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Wyszukujesz frazę "comparative musicology" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Biological and social aspects of the theoretical thought of Richard Wallaschek
Autorzy:
Muszkalska, Bożena
Tematy:
Richard Wallaschek
comparative musicology
musical aesthetics
musical abilities of women
Pokaż więcej
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:
https://bibliotekanauki.pl/articles/780319.pdf  Link otwiera się w nowym oknie
Opis:
The article is devoted to the work of Richard Wallaschek, who was sharply criticised during his lifetime, and only in the 1980s did the academic community renew its interest in his achievements. His book Primitive Music (London 1893) is considered to have laid the foundations for comparative musicology. He sought to prove that comparing European music with the music of primitive peoples was essential, and was the only way to attain a proper view of the products and development of our own culture. The year 1896, in which Wallaschek received his habilitation from the University of Vienna, is regarded as the beginning of comparative musicology in Vienna. Wallaschek postulated that ‘formal aesthetics’, describing merely ‘the chronology of composers’ and marked by an europocentricism, be replaced by a modern musicology, collaborating with music psychology and music ethnography and based on the natural foundations of musical aesthetics - a musicology which would formulate its conclusions on the basis of ‘facts and examples’, which it would verify by means of natural material. A central place in his research was occupied by the genesis of music, musical experiencing and aesthetic judgment, and the perception and creation of music. Taking up the question of musical abilities, Wallaschek devoted much space to women. He considered them more gifted than men, in which he differed from Eduard Hanslick and from other of his contemporary scholars. Postulating a sociological analysis of the situation of musical women in various cultures, he pointed to the methodological necessity of making a strict distinction between the actual musical abilities of women and the social appraisal of those skills.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The “Suspicious Cosmopolitanism of Music”, or the Art of Sounds as a Point of Reference for World Literature
Autorzy:
Puchalska, Iwona
Szymańska, Kaja
Tematy:
comparative studies
musicology
world literature
correspondence of arts
Pokaż więcej
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:
https://bibliotekanauki.pl/articles/63231151.pdf  Link otwiera się w nowym oknie
Opis:
From the point of view of the world literature studies music—as the most “abstract” art—turns out to be also in this respect very different from literature, which is strongly connected with the locality. The article discusses the universalising potency of musical themes and motives in literature.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Suspicious Cosmopolitanism of Music", or the art of sounds as a point of reference for world literature
Autorzy:
Puchalska, Iwona
Opis:
From the point of view of the world literature studies music-as the most "abstract" art-turns out to be also in this respect very different from literature, which is strongly connected with the locality. The article discusses the universalising potency of musical themes and motives in literature.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Poetic musicology among musical discourses : the poet as a listener
Autorzy:
Puchalska, Iwona
Opis:
This paper analyses selected examples of Polish poetry from the 20th century devoted to music (poems by Adam Zagajewski and Julia Hartwig), placing them in the context of the musicological discourses that exist today, particularly the auditive discourse. Poems devoted to music are treated as cultural statements - evidence of the reception of music. The concept of "poetic musicology" elaborated by Anna Barańczak in the 1970s, still one of the most valid and important strategies for speaking about music, has been updated and revitalised, placed in the space of culture, particularly in the area of Polish human sciences, where there is an exceptionally rich and diverse poetic output related to music.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
    Wyświetlanie 1-4 z 4

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