Temat: life writing - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Uchwycić stratę, albo „kamyki cmentarne” z Melbourne
To grasp what’s lost: ‘Small tomb stones’ from Melbourne
Autorzy:: Kwapisz Williams, Katarzyna
Tematy:: Australia
life writing
migration
poetry; Pokaż więcej
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Powiązania:: https://bibliotekanauki.pl/articles/510723.pdf Link otwiera się w nowym oknie
Opis:: Migration always involves loss, which inspires potential writers and is itself often the focus of migrants’ narratives. Seen through this monodimensional attachment to things left behind and hence not particularly valued, written and unwri tten stories of migrants’ experiences are themselves prone to disappear, together with the memory of their authors. This paper exam-ines the work of a biographer and poet, Bogumiła Żongołłowicz, commited to recovering and preserving achievements of Polish post-war migrants in Australia, reclaiming forgotten or unappreciated literary works for future readers, and celebrating life and memory of those who would otherwise perish as well.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 2.

Tytuł:: Caring for Form: Ali Smith and Contemporary Refugee Life-Writing
Autorzy:: Nandi, Miriam
Tematy:: Refugee life writing
Ali Smith
collaborative life writing
care
Caroline Levine
social formalism; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/59721246.pdf Link otwiera się w nowym oknie
Opis:: Refugee life writing draws attention to the actual stories behind the statistics (100 million refugees worldwide, more than 3,000 people drowned while attempting to cross the Mediterranean in 2023 alone) and calls for solidarity across national and ethnic divides. A particularly poignant, but also provocative example of such an act of solidarity is the Refugee Tales project, in which established literary authors collaborate with refugees to relate stories of war, flight, loss, and the brutality of asylum systems in the West. This paper explores the ethical dimensions of telling somebody else’s life zooming in on the example of “The Detainee’s Tale as told to Ali Smith.” Unlike many of the other tales, Smith explains the process of visiting and interviewing two refugees trapped in the British asylum system. While the research on the ethics of Refugee Tales has focused on the questions of “trust” (Rupp) and “precarity” (Sandten) of the refugee condition, this article chooses a different path. It suggests that the ethical questions arising in “As-Told-To Life Writing” (Lindemann) remain in the shadow if seen only in terms of authenticity of voice. Instead of scrutinising the authority of the real-world author, it is worth redirecting the attention to the narrative discourse and the specific forms it takes. Drawing on Caroline Levine’s social formalism, the article investigates the interplay between political and aesthetic forms. In this collision of forms, “The Detainee’s Tale” unmasks and contests the inhumane side of the British asylum system, but it also carefully gestures towards possible ethical alternatives. The ethical aspects of Smith’s contribution are best described in terms of a feminist ethics of care, which values the moral salience of recognising and attending to the vulnerability of others (see Held).
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 3.

Tytuł:: Spacing of Memory in The Book of My Lives by Aleksandar Hemon*
Spacing of Memory in The Book of My Lives by Aleksandar Hemon
Autorzy:: Durić, Dejan
Tematy:: life-writing
exile
memory
space
place; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/635694.pdf Link otwiera się w nowym oknie
Opis:: The paper examines the memoir The Book of My Lives by Bosnian-American writer Aleksandar Hemon. This non-fiction work explores the author’s childhood in the capital of Bosnia and Herzegovina before the collapse of Yugoslavia, and then his exile experience in Canada and the United States after the outbreak of the war. Through the prism of memory, the book deals with the subject of exiles, uprootedness and efforts to start a new life in a new environment. Being an autobiographical record, The Book of My Lives lends itself to the examination of the issue of exile and memory issues, which is one of the two themes of this paper. The second concerns the understanding of the relationship between memory and space. The paper seeks to show how the spatial dimension is also important for the creation of memory because memories represent an essential factor for the transformation of abstract space into a particular place.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 4.

