Temat: documentary - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: “The Intensity of Looking” at Karabasz, 2018
Autorzy:: Sapija, Andrzej
Tematy:: documentary film
Kazimierz Karabasz
Lodz Film School
WFD – Warsaw Documentary Film Studio
history
character in documentary
film observation
documentary ethics; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/923205.pdf Link otwiera się w nowym oknie
Opis:: The origins of particular documentary films are sometimes difficult to determine, precisely locate and capture in time and space. It is like searching for the source of a river. What marked the beginning of Intensity of Looking, a film about the great documentary film director Kazimierz Karabasz? The beginning of a documentary film’s creation determines the artistic process and elements that shape its strength, energy and main thought. These elements, which sometimes verge on intuition, guide this process, shaping the subject of the film, as well as its meaning, climate and aura. There is a thread connecting the author and the protagonist of the film, something that binds them together during work on the film, and sometimes lasts much longer. The three variants of what initiates the process of making a particular documentary film are as follows. The first is an encounter with a person who could be a character in a documentary film. The second is a thought, idea or problem that a filmmaker wants to address and discuss in a documentary by means of a certain character and story. The third is a return to a character who had been portrayed in a previous documentary film, to tell more about him or her. All three of these variants were the case in the making of Andrzej Sapija’s Intensity of Looking.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Filmmakers to Themselves? Czech Documentary Cinema After 2000
Autorzy:: Česálková, Lucie
Tematy:: Czech contemporary documentary
Czech Television
Institute of Documentary Cinema
Jihlava International Documentary Film Festiva; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/919723.pdf Link otwiera się w nowym oknie
Opis:: The development of Czech post-socialist documentary cinema was significantly influenced by the process of privatization of Short Film (the former resource base for documentary filmmaking). In the early 1990s, the documentary, as a rather unprofitable area of filmmaking, was not a priority for the rapidly developing field of domestic production. As such, documentary was fully dependent on collaboration with the television industry. This study, however, focuses mainly on the period after the year 2000, and analyses its main trends. Special attention is paid to the establishment of new institutions to support the development and production of film, as well as new marketing and exhibition platforms. Documentary filmmaking in a small post-socialist country is here treated as being embedded in and influenced by a web of inter-relations between filmmakers, Czech Television, the Institute of Documentary Cinema and the Jihlava International Documentary Film Festival.l
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: „Mock-documentary” a dokumentalne fałszerstwa
Mock-Documentary and False Documentary
Autorzy:: Kosińska-Krippner, Beata
Tematy:: mock-document
fałszywy dokument
film dokumentalny
mock-documentary
false documentary
documentary; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Instytut Sztuki PAN
Powiązania:: https://bibliotekanauki.pl/articles/63512090.pdf Link otwiera się w nowym oknie
Opis:: Mock-documentary to tekst fikcjonalny, który przywłaszczając sobie kody i konwencje dokumentalne wygląda i brzmi jak tekst dokumentalny, przez co obala specjalny status dokumentu i sugeruje nową relację między publicznością i gatunkiem dokumentalnym, wystawiając na próbę umiejętności widzów związane z rozróżnianiem prawdy i fikcji. Autorka prezentuje definicję i cechy charaktrystyczne mock-documentary oraz przybliża poglądy Jane Roscoe i Craiga Highta, autorów pierwszej monografi tego podgatunku, którzy w pracy Faking it: Mock-documentary and the subversion of factuality (2001) wskazali prawdopodobnych „prekursorów” form mock-documentary, nakreślili konteksty istotne dla rozważań nad tą formą, a przede zaproponowali podział filmowych tekstów mock-dokumentary na trzy stopnie, w zależności od typu relacji, jaki dany tekst buduje z dyskursem faktualnym (parodia, krytyka i dekonstrukcja). Omawiając przykłady manipulowania rzeczywistością w filmach dokumentalnych, a także – liczne w latach 90. w niektórych stacjach tv – oszustwa dokumentalne Kosińska-Krippner wskazuje także różnice między mock-documentary a fałszywym dokumentem (false documentary).
