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Wyszukujesz frazę "gaze" wg kryterium: Temat


Tytuł:
The Spectacle of Historical Trauma of Black Bodies in America: Subjectivity, Abjection, and Commodification of The White/Black Gaze
Autorzy:
Briseno, Rosemary
Tematy:
black gaze
white gaze
racism
abjection
objectification
psychic trauma
Pokaż więcej
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Powiązania:
https://bibliotekanauki.pl/articles/28407290.pdf  Link otwiera się w nowym oknie
Opis:
In 1994, Elizabeth Alexander's”'Can you be Black and Look at This?’: Reading the Rodney King Video(s)” was published in The New Yorker magazine. Alexander focuses on the ways in which Black bodies have been the focal point of public pain, torture, and humiliation for centuries. These public lynchings, whippings, and other forms of physical abuse leading to maiming and death have been elements central to the entertainment for the racial status quo. Alexander's essay also focuses on the ways in which there has always been a “Black gaze” bearing witness to the decimation of other Black bodies--- the legacy of which leads to a continued cycle of both psychological and historic trauma that is (re)visited over and over again. Of course, with the prevalence of technology now a norm, such incidents of recorded violence are part of life in America.   As the United States' greatest cancer, racism, continues to be a root cause of this violence, neither the killing of Blacks nor survivors' consciousness will be healed; and worse, the spectacle of racial violence will continue to perpetuate victims on various levels: 1) as victims directly tied to such violence and 2) as witnesses to said violence. My proposed essay focuses on the tragedy of Black bodies as spectacles of public pain---whether they are viewed as victims, as specimens of morbid curiosity, or as receptacles of displaced hate and disgust; and even as supposed rightly displays of justices incurred, simply because the body in question is Black (“They got what they deserved. They should have just pulled over.”). I will focus on various, very public historical and modern-day lynchings, from Emmett Till to George Floyd, and explore the cause and effects against Blacks in America. Ultimately, the essay poses the following questions: who is the monster, who are the victims? And at what cost will this continuum perpetuate the legacy of trauma of the American Black population?
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gaze aversion in conversational settings : an investigation based on mock job interview
Autorzy:
Nawrocki, Piotr
Jarosz, Mateusz
Acartürk, Cengiz
Sniezynski, Bartlomiej
Indurkhya, Bipin
Usal, Kerem Alp
Opis:
We report the results of an empirical study on gaze aversion during dyadic human-to-human conversation in an interview setting. To address various methodological challenges in assessing gaze-to-face contact, we followed an approach where the experiment was conducted twice, each time with a different set of interviewees. In one of them the interviewer’s gaze was tracked with an eye tracker, and in the other the interviewee’s gaze was tracked. The gaze sequences obtained in both experiments were analyzed and modeled as Discrete-Time Markov Chains. The results show that the interviewer made more frequent and longer gaze contacts compared to the interviewee. Also, the interviewer made mostly diagonal gaze aversions, whereas the interviewee made sideways aversions (left or right). We discuss the relevance of this research for Human-Robot Interaction, and discuss some future research problems.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Female gaze a male gaze – przedstawianie kobiet w filmie fabularnym
Female gaze vs male gaze- depicting women in feature films
Autorzy:
Łubaczuk, Wiktoria
Opis:
The subject of the work is how female characters are portrayed in feature films. Its purpose is to present the differences that appear in the creation of characters depending on who is the author of the film. Thus, it examines the effect of the male and female gaze in cinematography. The first chapter focuses on the characteristics and operation of the male gaze, and the starting point for this analysis is Laura Mulvey's text "Visual Pleasure and Narrative Cinema". The second chapter presents the characteristics of women's cinema and the female gaze operating in it. The work as a whole is a comparative analysis of these perspectives.
Tematem pracy jest sposób portretowania postaci kobiecych w kinie fabularnym. Jej celem jest przedstawienie różnić jakie pojawiają się w kreowaniu postaci w zależności od tego, kto jest autorem dzieła filmowego. Badane jest więc działanie męskiego i kobiecego spojrzenia w kinematografii. Pierwszy rozdział skupiony jest na charakterystyce i działaniu male gaze, a punkt wyjścia do tej analizy stanowi tekst Laury Mulvey "Przyjemność wzrokowa a kino narracyjne". Drugi rozdział przedstawia charakterystykę kina kobiet i funkcjonujące w nim kobiece spojrzenie. Praca jako całość stanowi porównawczą analizę tych perspektyw.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Inne
Tytuł:
CULTURAL MINORITIES AND THE PANOPTIC GAZE: A STUDY OF THE (MIS)REPRESENTATION OF ETHNIC MINORITIES IN MALAYALAM FILMS
Autorzy:
DIVAKARAN, R. V. M.