Tytuł:: Joe Brainard’s "I Remember", Fragmentary Life Writing and the Resistance to Narrative and Identity
Autorzy:: Drąg, Wojciech
Tematy:: fragmentation
life writing
experimental literature
narrative identity; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/641437.pdf Link otwiera się w nowym oknie
Opis:: Paul Ricoeur declares that “being-entangled in stories” is an inherent property of the human condition. He introduces the notion of narrative identity-a form of identity constructed on the basis of a self-constructed life-narrative, which becomes a source of meaning and self-understanding. This article wishes to present chosen instances of life writing whose subjects resist yielding a life-story and reject the notions of narrative and identity. In line with Adam Phillips’s remarks regarding Roland Barthes by Roland Barthes (1975), such works-which I refer to as fragmentary life writing-emerge out of a profound scepticism about any form of “fixing” oneself and confining the variety and randomness of experience to one of the available autobiographical plots. The primary example of the genre is Joe Brainard’s I Remember (1975)-an inventory of approximately 1,500 memories conveyed in the form of radically short passages beginning with the words “I remember.” Despite the qualified degree of unity provided by the fact that all the recollections come from the consciousness of a single person, the book does not arrange its content in any discernible order-chronological or thematic; instead, the reader is confronted with a life-in-fragments. Although individual passages could be part of a coming-of-age, a coming-out or a portrait-of-the-artist-as-a-young-man narrative, Brainard is careful not to let any of them consolidate. An attempt at defining the characteristics of the proposed genre will be followed by an indication of more recent examples of fragmentary life writing and a reflection on its prospects for development
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 5.

Tytuł:: Five Propositions on Self-Narratives, *Francophonie and Minorities
Autorzy:: Ippolito, Christophe
Tematy:: self-narratives
culture
society
minorities
life narratives
life-writing; Pokaż więcej
Wydawca:: Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Powiązania:: https://bibliotekanauki.pl/articles/606065.pdf Link otwiera się w nowym oknie
Opis:: Der Band enthält die Abstracts ausschließlich in englischer Sprache.
This introduction presents the LSMLL volume that follows (volume entitled “Self-Narratives and Society”), and discusses five propositions: I. Self-narratives may be analyzed as rediscoveries of what the self is not, i.e. society in particular; II. Beyond questionable distinctions between autobiography, autofiction and testimonies, selfnarratives may be defined interculturally (with help from the Englishspeaking world) as (predominantly reflexive) forms of life narratives and examples of life-writing; III. Autobiography and autofiction can’t file for divorce; IV. We should joyfully call for the end of [La] *Francophonie, substitute what could be abbreviated as LEF (littérature d’expression française) to the unfortunate expression littérature *francophone, and/or play on semantic neutrality and signal the *Francophone imposture with a (typographical) countersign: *francophone, *Francophonie; V. The “culturality” inherent to self-narratives opens itself up to the question of minorities.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 6.

Tytuł:: Sienkiewicz w lustrze biografii
Sienkiewicz’s Reflection in the Biographical Mirror
Autorzy:: Chomiuk, Aleksandra
Tematy:: Henryk Sienkiewicz
post-war biographies
life writing
representation; Pokaż więcej
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Powiązania:: https://bibliotekanauki.pl/articles/951550.pdf Link otwiera się w nowym oknie
Opis:: Relying on post-war biographies of Henryk Sienkiewicz, the article provides an insight into how his life as a writer was modelled through recurring similarities and differences of representation. Both factual and methodological portrayals seem uniform. In 1954 the biographical calendar presented by Julian Krzyżanowski became a point of reference for all following profiles of Sienkiewicz. Moreover, the biographers seem to utilize personal documents in a similar manner – they are to validate their stories. The resulting life writing appears to hold peculiar control over the protagonist’s life, suggesting that special-temporal distance allows us to see more than Sienkiewicz did himself.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 7.

Tytuł:: The Psalter over the water – a multidisciplinary account of originality
Autorzy:: Charzyńska-Wójcik, Magdalena
Tematy:: Psalter
translation
Jacobite court
life-writing studies
linguistics; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Powiązania:: https://bibliotekanauki.pl/articles/2051101.pdf Link otwiera się w nowym oknie
Opis:: The paper deals with a little-known translation of the Vulgate Psalter which was published anonymously in 1700 in Saint-Germain-en-Laye by the printer of the exiled court of King James VII of Scotland and II of England. The paper argues in favour of the originality of the translation in the face of the claim expressed in the literature that it represents a revision of an earlier English rendition made from the Vulgate published in 1610 as part of the Douay-Rheims Bible. The adduced data draw from history, life writing studies and linguistics, thereby offering multidisciplinary evidence in favour of the originality of the rendition.
Dostawca treści:: Biblioteka Nauki

Artykuł

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Skocz do pozycji: 8.