A mock-documentary is a fictional text that uses the documentary codes and conventions to look and sound as a documentary text, which challenges a special status of the documentary and suggests a new relationship between the public and the documentary genre, putting to the test spectators’ abilities to differentiate between truth and fiction. Kosińska-Krippner presents the definition and characteristic features of mock-documentary and introduces the reader to the views of Jane Roscoe and Craig Hight, the authors of the first monograph of the sub-genre. In Faking it: Mock-documentary and the subversion of factuality (2001), the two identified the probable „pioneers” of mock-documentary, set contexts essential for reflections of the form, and, first and foremost, divided mock-documentary into three categories, depending on the type of relation a given text builds with factual discourse (parody, critique and deconstruction). Kosińska-Krippner discusses cases of reality manipulation in documentary films and numerous examples of false TV documentaries in the 1990s in order to point to the differences between mock-documentary and false documentary.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: „Takim zapamiętałem Mietka”. Władysława Ślesickiego "Płyną tratwy" (1962)
"Ive remembered Mietek like that" Władysław Ślesicki. "The Rafts Sail" (1962)
Autorzy:: Pławuszewski, Piotr
Tematy:: documentary film
Władysław Ślesicki
The Rafts Sail
documentary portrait; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/918030.pdf Link otwiera się w nowym oknie
Opis:: The article That’s How I’ve Remembered Mietek aims to throw light on the origins and the final artistic form of Władysław Ślesickis documentary The Rafts Sail (1962). The movie depicts the story of a young Mazurian boy named Mietek, who crosses the line between childhood and adulthood (when, as a raftsman, he floats timber down the river). This film was probably the first time when the director’s poetic attitude towards filmmaking resulted in such a sublime documentary portrait, devoid of any words. Looking back, The Rafts Sail (awarded the Lion of San Marco at the Venice Film Festival in 1962) can be perceived as a clear symptom of Ślesickis masterpieces, such as Before Leaves Fall [1964] or The Family of Man [1966].
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Storytelling in VR, CAVES and other emerging forms: An interview with Roderick Coover by Katarzyna Boratyn
Autorzy:: Coover, Roderick
Boratyn, Katarzyna
Tematy:: Roderick Coover
documentary
emerging technologies
Virtual Reality
CAVE
interactive documentary
ethnography
documentary research
information arrangement
data visualisation; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/923078.pdf Link otwiera się w nowym oknie
Opis:: The following interview with Roderick Coover asks how emerging cinematic technologies transform documentary storytelling. Though his early ethnographic projects, such as Concealed Narratives (1996, filmed and photographed in Ghana) and the Harvest (1999, filmed and photographed in France), he created interactive documentary forms that could bridge modes of expression. The works combine field-notes, editing observations, exposition, travel narratives, encounters and interviews with evocative imagery. In works such as Voyage Into The Unknown (2007), Canyonlands (2009), and Estuary (2013). Coover uses scrolling map environments to offer interactive, cinematic experiences in which users create paths among video clips and data; the works explore spatial knowledge and storytelling, national myth-making and land use. In works such as Something That Happened Only Once (2007) and The Last Volcano (2011), he layers stories on animated panoramic settings to present disturbing disjunctions in the expression of place and memory. His recent collaborative works Three Rails Live (2013) and Toxicity: A Climate Change Narrative (2016) are algorithmic. They use code to combine voices and images from a database in an ever-changing order; the works use storytelling and new technologies to address the questions of climate change and industrial waste. In Hearts & Minds: The Interrogations Project, a VR work about US military torture in Iraq, he and his collaborators use immersive arts, storytelling and gaming technologies to introduce challenging accounts of human rights abuse.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Blondynki na krańcu świata. Kobieca opowieść o Czarnym Lądzie
Blondes at the end of the world: women’s narrative on Africa
Autorzy:: Wrzeszcz, Natalia
Tematy:: documentary
photo documentary
transmedia story/narration convergence
dialogue philosophy
mass culture; Pokaż więcej
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Powiązania:: https://bibliotekanauki.pl/articles/520830.pdf Link otwiera się w nowym oknie
