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Wyszukujesz frazę "disability aesthetics" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
Affective Realities and Conceptual Contradictions of Patricia Piccinini’s Art: Ecofeminist and Disability Studies Perspectives
Autorzy:
Lorek-Jezińska, Edyta
Tematy:
Patricia Piccinini
ecofeminism
disability aesthetics
the uncanny
Pokaż więcej
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:
https://bibliotekanauki.pl/articles/55992312.pdf  Link otwiera się w nowym oknie
Opis:
The recent exhibition of Patricia Piccinini’s art called That’s Us (Toruń, CSW) largely represents the Australian artist’s visions and fascinations known from earlier exhibitions. Questioning and erasing the borders between species, the affective realities of Piccinini’s art are bound to the concepts of care, empathy and fragility, which refigure what is human and non-human and the relations between them by expanding the notion of mothering and fostering to include interspecies relations. Beginning with a discussion of the uncanny, abjection and monstrosity, this article aims to examine the complicated implications of interpreting Piccinini’s art within the conceptual framework of ecofeminism, as well as in the context of disability aesthetics. In her explorations of different and alternative corporealities, Piccinini, among many other things, asks questions about ideologies of normativity and able-bodiedness, suggesting the possibility of going beyond them.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Towards a radical life. The social and aesthetic themes in Helen Keller’s activity in defence of humanity
Autorzy:
NIEDUZIAK, EDYTA
Tematy:
humanity
H. Keller
aesthetic experience
disability culture
disability
haptic aesthetics
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Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:
https://bibliotekanauki.pl/articles/938631.pdf  Link otwiera się w nowym oknie
Opis:
The article is an attempt to describe three biographical motifs of H. Keller, referring to aesthetic experiences (R. Ingarden) caused by various experiences: tactile in contact with sculpture, haptic in contact with music, and literary. The starting point to consider, however, is the category of humanity in the sense of M.S. Archer. The reflexivity characteristic of humanity, combined with the aesthetic experience, makes the themes describe the non-aesthetic experiences of H. Keller. In the analysis, the author used H. Keller’s correspondence, her works, biographical sources, photographs and video recordings.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Estetyka horyzontalna i łóżkowy aktywizm : pandemiczna wywrotowa horyzontalność
Horizontal aesthetics and bed activism : pandemic subversive horizontality
Autorzy:
Zdrodowska, Magdalena
Opis:
During the quarantines caused by the COVID-19 pandemic, artists without disabilities resorted to tactics considered as appropriate for art and activism by people with disabilities. They cripped artistic practice using strategies that had been developed for years by artists and activists with disabilities. In this essay I intend to analyse examples of such cripping practices. I will take the categories of horizontal aesthetics and bed activism as a starting point in order to point out the tension between temporality and chronicity as decisive in the context of the cripping of art (and other activities in public space). I also intend to point out that the creative strategies in question have deeper roots going back to 20th century neo avant-garde practices.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Quipowanie muzeum: O wystawie Queering the Crip, Cripping the Queer w berlińskim Schwules Museum
Quipping the Museum: Queering the Crip, Cripping the Queer at Berlin’s Schwules Museum
Autorzy:
Ojrzyńska, Katarzyna
Tematy:
Queering the Crip
Cripping the Queer
disability
queer
crip
museum
Schwules Museum
inclusivity
aesthetics
history
resistance
identity
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Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:
https://bibliotekanauki.pl/articles/61259566.pdf  Link otwiera się w nowym oknie
Opis:
The article analyzes Queering the Crip, Cripping the Queer (Schwules Museum, Berlin, 2022/2023) – the first international exhibition which centred on the intersections of queer and crip history, culture, and activism. Drawing on the theoretical framework of cultural disability studies, Ojrzyńska examines its key thematic areas, such as inclusion, aesthetic beauty, history, and resistance. Informed by the minoritarian ethics of representation, Queering the Crip… showed how a museum exhibition can serve as a site of inclusivity and a resource for inclusive practices, nurturing solidarity and a sense of connection across various categories of social exclusion, invisibility, and marginalization, with major focus on “quip” identities, to use the neologism put forward by Quiplash. It expanded the Schwules Museum’s reach beyond those members of the queer community who fit in the bodily and mental “norm” as well as stimulating reflection on the place and role of disability in culture and society. In fact, the exhibition presented disability and queerness as identities and alternative ways of being in the world that can intersect and have a strong subversive political, ethical, and aesthetic potential.
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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