Temat: tradition - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Teologiczne rozumienie Tradycji
Autorzy:: Ciećko, Szymon Krzysztof
Tematy:: tradition
Tradition
Bible; Pokaż więcej
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Powiązania:: https://bibliotekanauki.pl/articles/1919011.pdf Link otwiera się w nowym oknie
Opis:: The article presents the issue of Tradition in the understanding of Catholic theology. It starts from the definition of tradition in general and then presents thetheological understanding of Tradition in relation to the person of Jesus Christ and bearers of Tradition, above all the Church as the People of God and the Magisterium. Finally, selected council rulings are analyzed in which the subject of Tradition is raised in its relation to the Holy Scriptures.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Emotywność współczesnych bułgarskich tekstów religijnych. Na przykładzie zografskiego wydania Żywotów bułgarskich świętych
Emotiveness of Contemporary Bulgarian Religious Texts. An Example of Zographsky Edition of Bulgarian Hagiography
Autorzy:: Walczak-Mikołajczakowa, Mariola
Tematy:: emotiveness
hagiography
religious tradition
religious tradition of language
tradition of translation; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/636060.pdf Link otwiera się w nowym oknie
Opis:: Usage of the word ‘contemporary’ in the title of this article persuades to think of issues which were undertaken by editors of this volume: is emotiveness belong only to texts published by contemporary media, or do we have to accept her limitation to media discourse, or would it be considered in wilder terms and draw attention to variety of ongoing discourses. From this point of view it undoubtedly attracts attention to religious language (characteristic for particular countries and contemporary used), which is still undefined and fragmentarily described. From this perspective author analyses the hagiography language which is included in the most recent edition of Bulgarian monastery on the Saint Athos Mount. The author wonders how influential the exigence of contemporary recipient can be or how the writing tradition. Cited numerous examples try to prove that the religious language of Bulgaria is traditional and refers to inheritance of Old Church Slavonic.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Organs as an exemplification of the material heritage of Montenegrin culture Part. 2: St. Nicholas’ Church and the Church of Our Lady of the Rock in Perast
Autorzy:: Poźniak, Grzegorz
Tematy:: organs
Montenegro
Italian tradition
Balkan tradition
organ building; Pokaż więcej
Wydawca:: Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Powiązania:: https://bibliotekanauki.pl/articles/2170552.pdf Link otwiera się w nowym oknie
Opis:: This article is a second part of the series of texts on organs in Montenegro, in which the organs from St Nicholas’ Church and the Church of Our Lady of the Rock in Perast will be described. The description of these instruments will include their basic presentation in the context of the organ building trends in this part of Europe. Organs as a special musical instrument are an important example of the material heritage of musical culture. Montenegro, being a predominantly Orthodox country in which instrumental and vocal-instrumental music is not performed, cannot claim a large number of organs. However, their significant proportion includes historically noteworthy instruments.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Tradycja w funkcji przekazu Objawienia
Tradition in Function of Transfer of Revelation
Autorzy:: Rusecki, Marian
Salamon, Dariusz
Tematy:: Tradycja
Tradycja apostolska
Tradycja poapostolska
Objawienie
przekaz Objawienia
Tradition
Apostolic Tradition
Post-Apostolic Tradition
Revelation
Communication of the Tradition; Pokaż więcej
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Powiązania:: https://bibliotekanauki.pl/articles/2143834.pdf Link otwiera się w nowym oknie
Opis:: The aim of his article was to show the meaning of the Christian Tradition in the Transfer of Divine Revelation. Due to it the Revelation is transferred into history. The Tradition is means for it. The Transfer of the Revelation in tradition is performed with reference to work and God’s words. As said, that each supernatural Revelation is realized in the form of God’s action, which accompanies word. As a form of Revelation this God’s action in a way exists in the Church transferring and realizing it. The Tradition does not reveal new contents, does not add something to the Divine Revelation, but it makes public and makes present, what has been revealed in Christ practice. This way, The Divine Revelation is present in the Tradition.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Organs as an exemplification of Montenegro's material cultural heritage Part 1: St. Tryphon's Cathedral in Kotor – Our Lady Help of Christians' Church in Muo
Autorzy:: Poźniak, Grzegorz
Tematy:: organs
Montenegro
Italian tradition
Balkan tradition
organ building; Pokaż więcej
Wydawca:: Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Powiązania:: https://bibliotekanauki.pl/articles/570409.pdf Link otwiera się w nowym oknie
