Temat: relational ontologies

Skocz do pozycji: 1.

Tytuł:: Performans jako metoda: patrząc z ukosa na Zachód
Performance as a method: looking askance at the West
Autorzy:: Sugiera, Małgorzata
Tematy:: performance as a method
knowledge ecologies
relational ontologies
pluriversum
decolonial theory
Black Studies; Pokaż więcej
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Powiązania:: https://bibliotekanauki.pl/articles/889543.pdf Link otwiera się w nowym oknie
Opis:: Taking as its starting point Ted Chiang’s novella “Story of Your Life”, the article revisits Richard Schechner’s definition of performance as a method in the context of such interdisciplinary research fields as decolonial theory and Black Studies, which search for alternatives to the Western ways of gathering and transmitting knowledge. These emerging fields not only promote situated, local knowledge practices as knowledge ecologies, interweaving theoretical and practical approaches. They also look for relational ontologies on which the concept of pluriversum (many worlds in one world) is premised to replace the hegemonic Western dualistic ontology. This encourages a verification of the method of approaching other phenomena as performances. This method, fundamental to performance studies, upholds the dichotomy between an active knowing subject and a passive known object. To subvert this binary approach scholarly writing itself has to become a sort of performance. In the article, Chiang’s novella acts as a First Contact scenario which is actualized by detailed references to scholarly works and thesis. In this way, the scenario allows for a stepwise confrontation of different research approaches, usually analysed separately and situated either in the heart of the Western paradigm or on its margins, if not entirely beyond its boundaries.
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Performance as a method : lokking askance at the West
Performans jako metoda : patrząc z ukosa na Zachód
Autorzy:: Sugiera, Małgorzata
Opis:: Przyjmując jako punkt wyjścia opowiadanie Teda Chianga Story of Your Life, tekst przedstawia zmodyfikowaną definicję performansu jako metody Richarda Schechnera w kontekście takich nurtów badań, jak studia dekolonialne i Black Studies, alternatywnych wobec zachodnich praktyk gromadzenia i przekazywania wiedzy. Coraz częściej proponują one nie tylko sytuowane, lokalne praktyki poznania w formie ekologii wiedz, łączących teorię z praktyką, lecz także postulują zastąpienie zachodniej ontologii dualistycznej przez ontologie relacyjne jako podstawę koncepcji wieloświata (pluriversum). Zmusza to do weryfikacji istotnej dla performatyki postawy badania innych zjawisk jako performansu, gdyż podtrzymuje ona binarny podział na aktywny podmiot poznający i bierny przedmiot poznania. Aby przezwyciężyć ten podział, samo pisanie staje się rodzajem performansu. Opowiadanie Chianga służy tu jako aktualizowany przy pomocy przywołań konkretnych prac i ustaleń scenariusz spotkania z Innym, który dzięki temu umożliwia i porządkuje konfrontację odmiennych propozycji badawczych, zwykle analizowanych odrębnie - w ramach zachodniego paradygmatu lub na jego antypodach.
Taking as its starting point Ted Chiang’s novella "Story of Your Life", the article revisits Richard Schechner’s definition of performance as a method in the context of such interdisciplinary research fields as decolonial theory and Black Studies, which search for alternatives to the Western ways of gathering and transmitting knowledge. These emerging fields not only promote situated, local knowledge practices as knowledge ecologies, interweaving theoretical and practical approaches. They also look for relational ontologies on which the concept of pluriversum (many worlds in one world) is premised to replace the hegemonic Western dualistic ontology. This encourages a verification of the method of approaching other phenomena as performances. This method, fundamental to performance studies, upholds the dichotomy between an active knowing subject and a passive known object. To subvert this binary approach scholarly writing itself has to become a sort of performance. In the article, Chiang’s novella acts as a First Contact scenario which is actualized by detailed references to scholarly works and thesis. In this way, the scenario allows for a stepwise confrontation of different research approaches, usually analysed separately and situated either in the heart of the Western paradigm or on its margins, if not entirely beyond its boundaries.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 3.

Tytuł:: Performans jako metoda : krytyczne spojrzenia na zachodnią episteme
Performance as method : critical approaches to the Western episteme
Autorzy:: Sugiera, Małgorzata
Wydawca:: Routledge
Opis:: The chapter offers a concept of performance as a form and method of engaging recent critical approaches to Western episteme, understood as the colonial matrix of power and the system of knowledge that still sustains it in its various contemporary incarnations. Taking as its starting point Elizabeth Povinelli’s conviction that not only concepts depend on other concepts, but also they are "a form of gathering from and rearticulating actual worlds, actual regions of existence, and the actual ways these worlds and regions are entangled" ("Between Gaia and Ground"), the unfolding argument is clearly situated in and presented from my personal, decentered perspective of a Central European citizen and scholar. To emphasize this perspective, Ted Chaing’s novella "Story of Your Life" is used as a scenario for interweaving theoretical approaches and understandings from such emerging and post-disciplinary fields as decoloniality, counterfactuality and Black Studies. That is also why the chapter repeatedly stresses the necessity of staying in a permanent state of self-analysis and self-redefinition through a process of constant inter-referencing and relativizing concepts, ideas and practices from other disciplines. All this in order to appropriately situate and localize how performance is understood here and now. It is exactly the lesson we may learn from the fictional meeting with the aliens in Chiang’s story, which in this chapter functions as an allegory of other epistemologies that could help to critically approach the Western episteme.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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