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Tytuł:
Galileuszowe ćwiczenia z retoryki i dialektyki - ćwiczenie drugie: Swada o księdze
Rhetorical exercises of Galileo
Autorzy:
Sierotowicz, Tadeusz
Tematy:
dialectics
Galileo Galilei
rhetoric
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Wydawca:
Copernicus Center Press
Powiązania:
https://bibliotekanauki.pl/articles/691320.pdf  Link otwiera się w nowym oknie
Opis:
The Assayer of Galileo Galilei is a classical text of the Italian literature. It was written in the context of discussions on comets and is a response, word by word, to the Libra astronomica ac philosophica signed by Lotario Sarsi but in fact written by Orazio Grassi. From the formal (i.e. rhetorical) point of view the  Assayer is an example of the judicial, defensive speech. However, in the book one can also see the presence of the epideictic speech. The epideictic speech praises the methodological values of the Copernican vision of the universe, and blames those involved in the Aristotelian and Ptolemaic approaches. In the sixth section of the Assayer there is a famous group of four rhetorical periods in which one can notice the presence of the new interpretation of the antique metaphor of the book. The rhetorical exercise developed in this essay tries to disentangle the complex node of this metaphor and gives its new interpretation. It seems that for Galileo the metaphor is not a trope but passes to the topica. At the end some considerations on dialectics of Galileo are also proposed.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Galileuszowe ćwiczenia z retoryki. Ćw. pierwsze: wszystko albo nic
Rhetorical exercises of Galileo
Autorzy:
Sierotowicz, Tadeusz
Tematy:
dialectics
Galileo Galilei
rhetoric
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Wydawca:
Copernicus Center Press
Powiązania:
https://bibliotekanauki.pl/articles/690876.pdf  Link otwiera się w nowym oknie
Opis:
The Assayer of Galileo Galilei is a classical text of the Italian literature. It was written in the context of discussions on comets and is a response, word by word, to the Libra astronomica ac philosophica signed by Lotario Sarsi but in fact written by Orazio Grassi. From the formal (i.e. rhetorical) point of view the  Assayer is an example of the judicial, defensive speech. However, in the book one can also see the presence of the epideictic speech. The epideictic speech praises the methodological values of the Copernican vision of the universe, and blames those involved in the Aristotelian and Ptolemaic approaches. In the Assayer there is a very famous rhetorical period - the ending with the proverbial aut Caesar aut nihil - in which the internal connection between both types of speeches can be analysed. The rhetorical exercise developed in the present essay tries to disentangle the complex node of these speeches in this fragment.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialektyka i synteza. O Pascalowskiej filozofii człowieka
Autorzy:
Błaszczyk, Marek
Tematy:
individual existence
paradox
dialectics
synthesis
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Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:
https://bibliotekanauki.pl/articles/631051.pdf  Link otwiera się w nowym oknie
Opis:
The study focuses on the characteristically Pascalian attempt at synthesizing of contradictory and intensely remote extremes of existence. Assuming the form of existential dialectics, the paradox of Pascalian vision refers in particular to the human, demonstrating the non-reducible tension between the intuitive (irrational) and the rational (panlogical); between the heart and the mind, between faith and knowledge. The conviction of human misery or the worldly vanity is fused here with the simultaneous sense of human greatness (the power of thought). The tension which therefore spans those dichotomous ontological-ontic dimensions is the determining factor of the constitution of individual existence.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gunkel’s Deconstruction: Between the Fetish and the Need for a Dialectical Renewal
Autorzy:
Chankowski, Stanisław
Tematy:
deconstruction
dialectics
fetish
subject
reflection
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Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Powiązania:
https://bibliotekanauki.pl/articles/22769626.pdf  Link otwiera się w nowym oknie
Opis:
The purpose of the essay is to critically analyze the influence of J. Derrida’s deconstruction on David J. Gunkel’s book Deconstruction (MIT Press 2021). Gunkel’s handbook is aimed at making deconstruction a tool of critical thinking accessible to non-professionals. It turns out that accomplishing this task comes at the expense of precisely the critical potential of deconstruction itself. Gunkel is well aware that his arguments are sometimes superficial and overlook deeper problems that should be addressed. Such a failure takes the form of a fetishistic denial, which in psychoanalysis is summarized by the formula “I know well, but all the same.” In turn, deconstruction itself, insofar as it is separated from Kant’s transcendental philosophy and Hegel’s dialectics, becomes an academic ideology. Restoring its proper subversive potential can only be done by returning to a philosophy of reflection, in which the thinker himself must ultimately consider his own position as an author and bring it under criticism. This is the path that Gunkel avoids, because he could then no longer be the author of a handbook on deconstruction, rather than someone who practices deconstruction.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth and Falsehood of the Mirror: Subjectivity – Reflection – Practice
Autorzy:
Tomczok, Paweł
Bednarek, Stefan
Rabiej, Stanisław
Tematy:
mirrors in culture
dialectics
metaphorology
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Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Powiązania:
https://bibliotekanauki.pl/chapters/1030944.pdf  Link otwiera się w nowym oknie
Opis:
The author discusses different uses of the mirror metaphor in philosophy, literature and aesthetics. On one hand, a mirror serves to talk about human empowerment and inner life, while on the other becoming one of the most important metaphors of truth, of proper representation of reality. The final part of the paper considers the practical location of mirrors – and the practice of mirroring as the basis for other philosophical and existential metaphors. The author treats the mirror not only as a metaphor but also as an artefact with its own history: the history of an object but also social and economic history. By taking into account this physical history of mirrors, we can observe the changing foundation of epistemological and aesthetic metaphors.