Opis:: The text is an attempt at determining in which direction the contemporary travel documentary is going, based on the example of artistic achievements of Beata Pawlikowska and Martyna Wojciechowska. The authors, using the features of the transmedia narration, show the small parts of the world and facilitate the understanding of the „Other”. The documentary is evolving, it adapts to human likings and undergoes technical development into women’s transmedia story. The expectations of the mass culture influence the quality of the presented stories, and a specific kind of „product” is created for the consumers.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Interactivity as a key feature redefining documentary reality
Autorzy:: Dubois, Frédéric
Tematy:: interactivity
interactive audio-visual media
interactive documentary
web documentary
virtual reality; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/923108.pdf Link otwiera się w nowym oknie
Opis:: Finding a clear-cut boundary delimiting fiction from documentary has always been a controversial, daunting and unthankful undertaking. In the last decade, the blur between the two genres has been reinforced by the rapid advancement of web and AR/VR technologies. Interactive web-documentaries and virtual reality documentaries do not only promote new viewing habits – from swiping smartphone screens to scanning horizons with VR headsets, they shake up the very idea of what a documentary is. In this short scholarly essay, I argue that the feature of interactivity is the driving force redefining the documentary genre. This thesis builds on two case studies: 1) Interactive documentary Atterwasch and 2) VR documentary The Unknown Photographer. In the final section of the essay I revisit the definition of documentary reality and expand it with the addition of André Bazin’s notion of mise en scène.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Holocaust Survivors. A Study on the Poetics of Documentary Films
Autorzy:: Hendrykowski, Marek
Tematy:: Holocaust
survivors
documentary film; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/919856.pdf Link otwiera się w nowym oknie
Opis:: The essential study written by Marek Hendrykowski is a compact and straightforward guide aimed at anyone coming to the subject for the first time or just looking to improve their knowledge about documentaries relating to Holocaust. The paper offers both skimming and in-depth analysis of seven outstanding works made in the period 1993-2008 focused on key-problems of their distinctly different poetics. Author assembles evidence from the documentary film production of the time to describe the structure of message exposed in its narration, particular catches and figures, methods of lighting, framing, and editing as well as the collective feelings and emotions generated by these films. Hendrykowski considers the basic difference and fundamental conflict between two ways of thinking about manipulation in moving pictures language which establishes viewers’s approach to using (or over-using) of various stylistic catches, patterns of composition and narrative figures in this kind of documentary and generally in movies. Marek Hendrykowski’s provocative and open-minded study brings methodological revision of this important question. It will appeal to a large readership of filmmakers, cinemagoers, students and research workers interested in documentary film.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Zachodni ‘feature’ radiowy na przykładzie amerykańskiej audycji „My Lobotomy”
The feature in the West. The case of the American work “My Lobotomy”
Autorzy:: Kowalska, Natalia
Tematy:: radio
feature
radio documentary; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/967270.pdf Link otwiera się w nowym oknie
Opis:: The article consists of two parts. In the first, I analyse the relations between reportage and the feature. There are differences in the definitions of the two genres, in statements by researchers, and in the Polish and western European understanding of the feature and reportage. The main element in Polish radio documentaries is authenticity, while in the feature truth is mixed with fiction. An example of work with a mix of authentic characters and fiction is My Lobotomy by Dave Isay and Piya Kochher. In second part of the article, I focus on an analysis of this American feature. In my opinion, the most interesting aspect is the relation between the authentic, spontaneous reactions of the main characters and the narrative parts, which are read.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Patos w retoryce filmowej. Na podstawie "Yodok stories" Andrzeja Fidyka
Pathos in Film Rhetoric. On the Example of Andrzej Fidyk’s "Yodok Stories"
Autorzy:: Fiołek-Lubczyńska, Bogumiła
Tematy:: pathos
documentary film
rhetoric; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/968032.pdf Link otwiera się w nowym oknie
Opis:: The article relates to the use of rhetoric in documentary film. Pathos is one of many ways of creating a persuasive documentary. According to Andrzej Fidyk, modern documentary film must be attractive to the viewer, otherwise, nobody will watch it. Hence the director decided to use persuasive elements in his film. Pathos is a tool for arousing strong feelings in the viewer. The source of those feelings is the presentation of power and concentration camps in the form of a musical extravaganza.
Dostawca treści:: Biblioteka Nauki

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