Tytuł:: Złe wychowanie jako norma
Teksty Drugie Nr 6 (2018)
Autorzy:: Nasiłowska, Anna
Wydawca:: IBL PAN
Powiązania:: Teksty Drugie
Opis:: Pol. text, eng. summary
21 cm
Tekst pol., streszcz. ang.
Dostawca treści:: RCIN - Repozytorium Cyfrowe Instytutów Naukowych

Książka

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Skocz do pozycji: 9.

Tytuł:: Upheavals of emotions, madness of form : Mary M. Talbot’s and Bryan Talbot’s "Dotter of her father’s eyes" and a transdiegetised (auto)biographical commix
Autorzy:: Kusek, Robert
Opis:: In 2012, Mary M. Talbot and Bryan Talbot joined the likes of Richard Ellmann, Gordon Bowker and Michael Hastings and in their graphic memoir Dotter of Her Father’s Eyes (2012) offered a new re-telling of James Joyce’s life, focusing, in particular, on the difficult relationship between the great Irish writer, and his daughter Lucia. However, the story of a complicated emotional bond between Joyce and Lucia was only a framework for an autobiographical coming-of age narrative about Mary M. Talbot herself and her violent relationship with James S. Atherton, a celebrated Joycean scholar and her very own “cold mad feary father”. Following Martha C. Nussbaum’s conception about cognitive and narrative structure of emotions postulated in Love’s Knowledge (1990) and Upheavals of Thoughts (2001), this article wishes to argue in favour of an organic connection between the volume’s thematic concerns and its generic affiliation. In other words, it discusses how a specific class of emotions pertaining to Lucia’s gradual mental disintegration can be adequately told only in a specific literary form, i.e. in a transdiegetised “commix”, an auto)biographical account which occupies a threshold space between a comic and a novel, fiction and non-fiction, biography and autobiography, words and pictures.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

Artykuł

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Skocz do pozycji: 10.

Tytuł:: Autonaturografie. Biopoetyki immersyjnego piśmiennictwa przyrodniczego (Zajączkowska, Brach-Czaina, Tsing, Macdonald)
Life-nature-writing (Zajączkowska, Brach-Czaina, Tsing, Macdonald)
Autorzy:: Adamczewska-Baranowska, Izabella
Tematy:: życiopisanie
piśmiennictwo przyrodnicze
memuar
ekokrytyka
biopoetyka
cthulucen
asamblaż
life-writing, nature writing, memoir, ecocriticism, biopetics, cthulucene, assemblage
life-writing
nature writing
memoir
ecocriticism
biopoetics
cthulucene
assemblage; Pokaż więcej
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Powiązania:: https://bibliotekanauki.pl/articles/2097185.pdf Link otwiera się w nowym oknie
Opis:: Celem artykułu jest wyodrębnienie nowej, nieantropocentrycznej formy pisania o przyrodzie. Analizując teksty antropolożki Anny Lowenhaupt Tsing, biolożki Urszuli Zajączkowskiej, historyczki nauki Helen Macdoland i filozofki Jolanty Brach-Czainy – wskazuję na chwyty charakteryzujące ich biopoetykę: immersyjność, rizomatyczność, asamblażowość i tentakularność. Nawiązując do formuły gatunkowej “pasażu tekstowego” (rozumianego szeroko, niekoniecznie jako pisanie i czytanie miasta) i wspierając się rozważaniami Rebeki Solnit, pokazuję, jakim ponadgatunkowym doświadczeniem jest dla flanerek wędrówka i włóczęga, które mogą zarazem być ucieczką z laboratorium. Zastanawiam się też, jak bardzo nieantropocentryczny może być tekst literacki.
he aim of this paper is to describe new, non-anthropocentric forms of non-fictional nature writing that can also be interpreted as life-nature (autoBIOgraphical) writing. The author discusses the works of Anna Lowenhaupt Tsing (anthropologist), Urszula Zajączkowska (biologist), Helen Macdonald (historian of science) and Jolanta Brach-Czaina (philosopher) in order to show their biopoetical writing strategies: immersion, rhizomatic, assemblage, and tentacularity. In her analysis, the author defines the strategies by using the concepts of Passage – understood in broader terms rather than as a trope of urban writing and reading – and flaneurie, which can be a non-urban experience, that represents the opposite of laboratory. This paper will also discuss the possibilities and the limits of non-anthropocentrism in literature.
Dostawca treści:: Biblioteka Nauki

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