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Tytuł:
Widmowe rozkosze (z) krypty : przyczynek do nekrofilskiego stylu lektury
Spectral pleasures (from) the crypt : notes on a necrophiliac reading style
Autorzy:
Trzeciak, Katarzyna
Opis:
The article attempts to read and ustilize the category of "crypt" from Jacques Derrida’s Fors to develop a different way of thinking about the literary text and reading strategies towards it. The author wonders how notions such as "spectre", "crypt", and “haunting” affect the perception of the condition of each reader, and what kind of reading pleasure they invite. Derrida’s vocabulary is supplemented here by the critical categories of Maurice Blanchot (e.g., his thinking about language - death), which allows us to look at the act of reading as a strategy for necrophiliac pleasure, which may offer another way of thinking about the experience of reading and writing, understood as confrontations with a spectral presence.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
Widmowe rozkosze (z) krypty : przyczynek do nekrofilskiego stylu lektury
Spectral pleasures (from) the crypt : notes on a necrophiliac reading style
Autorzy:
Trzeciak, Katarzyna
Opis:
The article attempts to read and ustilize the category of “crypt” from Jacques Derrida’s Fors to develop a different way of thinking about the literary text and reading strategies towards it. The author wonders how notions such as “spectre”, “crypt”, and “haunting” affect the perception of the condition of each reader, and what kind of reading pleasure they invite. Derrida’s vocabulary is supplemented here by the critical categories of Maurice Blanchot (e.g., his thinking about language - death), which allows us to look at the act of reading as a strategy for necrophiliac pleasure, which may offer another way of thinking about the experience of reading and writing, understood as confrontations with a spectral presence.
Dostawca treści:
Repozytorium Uniwersytetu Jagiellońskiego
Artykuł
Tytuł:
The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
Autorzy:
Pantuchowicz, Agnieszka
Tematy:
haunting, Gothicism, Virginia Woolf, gender, flâneur, market, London
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Wydawca:
Projekt Avant
Powiązania:
https://bibliotekanauki.pl/articles/632512.pdf  Link otwiera się w nowym oknie
Opis:
Beginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative written from the position of the haunting in which the figure of fearful feminine is transformed into a “hauntess” participating in the public world on equal rights with others. Woolf’s text, though seemingly positing the protagonist in the position of flâneuse, in fact implicitly criticizes flâneuring as a masculine kind of looking and participating in the public space. Taking place away from home, Woolf’s strolling in the streets of London carnivalizes (in the Bakhtinian sense) the activity by way of a joyful blurring of the split between the home and the market. Transgressing what Kathryn Simpson calls “the male privilege of the flâneur” (2010: 47) and rendering the transgression as haunting, Woolf evades participation in the masculine world of traffic and exchange by way of bringing the space of the Gothic confinement, and also of entombment, to the public.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Haunting Poe’s Maze: Investigative Obsessions in the Weird Fictions of Stefan Grabiński and H. P. Lovecraft
Autorzy:
Pyrka, Paweł
Tematy:
weird fiction
Poe
Lovecraft
Grabiński
haunting
obsession
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Wydawca:
Projekt Avant
Powiązania:
https://bibliotekanauki.pl/articles/632454.pdf  Link otwiera się w nowym oknie
Opis:
The article is a comparative reading and analysis of selected works by two eminent authors of weird fiction, Stefan Grabiński and Howard Phillips Lovecraft, the goal of which is to trace two (independent) trajectories of development of ideas concerning “weird” story writing, as established, in pre-modern context, by Edgar Allan Poe. The two authors appear to suffer from a combination of tragically inherent inability to write “like” Poe, with a haunting desireto do so. Exhibiting understanding of the Poesque discourse, they are driven to invent strategies to cope with the resulting textual neuroses-a way out of the discursive “maze” of Poe’s craft, a way that is always already shut.Where Lovecraft’s “mechanistic materialism” finds its expression in an indifferent cosmos, populated by alien beings, whose influence seems to be inscribed in the fabric of his textual realities, Grabiński’s sense of “amazement” is deployed internally, with psychological constructs overshadowing the “objective” reality. Both discourses, however, spring from one tradition of horror, and from the unexorcised trace of Poe’s spectre. The two authors’ ambivalent relation with modern sensibilities results in a series of obsessive investigationsinto the ideological underpinnings of art, philosophy and science.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spectral Economies in Graham Swift’s Mothering Sunday: A Romance (2016)
Autorzy:
Więckowska, Katarzyna ---
Tematy:
haunting
spectres
modernism
Graham Swift
women
WWI
textuality.
