
therapy
artistic research
Pokaż więcej
Wydawca:
Wydawnictwo Adam Marszałek
Powiązania:
https://bibliotekanauki.pl/articles/1963538.pdf  Link otwiera się w nowym oknie
Opis:
This article presents influencing with art1 and influencing through art2 aiming at the creation of situations which support the potential of individuals, especially in the case of children from backgrounds with ineffective parenting. Children from such backgrounds participated in an arts therapy project which aimed to facilitate creative activity through the preparation of a theatre show. Children’s cognitive, psychological and emotional needs are important, which is why the satisfaction of these needs was also an aim, as it was found that these needs were not being satisfied in the children’s culturally deprived environment. Influencing through art (in this case - a performing art) can very well serve the satisfaction of individual needs related to self-identification and self-definition (Bauman, 2010). From this point on, it is a straight road to influencing individuals’ self-esteem.
Dostawca treści:
Biblioteka Nauki
Artykuł

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