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Tytuł:
Obraz pasterzy w staropolskich kolędach i pastorałkach (na materiale tzw. „Kantyczek karmelitańskich” z XVII i XVIII wieku)
Autorzy:
Borejszo, Maria
Tematy:
literature
the Enlightenment
religious lyric poetry
song
Christmas carol
pastoral Christmas carol
religion
Christmas
Pokaż więcej
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:
https://bibliotekanauki.pl/articles/776810.pdf  Link otwiera się w nowym oknie
Opis:
The image of shepherds in old Polish Christmas carols and pastoral Christmas carols (based on the material provided by the so-called Carmelite Canticles “Kantyczki karmelitańskie” from the 17th and the 18th centuries) Summary The article discusses the images of shepherds, that have come to be identified with Christmas, as they were created in Christmas carol songs written by Polish authors through the seventeenth and the eighteenth centuries. The study covers 358 songs included in the so-called “Kantyczki karmelitańskie” (Carmelitan Canticles) compiled and written down in the eighteenth century (presumably from the 1720s to the end of the century) for the use of the Cracow-based Carmelite nuns. In 1980, the collection of songs was published by Barbara Krzyżaniak (see Kantyczki karmelitańskie. Rękopis z XVIII wieku, przygotowała do wydania B. Krzyżaniak, Kraków 1980, 419). A thorough analysis of the collection has made it possible to identify that a large portion of the Christmas carols that introduce the pastoral thread make up for the bulk of the manuscript under scrutiny (about 46 per cent of the texts). These are original songs, deeply embedded in Old Polish social and natural reality (with mainly pastoral and rustic setting), and thus easily reaching a wide audience of the time. The image of shepherds reconstructed on the basis of the works in the collection includes such elements as: 1) Christian names, surnames (patronymics), and nicknames of shepherds (in all, more than 140 anthroponyms, included in the appendix); 2) characteristic physical and psychological features attributed to particular members of the community of shepherds; 3) the set of social rules governing the relations within the group; 4) particular distinctive and characteristic elements of represented world in which the community operated (e.g. shepherd’s attires, home utensils and equipment to be used for agricultural production, food and dairy products, farm animals and musical instruments). The author claims that the informative nature of the texts clearly indicates that the image of shepherds preserved in Christmas carols had been succumbed to a far-reaching Polonisation process. The settings for the Christmas carol songs were thus purposefully and consistently embedded in Polish local and authentic reality, which undoubtedly gave them mass appeal to people across a wide spectrum of social sectors. Keywords: literature, the Enlightenment, religious lyric poetry, song, Christmas carol, pastoral Christmas carol, religion, Christmas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Świat ptaków w staropolskich kolędach i pastorałkach (na materiale Kantyczek karmelitańskich z XVII i XVIII wieku)
The realm of birds in old-Polish Christmas carols and Christmas festivity songs (based on the material of Kantyczki karmelitańskie [Carmelite canticles] from the seventeenth and the eighteenth centuries)
Autorzy:
Borejszo, Maria
Tematy:
Christmas
Christmas carol
song
bird
Pokaż więcej
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:
https://bibliotekanauki.pl/articles/1375135.pdf  Link otwiera się w nowym oknie
Opis:
The article discusses the image of birds as documented in Kantyczki karmelitańskie [Carmelite canticles] from the 17th and the 18th centuries published by Barbara Krzyżaniak in 1980. Birds are to be found in more than 30 lyrics of Christmas carols (for the total number of 357 contained in the set under scrutiny). These include mainly domestic birds, very well-known both to the authors of the canticles and to the recipients and users of Polish Christmas carols and Christmas festivity songs. In total, about 60 species of birds are specified, including two exotic birds (the canary and the parrot). The bird’s realm was used in Christmas carols for different purposes, e.g. in the descriptions of the Bethlehem shed that is inhabited by petty birds, mentioned on account of the enumeration of gifts given to Jesus by shepherds, in accounts of the Flight to Egypt by the Holy Family, and in descriptions of the joy of the whole of the world of nature at the birth of the Saviour. It is worth noting that creators of Christmas carols did not limit themselves to just mentioning names of particular species of birds, but also provide a description of characteristics, sometimes a detailed one, such as the appearance and behaviour of its particular representatives. The carols include, for example, information on the habitat of birds, type and colouring of the plumage, common sounds made by various birds, staple food of birds, the shape of the beak and the size of the gullet. The birds pictured in the Christmas carols were either members of a village band up in the air (some sort of flying band), joyfully proclaiming Good News to the world (a motif often made used of in old-Polish Christmas carols and festive songs), or gathered at the manger to perform menial services and functions in real word reserved only for humans. Birds take on typically human behaviour, show human dispositions and fancies, customs and habits (e.g. wine or beer drinking in the nuptials).
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ujęcie emocji w A Christmas Carol i The Chimes Charlesa Dickensa oraz ich wybranych polskich tłumaczeniach
The portrayal of emotions in A Christmas Carol and The Chimes by Charles Dickens and their selected Polish translations
Autorzy:
Cisek, Monika
Opis:
Praca poświęcona jest analizie komparatystycznej ujęcia emocji w wersjach oryginalnych A Christmas Carol i The Chimes Charlesa Dickensa oraz ich wybranych polskich tłumaczeniach. W analizie pierwszego utworu wykorzystane zostały wersje docelowe autorstwa Krystyny Tarnowskiej, Michała Filipczuka i Jerzego Łozińskiego. Natomiast analiza The Chimes wykorzystuje tłumaczenia tego dzieła napisane przez Krystynę Tarnowską i Jerzego Łozińskiego.
The thesis is devoted to a comparative analysis of the portrayal of emotions in the original versions of Charles Dickens's A Christmas Carol and The Chimes and their selected Polish translations. The analysis of the first work uses the target versions by Krystyna Tarnowska, Michał Filipczuk and Jerzy Łoziński. The analysis of The Chimes, in turn, uses translations of this work written by Krystyna Tarnowska and Jerzy Łoziński.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
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Wyświetlanie 1-10 z 144

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