Temat: spatial humanities - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: The methodological problems of creating a digital thematic repository of historical cartographic and textual sources. Case study
Autorzy:: Zawadzki, Mateusz
Tematy:: old maps
thematic repository
textual sources
digital humanities
spatial humanities; Pokaż więcej
Wydawca:: Oddział Kartograficzny Polskiego Towarzystwa Geograficznego
Powiązania:: https://bibliotekanauki.pl/articles/29433677.pdf Link otwiera się w nowym oknie
Opis:: The paper discusses the activities involved in the process of creating a digital thematic repository focusing on historical cartographic and textual sources. On the basis of the thematic repository created as part of the project “Shaping the borders of Independent Poland in the light of cartographic documents”, the author presents proposals for solutions aimed at effective management of the various materials, as well as allowing users easy access to specific information. It provides an overview of the issues identified in the context of identifying, selecting, digitising and sharing digital copies of sources of relevance to humanities and social sciences research. With regard to the digitisation of cartographic sources, the article examines the challenges of adapting the technology to meet the diverse needs of information retrieval. In addition, it addresses issues related to the development of metadata and the integration of different types of sources. The article also addresses issues related to maintaining and updating the digital repository, with a particular focus on ensuring the sustainability of the project. The conclusions of the completed project allow us to identify best practices in the process of creating and managing a digital thematic repository, which can be a valuable tool for researchers, students, and cultural heritage institutions.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Francuzi w hierarchii więźniarskiej Auschwitz-Birkenau. GIS w badaniach historycznych – wprowadzenie do badań
The French in the Inmate Hierarchy of Auschwitz-Birkenau: GIS in Historical Research – Introduction to a Research Project
Autorzy:: Chrząszcz, Paulina
Tematy:: Auschwitz
obóz koncentracyjny
humanistyka przestrzenna
QGIS
georeferencer
concentration camp
spatial humanities
Georeferencer; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Instytut Slawistyki PAN
Powiązania:: https://bibliotekanauki.pl/articles/44915556.pdf Link otwiera się w nowym oknie
Opis:: The aim of this article is to identify a research problem concerning the French prisoners of Auschwitz-Birkenau, and to discuss preliminary results of a PhD project conducted at the Institute of History, Polish Academy of Sciences. As planned, the implementation of the project will involve the use of methods offered by widely understood information technologies, such as the Geographic Information System (GIS) and the structural language of the French deportees, who were one of the more numerous groups of Auschwitz-Birkenau prisoners. The article outlines a potential research field and presents preliminary results of a study on the Auschwitz II-Birkenau women’s camp. Thanks to the use of information technologies, such as GIS tools, it was possible to map the space of sectors BIa and BIb of Auschwitz II-Birkenau with its particular parts, including barracks, baths, kitchens, latrines, etc. Using raster georeferencing, an image of the camp as it is today was superimposed on an aerial photograph of the sub-camp taken by the Allies in 1944.
Celem niniejszego artykułu jest zasygnalizowanie problemu badawczego, który dotyczy francuskich więźniów obozu Auschwitz-Birkenau, a także przedstawienie wstępnych wyników badań przygotowanych na potrzeby doktoratu pisanego w Instytucie Historii PAN. Do całościowej realizacji projektu wykorzystane zostaną metody, które oferują szeroko rozumiane technologie informacyjne, takie jak System informacji geograficznej (GIS) oraz strukturalny język zapytań SQL. Autorka odwołując się do teorii aktora-sieci, w centrum rozważań stawia osoby deportowane z Francji, które stanowiły jedną z liczniejszych grup więźniów obozu Auschwitz-Birkenau. W tekście zasygnalizowano możliwe pole badawcze oraz zaprezentowano możliwości badań nad częścią obozu kobiecego w Auschwitz II-Birkenau. Dzięki wykorzystaniu technologii informacyjnych, takich jak narzędzia GIS-owskie, możliwe było ukazanie przestrzenne części kobiecej BIa i BIb obozu Auschwitz II-Birkenau wraz z wyznaczeniem jej konkretnych części, takich jak baraki, łaźnie, kuchnie, latryny itd. Wykorzystując georeferencing obrazu rastrowego, widok współczesny obozu nałożono na jedno ze zdjęć lotniczych podobozu wykonane przez Aliantów w 1944 roku.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Textual Caves: Expanding the Literary Writing Space
Autorzy:: Marecki, Piotr
Tematy:: Writing space
remediation
cave writing
textual caves
concrete poetry
visual text
spatial humanities
digital humanities; Pokaż więcej
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:: https://bibliotekanauki.pl/articles/61079316.pdf Link otwiera się w nowym oknie
Opis:: Marecki discusses three textual caves created by Polish concrete poets: Stanisław Dróżdż’s Między (1977); Małgorzata Dawidek Gryglicka’s Krótka historia przypadku (1997); and Dróżdż’s Żyłki (2002). The medium of all three works was a white cubicle placed in a gallery. Each piece played with the corporeality of the viewer and their experience of networked space, expanding the concept of writing space in literature. Między is an original work of international importance, whereas the two later caves are re-mediations, recycled variations of the original subject. The true innovation of Między is the idea to place text in a space beyond the page, picture or gallery wall. Dróżdż’s break with tradition created a networked piece; the body of the viewer is physically inscribed on the work when he or she enters it. Dawidek’s installation, created two decades later, has been called a hypertext in space. Therein, the artist incorporated new physical solutions, including links to the lexias, which were written by hand and glued to the walls. Dawidek thus nuanced the use of corporeality in her work, which was designed for a particular space (the viewer moves through the book by following physical links; for instance, when the text mentions exiting, the viewer actually follows a link towards the door). Finally, Dróżdż’s 2002 work Żyłki constitutes another step forward. In a similar manner to Dawidek, the artist used physical links. By placing the work in the space that was occupied by Między back in 1977, he thus recycled his initial medium. Marecki utilizes tools for describing the nature of the writing space developed by thinkers like J.D. Bolter and applies Zenon Fajfer’s concept of “Liberatura” to develop a media-specific analysis of these three textual caves, as well as the intertextual relations between them.
Dostawca treści:: Biblioteka Nauki