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Wydawca:
Projekt Avant
Powiązania:
https://bibliotekanauki.pl/articles/632447.pdf  Link otwiera się w nowym oknie
Opis:
This article employs the concepts of spectres and haunting to analyse Graham Swift’s Mothering Sunday: A Romance (2016) as a commentary on (literary) history and its economy of spectres. Referring to Jacques Derrida’s notions of haunting, inheritance, and time, I focus on the spectres of literary modernism and the First World War to explore the ways in which Swift’s novella questions the canonical representation of modernism and revises the conventional means of writing about the past, memory, and history. The analysis of Mothering Sunday approaches the spectre as a figure of repressed otherness and a reminder of what has been excluded or silenced, so as to trace some of the ghosts that appear in the book and to underline its melancholic, spectral character. Situating Swift’s novella within the context of contemporary cultural criticism, I propose to see it as a sign of a larger cultural and critical turn, where spectres have been assimilated into the structure of the everyday and where the experience of haunting has become a major expression of the present condition.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Gaze of the Spectral Setting in the 1968 BBC Adaptation of M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”
Autorzy:
Mydla, Jacek
Keithline, Anne
Tematy:
ghost story genre
film adaptation
haunting
gaze
identification
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Wydawca:
Projekt Avant
Powiązania:
https://bibliotekanauki.pl/articles/632506.pdf  Link otwiera się w nowym oknie
Opis:
This article is a study devoted to the BBC adaptation of a ghost story by Montague Rhodes James, “Oh, Whistle and I’ll Come to You, My Lad.” The ideas of the spectral gaze and sympathetic spectreship are used to submit that in the film the setting itself is the spectre, with which/whom the viewer is invited to identify. This rearrangement-in comparison with the situation in the original story-casts the spectral setting both in the role of the haunting presence and the victim of an otherworldly (human) intrusion. A detailed analysis of the use of the camera supports the argument.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Affective Transmission and Haunted Landscape in Jesmyn Ward’s Sing, Unburied, Sing
Autorzy:
Antoszek, Patrycja
Tematy:
afekt
widmo
międzypokoleniowy fantom
niewolnictwo
trauma
affect
haunting
transgenerational phantom
slavery
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Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:
https://bibliotekanauki.pl/articles/1790962.pdf  Link otwiera się w nowym oknie
Opis:
Transmisja afektu i widma przeszłości w powieści Jesmyn Ward Śpiewajcie, z prochów, śpiewajcie Przedmiotem artykułu jest analiza powieści Jesmyn Ward pt. Śpiewajcie, z prochów, śpiewajcie (2017) w świetle pojęcia „międzypokoleniowej transmisji fantomu” Nicolasa Abrahama i Marii Torok oraz teorii transmisji afektu Teresy Brennan. Posługując się motywem duchów, powieść Ward porusza temat przemocy na tle rasowym i łączy przeszłość z teraźniejszością dowodząc, że niewolnictwo i rasizm nadal zbierają żniwo w społeczeństwie amerykańskim, a ich efektem są wciąż nowe osobiste i społeczne traumy. Artykuł pokazuje, że w tej powieści Ward nie tylko dekonstruuje dominujące w zachodnim świecie kategorie, takie jak: przeszłość/teraźniejszość, czarny/biały, męski/kobiecy czy żywy/martwy, ale także wskazuje sposób radzenia sobie z traumą i komunikowania jej wychodzący poza symboliczne formy interpretacji rzeczywistości.
The essay discusses Jesmyn Ward’s novel Sing, Unburied, Sing (2017) through Nicolas Abraham’s and Maria Torok’s concept of “transgenerational phantom” and Teresa Brennan’s theory of the transmission of affect. While the novel focuses on poor blacks in the contemporary American South, and, therefore, on the experience of those marginalized and excluded from official discourse, the narrative seems to transgress racial, social, and generational boundaries to address the human predicament in ways that are both visceral and poetic, disturbing and magical. By employing the trope of haunting to talk about racial oppression, the author combines past and present to demonstrate how slavery and racism continue to take their toll, producing more individual and communal traumas. The essay argues that in Sing, Unburied, Sing Ward not only deconstructs such dominant Western categories as past and present, black and white, male and female, or life and death, but also indicates a way of dealing with and communicating traumatic realities that goes beyond the Symbolic patterns of making sense of the world.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Grotesquely Gothic Textual Overflow: Depictions of Generational Female Trauma in Silvia Moreno-Garcia’s "Mexican Gothic"
Autorzy:
McClelland, Whitney
Tematy:
Female Gothic
trauma
patriarchy
haunting
gender oppression
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Wydawca:
Uniwersytet w Siedlcach
Powiązania:
https://bibliotekanauki.pl/articles/62355158.pdf  Link otwiera się w nowym oknie
Opis:
This article explores the connection between literary trauma theory and the generational female trauma in Silvia Moreno-Garcia's contemporary novel, Mexican Gothic. This novel, clearly situated in the Female Gothic tradition, expands on common Gothic tropes, and it is argued it presents the Female Gothic genre as one that inherently deals with the trauma of women forced into an oppressive silencing by patriarchal powers. Through the characters of Agnes and Ruth, this paper argues trauma is portrayed as sensory, textual overflow, drawing on the concept from trauma theorist Joshua Pederson. Through sensory, highly detailed and grotesque depictions of women's experiences of trauma, Mexican Gothic demonstrates the power of the Female Gothic genre to explicate trauma while emphasizing the grotesque oppression women face at the hands of manipulative patriarchal power, both in and out of fiction.
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger
Autorzy:
Klonowska, Barbara
Tematy:
haunting
neo-Victorian fiction
class
trauma
suppression
rewriting
political intervention
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Wydawca:
Projekt Avant
Powiązania:
https://bibliotekanauki.pl/articles/632495.pdf  Link otwiera się w nowym oknie
Opis:
Haunting in literary fiction is often interpreted psychologically as a sign of suppressed psychic content or as nostalgia or mourning for the loss. Yet, it may also be used allegorically as a manifestation of hidden social conflicts, and hence mark a political agenda of thus constructed works. In the novels by Sarah Waters spectres, poltergeists and haunting appear not as a sign of or a contact with an outer reality; to the contrary, they may be seen as perfectly human-though eccentric-expressions of class and economic inferiority. In Affinity spectres and spiritual séances are presented as a means of earning money by lower classes and the latter’s cunning use of the upper classes’ credulity. In The Little Stranger the poltergeist may be interpreted as an accumulated anger and desire of the servants long ignored by the masters of the emblematic country house. In both, haunting and ghosts manifest vengeance of the underprivileged taken on the socially superior. The essay shows how fictional haunting and spectrality, far from marking a supernatural reality or introducing extrasensory concepts, may function as an allegorical method to discuss political and social problems such as class inequality or social justice.
Dostawca treści:
Biblioteka Nauki
Artykuł
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