Temat: decorations - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Decorating a Christmas tree in primary school
Autorzy:: SIMBARTL, PETR
TANKOVÁ, HELENA
Tematy:: Christmas decorations
primary school; Pokaż więcej
Wydawca:: Uniwersytet Rzeszowski
Powiązania:: https://bibliotekanauki.pl/articles/455455.pdf Link otwiera się w nowym oknie
Opis:: This contribution is dealing with usage options of various material types for a creation of Christmas decorations at the first level of primary school. It summarizes creation from natural materials, paper, a combination of different materials as well as modelling materials. All these types of materials were tested at primary school with children. We also show here results of chil-dren's work, that they can create themselves. It comes to combining several parts during the classes, namely the promotion of the tradition of Christmas tree decorations, Christmas traditions linked to this and intersubject relations (elementary science and social studies). By creating products, we improve children´s fine motoring and with some products we support creativity.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: ŻELIWNE DEKORACJE W TWÓRCZOŚCI ROMANA SZEWCZYKOWSKIEGO
CAST IRON DECORATIONS IN THE OEUVRE OF ROMAN SZEWCZYKOWSKI
Autorzy:: Białostocka, Małgorzata
Tematy:: CAST IRON DECORATIONS
SZEWCZYKOWSKI ROMAN; Pokaż więcej
Wydawca:: Narodowy Instytut Dziedzictwa
Powiązania:: https://bibliotekanauki.pl/articles/538473.pdf Link otwiera się w nowym oknie
Opis:: The varied accomplishments of Roman Szewczykowski (1849-1901), craftsman, social activist, collector and teacher, deserve to be recalled. A complete record of Szewczykowski's oeuvre has still not been made. His works are scattered across Poland, and in particular within the former Russian partition area. Numerous examples of fencing designed by him are to be found in Protestant cemeteries where the unique planning of the graves and sprawling space have become the reason why the fences surround an extensive area and feature sophisticated composition forms. The Powazki cemetery is the site of numerous doors/gates of grave shrines. Designing them, Szewczykowski as a rule referred to the repertoire of historical forms and generally accepted symbols of death and new life. The diverse gate ornaments played a programme-like role and harmonised with the architecture of the shrines. The Warsaw works include objects linking Szewczykowski's oeuvre with town architecture. One of the most interesting examples is the magnificent two-wing gate which once must have led to a prosperous town house or palace, and today is one of the highlights of the park in Grochowska Street. The artist was also celebrated for small-scale works such as lamps, candlesticks, clock cases, vases, paperweights and inkwells. In October 2005 one of his vases was offered for sale by the REMPEX auction salon. Szewczykowski was one of the most outstanding Polish craftsmen of the turn of the nineteenth century. In accordance with the conception of an integration of the arts and crafts, formulated by William Morris, he was never a passive copier of styles but created his own designs and devised a floral style with a distinctive rose motif. Well aware of the demands made by the market upon professional artisans Szewczykowski signed all his works, which facilitates their identification; his output has become part of the valuable legacy of late nineteenth-century crafts. One of the greatest enemies of cast iron objects is rust, which causes irreversible damage. The fundamental purpose of all conservation in such cases is the prevention of further corrosion by, i.a. using durable anti-corrosion safety measures, and in the case of permanent damage - by recreating the missing elements and their stable installation.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Modern age bells in Cracow. Functions, provenance, decorations.
Nowożytne dzwony w Krakowie. Funkcje, proweniencja, dekoracje.
Autorzy:: Felczyńska, Agata
Opis:: Praca jest próbą scharakteryzowania zjawiska nowożytnego ludwisarstwa Krakowa. W kolejnych rozdziałach rozwinięte zostają zagadnienia funkcji dzwonów w nowożytnym mieście, proweniencji dzwonów krakowskich oraz ich dekoracji. Treść uzupełniona jest o ewolucję technik ludwisarskich ze zwróceniem szczególnej uwagi na sposób przygotowania dekoracji. Osobną częścią jest obszerny katalog zachowanych i niezachowanych nowożytnych dzwonów najstarszych kościołów Krakowa.
This master’s thesis aims at enlightening the topic of modern age bell founding in Cracow. Each part deals with different matter. It starts from describing functions of bells in modern age city, then it proceeds to presenting outcomes of a research concerning bells’ provenance, and last but not least a special attention is put to bell decorating styles. Content is supplemented by description of bell casting evolution with precise explanation about how bells’ decorations are prepared. The last, separate section of the thesis contains a lengthy catalogue of modern age bells that exist or existed in the city’s oldest churches.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

Inne

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Skocz do pozycji: 4.