Tematy:
Representation
aboriginal
tribes
Film
Gaze
Pokaż więcej
Wydawca:
Fundacja Pro Scientia Publica
Powiązania:
https://bibliotekanauki.pl/articles/957809.pdf  Link otwiera się w nowym oknie
Opis:
This paper explores the patterns of the representation of Adivasis or aboriginals – known as ‘tribals’ in common parlance – in Malayalam language films. Film as a medium of representation is continuously engaged in constructing images and thus the process becomes an ideological enterprise contributing to the relentless practice of defining and redefining the society and its various components in terms of several binaries. The film industry of Kerala, a southern state of India, is affluent and more influential than other art forms and production. Though the tribal population of Kerala is around 400 thousand and they belong to as many as 43 subgroups, they are underrepresented in films and that too is in a stereotypical manner.  These groups are considered to be largely distinct with each tribal group identifying themselves with their own mythologies, tales of origin, and distinctive religious and ritualistic practices. This paper critically analyses the politics of representation using the example of tribals in Malayalam films as it  has evolved over the past decades and attempts to trace a whole gamut of aesthetic and ethical issues at stake.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Othello and the Gaze of the Other
Autorzy:
Roohollah, Roozbeh
Tematy:
Othello
discourse
gaze
master
other
Pokaż więcej
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Powiązania:
https://bibliotekanauki.pl/articles/1178803.pdf  Link otwiera się w nowym oknie
Opis:
This article reads Othello through the discourse of cultural materialism. To do so, the writer’s discourse therefore, becomes that of the hysterical discourse going against the dominant discourse of the work. Cultural materialism borrows the ideas of many critics in order to study canonical works against the grain. Thus, this article uses cultural materialism in order to read Othello against the grain. To read it so requires resisting or hystericising the dominant discourse and worldview and shifting sympathy. The gaze of Othello signifies how psychologically the white society looked at him and how the white society considered him. Othello is Moorish and hence an Arab in Europe, manifestly calling to mind all the multifaceted confrontations and conflicts of Self/Other in a framework of power struggle. He is a non-western protagonist whose wife, a European equals Othello’s tribe. Othello is an odd-one-out protagonist whose wife, Desdemona, is referred to as a pearl. This pearl calls for the fact that Othello be black in order to be inferior to her. The white Desdemona is an angel while the black Othello is a monster creating a binary opposition of angel and evil. The play depicts Othello as a loser and Desdemona as a winner making the audience identify with the winner. It makes Othello a type, the type of people who are horrible, treacherous, illogical, bestial and demonic. Desdemona also becomes a type, the type of people who are self, angelic and master. Practically Shakespeare lets Othello confess to his irrationality and inferiority.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Male gaze – a man's perspective on woman's body in advertising addressed to women and men
Male gaze, czyli męskie spojrzenie w reklamach skierowanych do kobiet i mężczyzn
Autorzy:
Wołoch, Sylwia
Opis:
In my work, I have conceptualized the issue of male gaze, bearing in mind that this conceptualization may turn out to be useful for larger studies. In the theoretical part, I have cited examples of what male gaze is in contemporary culture, and also provided examples of concepts that correlate with this term. I also explained what male gaze and female gaze are and are not. In the practical part, I analyzed advertising messages, on the example of which I illustrated the components of male gaze in a TV advertisement and how it differs in advertisements aimed at women and men.
W swojej pracy skonceptualizowałam zagadnienie male gaze, czyli męskiego spojrzenia z myślą o tym, że konceptualizacja ta może okazać się przydatna do większych badań. W części teoretycznej przytoczyłam przykłady tego, czym male gaze jest w kulturze współczesnej a także podałam przykłady pojęć, które korelują z tym terminem. Wyjaśniłam także, czym jest i nie jest male gaze i female gaze. W części praktycznej przeanalizowałam przekazy reklamowe, na przykładzie których zilustrowałam komponenty, z których składa się male gaze w reklamie telewizyjnej oraz to, czym różni się ono w reklamie skierowanej do kobiet i mężczyzn.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Inne
Tytuł:
Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wildes Salomé
Autorzy:
Dąbrowska, Justyna
Tematy:
Oscar Wilde
Bible
Salomé
male gaze
Pokaż więcej
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:
https://bibliotekanauki.pl/articles/24987860.pdf  Link otwiera się w nowym oknie
Opis:
The present article engages with the eponymous character of Oscar Wilde’s “Salomé” and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s “Salomé” becomes “an erotic symbol of daring, transgression, and perversity” (Sloan 112). She wants to look at Jokanaan, as well as to be touched by him and openly states her great desire for him, using the imagery taken from the biblical “Song of Songs” to express her passion. Moreover, the Princess skillfully adopts and reverses the male gaze to manipulate others and go beyond the patriarchal constraints at Herod’s court. She becomes aware that the only way to reach her goals is to look actively and evade being a mere object of the male gaze. The article shows that the imagery employed in the eponymous character’s speeches contributes to her portrayal as a seductress, also accentuating her rebellion, and analyzes how the Princess transgresses the patriarchal constraints through appropriating the male gaze.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wildes Salomé
Autorzy:
Dąbrowska, Justyna
Tematy:
Oscar Wilde
Bible
Salomé
male gaze
Pokaż więcej
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:
https://bibliotekanauki.pl/articles/653557.pdf  Link otwiera się w nowym oknie
Opis:
The present article engages with the eponymous character of Oscar Wilde’s Salomé and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s Salomé becomes “an erotic symbol of daring, transgression, and perversity” (Sloan 112). She wants to look at Jokanaan, as well as to be touched by him and openly states her great desire for him, using the imagery taken from the biblical Song of Songs to express her passion. Moreover, the Princess skillfully adopts and reverses the male gaze to manipulate others and go beyond the patriarchal constraints at Herod’s court. She becomes aware that the only way to reach her goals is to look actively and evade being a mere object of the male gaze. The article shows that the imagery employed in the eponymous character’s speeches contributes to her portrayal as a seductress, also accentuating her rebellion, and analyzes how the Princess transgresses the patriarchal constraints through appropriating the male gaze.
Dostawca treści:
Biblioteka Nauki
Artykuł

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