Temat: staring back - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Niepełnosprawność poza zmyśleniem Reprezentacja, ucieleśnienie i strategie „odgapiania się”
Disability Beyond Fabrication. Representation, Embodiment, and the Strategies of “Staring Back”
Autorzy:: Świerkosz, Monika
Tematy:: disability
embodiment
representation
staring back; Pokaż więcej
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Powiązania:: https://bibliotekanauki.pl/articles/1815495.pdf Link otwiera się w nowym oknie
Opis:: The article analyzes the ways of producing cultural representations of disability in theatre, film, literature and society. It draws attention to their dialectical structure, which problematizes - as in the case of the figure of the disabled avenger from Malina Prześluga’s drama "Debil" – a positive going beyond the oppositions of good and evil, agency and passivity. The author emphasizes the need to perceive not only metaphorical but also materialistic dimensions of disability in order to deconstruct and dislocate (and not only duplicate) ableist clichés. The key role in this process is played by the categories of embodiment and lived experience, as well as the strategies of "staring back" (R. Garland-Thomson) used by contemporary Polish artists with disabilities.
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Disability beyond fabrication : representation, embodiment, and the strategies of "Staring back"
Niepełnosprawność poza zmyśleniem : reprezentacja, ucieleśnienie i strategie "odgapiania się"
Autorzy:: Świerkosz, Monika
Opis:: The article analyzes the ways of producing cultural representations of disability in theatre, film, literature and society. It draws attention to their dialectical structure, which problematizes - as in the case of the figure of the disabled avenger from Malina Prześluga’s drama "Debil" - a positive going beyond the oppositions of good and evil, agency and passivity. The author emphasizes the need to perceive not only metaphorical but also materialistic dimensions of disability in order to deconstruct and dislocate (and not only duplicate) ableist clichés. The key role in this process is played by the categories of embodiment and lived experience, as well as the strategies of "staring back" (R. Garland-Thomson) used by contemporary Polish artists with disabilities.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

Artykuł

Informacja