Tytuł:: Ossolińskie archiwum Władysława Bartoszewskiego. Ordery, odznaczenia, pamiątki, obiekty kolekcjonerskie
The Ossoliński Archive of Władysław Bartoszewski. Orders, decorations, memorabilia, collectors’ items
Autorzy:: Koniarek, Łukasz
Tematy:: Władysław Bartoszewski
Ossolineum
orders
decorations
medals
badges
old coins
statuettes; Pokaż więcej
Wydawca:: Zakład Narodowy im. Ossolińskich
Powiązania:: https://bibliotekanauki.pl/articles/55790480.pdf Link otwiera się w nowym oknie
Opis:: The text presents an overview of memorabilia related to the life and work of Władysław Bartoszewski held in the collection of the Numismatic Department of the Museum of the Lubomirski Princes at the the Ossolineum National Institute. These include Polish and foreign orders and decorations, primarily German and Austrian, awarded to the Professor for his political and social activities, as well as numerous awards in the form of statuettes and sculptures. Commemorative medals and plaques and badges, together with their award documents, form a separate group. The exhibition closes with a collection of collectible numismatic items (coins and banknotes).
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Przesłanki podmiotowe i przedmiotowe nadania Odznaki Świętego Floriana oraz Krzyża Świętego Floriana
Subjective and functional conditions for awarding the Saint Florian Badge and the Cross of Saint Florian
Autorzy:: Kała, Dariusz P.
Tabaszewski, Robert
Tematy:: ochotnicza straż pożarna
nagrody
ordery i odznaczenia państwowe
Odznaczenia Świętego Floriana
voluntary fire brigades
awards
orders and state decorations
Saint Florian decorations; Pokaż więcej
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:: https://bibliotekanauki.pl/articles/61079450.pdf Link otwiera się w nowym oknie
Opis:: The paper contains the analysis of public policies on prizes and honors of voluntary fire brigades. The authors show the issue of the conditions for awarding the Saint Florian Decoration and the Saint Florian Cross. These two forms of honoring merits, along with several other forms of rewarding firefighters, were provided for by the legislator in 2022. The authors present the most important rules of the special awarding policy and interpret the Polish constitutional and statutory provisions. These regulations are compared with the established legal practice, traditional customs and with Polish legislation.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Dom jako gniazdo rodzinne w kulturze ludowej Białorusinów Białostocczyzny
Дом як радзiннае гняздо ў народнай культуры беларусаў Беласточчыны
Home as a family nest in folk culture of the Belarusians in the Bialystok region
Autorzy:: Matus, Irena
Tematy:: абрады
дом
культ продкаў
аздабленне
house
ancestors’ worship
rituals
decorations; Pokaż więcej
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Powiązania:: https://bibliotekanauki.pl/articles/944404.pdf Link otwiera się w nowym oknie
Opis:: Беднасць сялян да 60-х гадоў XIX стагоддзя, да часу вызвалення ад прыгону, спрычынiлася да таго, што дом быў трактаваны выключна ў практычным аспекце. Паляпшэнне побыту на пераломе XIX i XX стагоддзяў, а далей трагiзм бежанства, выразна садзейнiчалi працэсу ўзнiкнення культу радзiннага гнязда. На працягу гадоў змянiлася традыцыя пабудовы i аздобы дамоў: ад аскетычнага выгляду да па-майстэрску, карункова аздобленай хаты. Сумяшчалiся з тым таксама асабiстыя звычаi i абрады, звязаныя з домам i яго сярэдзiнай, якiя з часам занiклi або захавалiся ў форме парэшткаў. Заняпад традыцыйнай культуры, мiграцыя, выклiканыя эканамiчнай i грамадскай сiтуацыяй, нарэшце глабалiзацыйныя змены, адмоўна адбiлiся на сямейных традыцыях.
Peasant poverty before 1860s, before enfranchisement resulted in defining home as an attribute in hand. The creation of family nest worship progressed at the turn of the 19th century, after the tragedy of the 1915 exodus (Byezhenstvo). Building and decorating techniques changed over the years – from ascetic structures to delicately embellished cottages. There were also many customs and rituals connected with a house. Some of them disappeared over time, and some got preserved. The decline of traditional culture, economic and social migration, globalization changes had negative influence on family tradition.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 7.