Artykuł

na półce

Skocz do pozycji: 4.

Tytuł:: Textual caves : expanding the literary writing space
Autorzy:: Marecki, Piotr
Opis:: Marecki discusses three textual caves created by Polish concrete poets: Stanisław Dróżdż's Między (1977); Małgorzata Dawidek Gryglicka's Krótka historia przypadku (1997); and Dróżdż's Żyłki (2002). The medium of all three works was a white cubicle placed in a gallery. Each piece played with the corporeality of the viewer and their experience of networked space, expanding the concept of writing space in literature. Między is an original work of international importance, whereas the two later caves are re-mediations, recycled variations of the original subject. The true innovation of Między is the idea to place text in a space beyond the page, picture or gallery wall. Dróżdż's break with tradition created a networked piece; the body of the viewer is physically inscribed on the work when he or she enters it. Dawidek's installation, created two decades later, has been called a hypertext in space. Therein, the artist incorporated new physical solutions, including links to the lexias, which were written by hand and glued to the walls. Dawidek thus nuanced the use of corporeality in her work, which was designed for a particular space (the viewer moves through the book by following physical links; for instance, when the text mentions exiting, the viewer actually follows a link towards the door). Finally, Dróżdż's 2002 work Żyłki constitutes another step forward. In a similar manner to Dawidek, the artist used physical links. By placing the work in the space that was occupied by Między back in 1977, he thus recycled his initial medium. Marecki utilizes tools for describing the nature of the writing space developed by thinkers like J. D. Bolter and applies Zenon Fajfer's concept of "Liberatura" to develop a media-specific analysis of these three textual caves, as well as the intertextual relations between them.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

Artykuł

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Skocz do pozycji: 5.

Tytuł:: "Atlas Literatury Zagłady" w kontekście zwrotu przestrzennego/topograficznego w humanistyce.
Teksty Drugie : Atlas Literatury Zagłady.
Autorzy:: Leociak, Jacek
Wydawca:: IBL PAN
Powiązania:: Teksty Drugie
Opis:: 21 cm
Tekst pol., streszcz. ang.
W dodatkowej numeracji ciągłej nr 54 dwukrotnie = 6 (1998) I 1 (1999) i brak 72
Pol. text, eng. summary
Od 2002, nr 1/2 wyd.: Stowarzyszenie "Pro Cultura Litteraria"
Dostawca treści:: RCIN - Repozytorium Cyfrowe Instytutów Naukowych

Książka

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Skocz do pozycji: 6.

Tytuł:: Experimental structure of discourse: mapping the discourse formations of Bauhaus ideals
Autorzy:: Lam, Ka-man
Gorle, Jyotsna
Wilde, Michael
Saad, Patrick
Tematy:: epistemology
digital humanities
graph algorithms
spatial interface
map-territory relation
software studies
media architecture; Pokaż więcej
Wydawca:: Politechnika Białostocka. Oficyna Wydawnicza Politechniki Białostockiej
Powiązania:: https://bibliotekanauki.pl/articles/1403665.pdf Link otwiera się w nowym oknie
Opis:: In the relativistic world of the 21st century, if the Bauhaus would still be upheld as doctrine, we must face the truth: it can hardly be considered a provocation. Rather, we most often find ourselves caught between contradictory wishes to preserve an intact past and to make sense of a resolute avant-gardism. This paper proposes that the Bauhaus, as a discursive knowledge body, be structuralistically analyzed with Foucauldian Discourse Analysis. Our claim is substantiated by: first, that a F oucaultian concept of discourse offers an alternative to the practice of history and theory; second, that the publication of Bauhaus reveals a discursive structure in a F oucaultian sense; third, that discourse-analysis-search-engine can perform the analysis on the Bauhaus corpus, contributing to emergent epistemological positions; fourth, that this revealed structure of discourse could be mapped and re-materialized to invite interferences on today’s territory of Bauhaus Discourse. The research and development process in the accompanying project “Bauhaus Orbits – scenographic apparatus for discourse analysis” (bauhausorbits.de) will be discussed.
Dostawca treści:: Biblioteka Nauki

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