Dostawca treści:
Biblioteka Nauki
Artykuł
Autorzy:
Momro, Jakub
Opis:
Momro outlines a paradigm that is key in contemporary thought, namely dialectics, which needs to be developed as much as it needs to be revised and updated. The dialectics of both mental concepts and practices (practical theory) no longer falls into the tradition of idealistic practical philosophy but into the mode of subjectivity and history understood in materialistic terms. This important type of critical imagination allows us to treat the principle of antithetical modernity as adynamic of opening up and engagement, which boils down to a utopia of the present. The dialectical imagination also enables a critique of the rules by which discourses are validated - rules based on simply negating any antithetical language (cf. Bruno Latour). At the same time, Momro critiques projects based on the fetishism of contradiction (Derrida's deconstruction). He not only examines the current achievements in the humanities but he also outlines an epistemological imagination that would allow us not only to think freedom but also to experience it.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Metaphorically Speaking -Metaphors as Methodological and Moral Signifiers of the Sociology of Zygmunt Bauman
Autorzy:
Jacobsen, Michael H.
Marshman, Sophia
Tematy:
metaphor
creativity
morality
imagination
methodology
hermeneutics
dialectics
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Wydawca:
Polskie Towarzystwo Socjologiczne
Powiązania:
https://bibliotekanauki.pl/articles/1929402.pdf  Link otwiera się w nowym oknie
Opis:
Zygmunt Bauman is known to be one of the leading social theorists and commentators in contemporary sociology whose theoretical or diagnostical analysis of phenomena such as globalisation, community, identity, genocide, individualisation or modernity warrants his status as one of the most widely read sociologists of our time. However, Bauman throughout his work also develops an often overlooked methodological stance based to a certain extent on metaphorical reasoning. Throughout this piece, the authors focus attention on Bauman’s metaphorical cornucopia and how it is informed by a deep-seated moral commitment. Apart from performing the function of methodological devices unveiling a selective and subjective, yet deeper, understanding of the social world, the metaphors also reveal the inherently moral core of Bauman’s sociological endeavour.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spór i dialektyka wyznań religijnych w Responsorium et Hymnus Felixa Mendelssohna
Conflict and Dialectic of Faiths in Felix Mendelssohn’s Responsorium et Hymnus
Autorzy:
Li, Kwen-Yin
Tematy:
Felix Mendelssohn
Enlightenment
religious pluralism
dialectics
reception
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Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Powiązania:
https://bibliotekanauki.pl/articles/513970.pdf  Link otwiera się w nowym oknie
Opis:
This essay aims at discussing the problem of Felix Mendelssohn’s atti¬tude towards different religions shown in his choral piece Responsorium et Hymnus Op. 121 for male choir with cello and double bass. Considering the arguments concerning composer’s self-identity provided by Jeffrey Sposato, we could interpret the Lutheran chorale appearing at the end of this Catholic liturgical work as means by which Mendelssohn tried to manifest his Lutheran faith and therefore to criticize Catholicism. However, if we examine more carefully the very end of this composi¬tion, we would find that the musical material, characteristic for each faith, form a dialectical and dynamic relation. It seems that – instead of criticizing Catholicism – Felix showed the possibility and the necessity of different faiths to coexist, which, according to the idea of religious pluralism and tolerance proposed by composer’s grandfather, Moses Mendelssohn, is the only way to discover religious truth. At the end of this paper, I would like to propose that the reception history of Felix Mendelssohn’s work and life from the post-Wagnerian and anti-semitic criticism to so-called Mendelssohn Renaissance in the second half of 20th century also went through a dialectic course. We cannot fully understand and interpret them without taking a multi-aspect view.
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 97

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