Tytuł:: Dom jako gniazdo rodzinne w kulturze ludowej Białorusinów Białostocczyzny
Дом як радзiннае гняздо ў народнай культуры беларусаў Беласточчыны
Home as a family nest in folk culture of the Belarusians in the Bialystok region
Autorzy:: Matus, Irena
Tematy:: дом
культ продкаў
абрады
аздабленне
house
ancestors’ worship
rituals
decorations; Pokaż więcej
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Powiązania:: https://bibliotekanauki.pl/articles/2116688.pdf Link otwiera się w nowym oknie
Opis:: Беднасць сялян да 60-х гадоў XIX стагоддзя, да часу вызвалення ад прыгону, спрычынiлася да таго, што дом быў трактаваны выключна ў практычным аспекце. Паляпшэнне побыту на пераломе XIX i XX стагоддзяў, а далей трагiзм бежанства, выразна садзейнiчалi працэсу ўзнiкнення культу радзiннага гнязда. На працягу гадоў змянiлася традыцыя пабудовы i аздобы дамоў: ад аскетычнага выгляду да па-майстэрску, карункова аздобленай хаты. Сумяшчалiся з тым таксама асабiстыя звычаi i абрады, звязаныя з домам i яго сярэдзiнай, якiя з часам занiклi або захавалiся ў форме парэшткаў. Заняпад традыцыйнай культуры, мiграцыя, выклiканыя эканамiчнай i грамадскай сiтуацыяй, нарэшце глабалiзацыйныя змены, адмоўна адбiлiся на сямейных традыцыях.
Peasant poverty before 1860s, before enfranchisement resulted in defining home as an attribute in hand. The creation of family nest worship progressed at the turn of the 19th century, after the tragedy of the 1915 exodus (Byezhenstvo). Building and decorating techniques changed over the years – from ascetic structures to delicately embellished cottages. There were also many customs and rituals connected with a house. Some of them disappeared over time, and some got preserved. The decline of traditional culture, economic and social migration, globalization changes had negative influence on family tradition.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Ozdoby stroju wykonane z paciorków w kulturze wielbarskiej
Costume decorations made of beads in Wielbark culture
Autorzy:: Żyto, Kinga
Tematy:: kultura wielbarska
paciorki
kolie
dekoracje
aplikacje
Wielbark culture
beads
necklaces
decorations
applications; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/681883.pdf Link otwiera się w nowym oknie
Opis:: The main purpose of the article is to present various forms of costume decoration in Wielbark culture. The analysis was based on well-known burials with an intact arrangement of monuments in the burial cavern. On this basis, decorations made of beads were highlighted. In addition to the necklaces that adorned the area of the neck and chest, vertical compositions are particularly noteworthy, in which the beads were discovered in a line from the level of the neck to the waist level. In addition, beads were used to trim robes in the form of applications. Another type are beads decorating belt and sachets or purses.
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Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Wczesnośredniowieczna biżuteria z grodziska w Owidzu
The early medieval jewellery from stronghold in Owidz
Autorzy:: Miśta-Jakubowska, Ewelina
Czonstke-Świątkowska, Karolina
Świątkowski, Bartosz
Czech-Błońska, Renata
Opis:: The aim of the article is the formal analysis of the jewellery artefacts found during the archaeological research conducted at the stronghold in Owidz, with particular emphasis on the decorations discovered during the work carried out by the Institute of Archaeology of the University of Gdańsk in 2017, 2019, 2021. The latter artefacts were also subjected to technological analyses, which yielded interesting results. To date, 19 women's decorations have been discovered on the site in Owidz, which is one of the largest jewellery collections discovered so far at the Pomeranian strongholds. This collection can be dated to the 11th-12th centuries. Among the jewellery items, earrings, silver-plated S-shaped temple rings (B III ), pendants, carnelian and amber bead, as well as band-shaped rings and rings with a motif imitating two intertwined wires. In the discussed collection a variant of completely preserved earring with cylindrical beads, which has not a direct analogy to date is worth paying special attention. Also an unfinished temple ring, which is a semi-finished product from a local goldsmith's workshop seems to be very interesting.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 10.