Opis:: Montenegro became a union republic of the Socialist Republic of Yugoslavia (1945–1992) after the Second World War and the political changes and wars in the Balkans at the turn of the 20th and 21st century. Montenegro proclaimed its independence on 3rd June 2006. As an independent state, this former republic of socialist Yugoslavia takes action to gather and scientifically describe its remarkable cultural heritage. In 2019 Cetinje Academy of Music, which is part of the University of Montenegro, decided to carry out a scientific project aimed at depicting this entire cultural heritage. Folk culture and Orthodoxy are the dominant features of this whole opus, thus it is not surprising that cultural products are mostly associated with these two cultural factors. Catholics constitute a group of about 3.5%, which amounts to a relatively small number of believers. Though they are a small community, they also left their mark on culture. One of the important factors in the Catholic worship is the pipe organ. The article is the first part of a series of texts dedicated to the organ in Montenegro, in which the organ from St. Tryphon's Cathedral in Kotor and from the parish church of Our Lady Help of Christians in Muo is described. The presentation of these instruments comprises their history and description as well as contemporary and archival photographs. The contemporary instrument in St. Tryphon’s Cathedral in Kotor is a small contemporary instrument which comes from the German organmaster’s factory Fischer + Krämer. The factory was founded in Schlatt, near Bad Krozingen, in 1970. The firm builds its instruments with mechanical key actions in wood and their pipe measurements are based on the Baden-Alsace tradition of Stieffell and also on the pattern of Andreas and Johann Andreas Silbermann. However, the history of the organ in Kotor Cathedral is relatively well documented and has been depicted by musicologists from the former Yugoslavia. The organ preserved in the church of Our Lady Help of Christians in Muo is, in its construction, an instrument belonging to the Dalmatian-Italian tradition of the organ building, which derived from Domenico Moscatelli’s factory. It was built in 1784 in Zadar and brought to Muo in 1880. The organ is a mechanical instrument containing Italian sound concept and stop naming. Its current condition is disastrous. The organ requires special care due to the fact that it reflect a substantial document of European organ building’s trends. Respect for music in its material (an instrument with a beautiful organ front) and spiritual (beauty of sounds) dimensions is required. Therefore, Boka Kotorska is not only a charming, mountainous and seaside resort, but also a place with a vital role in the contemporary account of the material heritage of Montenegrin culture.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Tradition in reading the unknowns
Tradycja w lekturze nieznawców
Autorzy:: Jastrzębska, Aleksandra
Wydawca:: Wydawnictwo Uniwersytetu Jagiellońskiego
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 7.

Tytuł:: Категория телесности в лирике Веры Павловой: к вопросу о ее источниках
Corporeality in Vera Pavlova’s poetry: about its sources
Autorzy:: Sadzińska, Ewa
Tematy:: Vera Pavlova
corporeality
concept
love
acmeist tradition
ancient tradition; Pokaż więcej
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Powiązania:: https://bibliotekanauki.pl/articles/22595746.pdf Link otwiera się w nowym oknie
Opis:: The purpose of this article is an attempt to characterize the category of corporeality in the poetry by Vera Pavlova and to identify its sources. The analysis shows that this category is realized in different images and motifs, becoming the dominant poetics. In her works, the carnality is not limited to describing the man but it turns out to be an important, universal code that allows you to see the world in terms of unity and organicity. In this respect, Pavlova’s aesthetic exploration resembles the acmeist and – more distant – an ancient tradition.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Poema de vanitate mundi Jakuba Baldego jako kontynuacja tradycji emblematycznej oraz przejaw siedemnastowiecznego manieryzmu
Poema de vanitate mundi of Jakub Balde. A continuation of emblematic tradition and an example of the 17th century mannierism
Autorzy:: Kozłowska, Maria
Tematy:: Jakub Balde
emblematic tradition
mannerist tradition
Poema de vanitate mundi; Pokaż więcej
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Powiązania:: https://bibliotekanauki.pl/articles/636503.pdf Link otwiera się w nowym oknie
Opis:: The article looks at how the mannerist tradition has influenced a seventeenth century long poem Poema de vanitate mundi by German Jesuit poet Jacob Balde (1604–1668). The paper starts with a general introduction about the author and the poem itself. De vanitate mundi has been described as a part of the mannerist tendencies occurring in different times and places (like the importance of conceit in formulating artistic texts or the role of formal means including extensive enumeratio and experimental cutting out of the syllables), as well as shows these features of it which can be directly connected to emblematic tradition of the early modern period. It focuses on three aspects of this tradition. Firstly – the unconventional role of the image in De vanitate mundi with particular emphasis on its connection to the surrounding printed text; secondly – the variety of paraphrases which form a complex, multi-genre structure of the poem; finally – the influence elogium (a phenomenon directly connected to emblem) must have had on Baldes work. The emblematic tradition has been described as a composite of different tendencies rather than a normative and stable entity. The article aims at tracing this variety of tendencies in Balde poem. Particularly, the Jesuit (or modelled according to Jesuit habits) meditative emblem cycles are presented here as a source of the structure of De vanitate mundi. Also, the article emphasizes how the Jesuit culture influenced the shape and form of De vanitate mundi (e.g. the role of dramatic elements within the paraphrases, the meditative character of the poem or its didactic values).