Tytuł:: GOTYCKIE DEKORACJE MALARSKIE ELEWACJI KOŚCIOŁA PARAFIALNEGO P.W. ŚW. KATARZYNY ALEKSANDRYJSKIEJ W GOLUBIU Przyczynek do badań nad dekoracją maswerkową w architekturze Państwa Zakonnego w Prusach
GOTHIC PAINTED DECORATIONS ON THE ELEVATION OF THE CHURCH OF ST. CATHERINE OF ALEXANDRIA IN GOLUB. A Contribution to Studies about Tracery Decoration in the Architecture of the Teutonic Order State in Prussia
Autorzy:: Tuliszewski, Piotr
Tematy:: CHURCH OF ST. CATHERINE OF ALEXANDRIA (GOLUB)
GOTHIC DECORATIONS
POLYCHROME
TEUTONIC ORDER STATE; Pokaż więcej
Wydawca:: Narodowy Instytut Dziedzictwa
Powiązania:: https://bibliotekanauki.pl/articles/536670.pdf Link otwiera się w nowym oknie
Opis:: The Gothic painted decorations of the plastered blind windows and friezes on the elevation of the parish church in Golub have been mentioned at the end of the nineteenth century by German conservators and historians of East Prussian architecture (J. Heise, A. Boetticher) in the catalogues of historical monuments written by them. Nonetheless, it was not until the research, drawings and measurements of the roof truss construction were carried out in December 2004 by the employees of ROBiDZ (Torun), that the presence of the titular painted decorations was unearthed. The discoveries were made in a rather inaccessible spot, i. e. under the roof of the chapel of the Holy Cross, covering part of the eastern axes of the northern elevation. The second stage of the measurements performed next to the bell tower disclosed remnants of identical engraved tracery decorations at the level of the fourth storey of the southern tower elevation. The excellent condition of the preserved compositions engraved on a thin layer of lime plaster made it possible to reconstruct their original form. This material, together with photographic documentation, was used for making inventory drawings based on a CAD-type programme. The documentation produced by ROBiDZ (Torun) classified four types of the originally polychromed tracery decoration. With the exception of a plastered band on the cornice, the other compositions share an identical tripartite division of the lower lancet sphere as well as a band above it, featuring a carpet pattern with a recurring four-leaf motif. Moreover, a characteristic feature of the Golub tracery is the fact that the classical three-, four- and five-leaf motifs occur next to each other, and have been executed both from petals cut out of a circle and those which are enclosed within a lancet. The presented article embarks upon an attempt at defining the provenance of the forms of the discovered compositions. A formal analysis has been unquestionably facilitated by the studies conducted by specialists as well as the conservation documentation of similar objects by, i. a. M. Poksinska and E. Pilecka. Golub, located in the territory of the Teutonic Order state, only 40 kms from Torun, must have found itself within the range of the impact exerted by this cultural centre, the second largest in Pomerania, a fact decisive for a search for analogous decorations in the buildings of Golub and its environs. We cannot exclude the probability that the described tracery should be attributed to a group of artists working not only Toruń but also in the provinces. They included representatives of various nationalities and assorted West European trends, influencing art in the region of Chełmno, Kujawy and Varmia. It must be added that the imposing number of architectural solutions and decorative motifs in the land of Chełmno makes it impossible to indicate a concrete source of inspiration for the solutions encountered in Golub. Cited analogies prove that fourteenth-century ornamental motifs were popularised in Toruń and the neighbouring regions by means of the pattern books and construction complexes which appeared in these terrains as part of a cultural exchange augmented by the intensive trade contacts maintained by the Baltic towns. The presented study does not propose an ultimate classification of all types of the tracery decorations originally executed on the elevation of the parish church in Golub. Within this context, the documented examples comprise only part of the whole repertoire of the ornamental blind windows in the church. Initial results of the examination of the chemical composition of lime mortar in the blind windows and tower cornice made it possible to identify the pigments used in the decorations, i. a. iron oxide red, ochre and plant black. The execution technology of the painted tracery could be ultimately explained after complex conservation studies. With all certainty, the tracery discovered in Golub in 2005, both engraved in plaster and painted, confirms the great popularity of this decoration technique in the state of the Teutonic Knights, used not only on sacral edifices but also on secular and town buildings. In turn, the immense variety of the types of compositions attests to the fact that the basic purpose of such ornaments was to enhance the decorativeness and prestige of the embellished objects.
Dostawca treści:: Biblioteka Nauki

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