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Between tradition and the "new tradition" - Władysław Trebunia-Tutka
Między tradycją a "nową tradycją" - Władysław Trebunia-Tutka
Autorzy:: Handzel, Beata
Opis:: This bachelor thesis is devoted to Władysław Trabunia-Tutka, the outstanding personality of Podhale, painter, cultural activist, singer, dancer, and above all musician. The aim of this study was to gather and set in order data concerning his life, music activity and teaching as well as any factors that had impact on the creation of the individual style of Władysław Trebunia-Tutka’s music, its relation to the folklore, traditions of the highland, and to trends in folk music- which expansion can be observed over several years. The first chapter contains musical biography of Władysław Trebunia-Tutka, the following describes his impact on the music style in new generations of the Tutka’s family and his importance in the musical culture of the Highlands. The analysis has been subjected to the individual style of Władysław and his activity in the band Trebunie-Tutki. Moreover, in the thesis contemporary music culture of Podhale, attitude of the local population to traditional music and its modern modifications, the role of Władysław Trebunia-Tutka in creating awareness and musical taste of Tatra’s inhabitants and his attempt to find own place between traditional music and the “new tradition” are discussed.
Niniejsza praca licencjacka poświęcona jest Władysławowi Trebuni-Tutce, wybitnej postaci Podhala, artyście malarzowi, działaczowi kultury, śpiewakowi, tancerzowi, a nade wszystko muzykantowi. Celem pracy było zgromadzenie i uporządkowanie faktów z życia oraz analiza aktywności muzycznej i pedagogicznej prezentowanej postaci, jak również wskazanie czynników, które miały wpływ na wykształcenie jego indywidualnego styl muzycznego, stosunku do folkloru i tradycji podhalańskiej oraz współczesnych trendów w muzyce ludowej, których ekspansję można zaobserwować na przestrzeni kilkudziesięciu lat. W pierwszym rozdziale pracy przedstawiony został życiorys muzyczny Władysława Trebuni-Tutki, w kolejnych opisano wpływ jego osoby na świadomość muzyczną młodszych pokoleń rodu Tutków i jego znaczenia w kulturze muzycznej Podhala. Analizie poddany został indywidualny styl wykonawczy muzykanta oraz działalność w zespole Trebunie-Tutki. W pracy poruszony został także problem kultury muzycznej Podhala, stosunek ludności miejscowej do muzyki tradycyjnej i jej współczesnych modyfikacji, rola seniora rodu Tutków w kreowaniu świadomości i gustu muzycznego mieszkańców Podtatrza oraz jego próba znalezienia własnego miejsca między muzyką tradycyjną a „nową tradycją”.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 10.

Tytuł:: Poszukiwanie korzeni i tradycji rodzinnych. Aspekt dydaktyczny i wychowawczy seminarium pedagogicznego
The quest for family roots and traditions. Didactic and educational aspects of a pedagogic seminar
Autorzy:: Szablicka-Żak, Jolanta
Wydawca:: Karkonoska Państwowa Szkoła Wyższa w Jeleniej Górze
Opis:: This text is an attempt to share the experience and observations resulting from a one-year pedagogic seminar conducted for students attending extramural courses at the Institute of Pedagogy at the University ofWrocław, between 2005 and 2008. The theme of the family and its multidimensional depictions discussed as part of the seminar was subjected to an in-depth analysis within the framework of the historical and anthropological context. Didactic and educational purposes, as well as research methods were set forth. The seminar gave rise to dozens of dissertations on the family and the traditions it cultivates. The said studies embraced life stories of a few generations, starting from the late great-grandparents and grandparents to the contemporary family members, including the authors and their children, thus giving an interesting account of the twentieth century history and the changes in the family structure. Students pointed out that family bonds were both restored and tightened as a result of collecting materials and holding conversations. Furthermore, while gathering materials and drafting their dissertations, students became aware of the fact that each and every person contributes to shaping history and is responsible for what constitutes the present and the future of not only his/ her family or local community, but at times also the homeland.
Ewa Jurczyk-Romanowska
Dostawca treści:: Repozytorium Centrum Otwartej Nauki

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