Temat: visual propaganda - Prolib Integro

Skocz do pozycji: 1.

Tytuł:: Moderne – Sport – Politik. Künstlerische Praktiken rund um die IX. Olympiade in Amsterdam und die Spartakiaden 1928. Rezension einer Monografie von Przemysław Strożek
Review of Przemysław Strożek ’s book "Modernizm – sport – polityka. Praktyki artystyczne wokół igrzysk IX Olimpiady w Amsterdamie i Spartakiad 1928 roku"
Autorzy:: Postawka-Lech, Helena
Tematy:: modernism
sport
politics
visual propaganda
avant-garde; Pokaż więcej
Wydawca:: Polska Akademia Nauk. Czasopisma i Monografie PAN
Powiązania:: https://bibliotekanauki.pl/articles/56076742.pdf Link otwiera się w nowym oknie
Opis:: The book outlines the artistic events accompanying the large sports events in 1928: the 9th Olympic Games in Amsterdam and the 1st Summer Spartakiad in Moskow and 2nd Summer Spartakiad planned in Prague, which, however, was cancelled. The organization, character, and cultural influence of these events are outlined, while selected works of art connected to these events are analysed in meticulous detail. The author points out the general differences between the Olympic Games and the Spartakiads both in the approach to sports events, and the accompanying artistic events. The Olympic Games stressed the individualistic approach to art and creative work, and encouraged international competition. The Spartakiads were aiming at collective approach to both art and sports, which were seen not as competition between nations, but a collective effort of the Proletariat.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Propaganda w polskich badaniach medioznawczych: aspekt wizualny
Propaganda in Polish media studies: Visual aspect
Autorzy:: Szurmiński, Łukasz
Tematy:: biometria
medioznawstwo
perswazja
propaganda
propaganda wizualna
biometrics
media studies
persuasion
visual propaganda; Pokaż więcej
Wydawca:: Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Powiązania:: https://bibliotekanauki.pl/articles/19233636.pdf Link otwiera się w nowym oknie
Opis:: Celem artykułu jest scharakteryzowanie ewolucji badań nad zjawiskiem propagandy, ze szczególnym uwzględnieniem dorobku nauki polskiej po 1918 r. Metoda badawcza: przegląd wybranej literatury przedmiotu. Wyniki i wnioski: odnosząc się do wyodrębnionych etapów historycznych (dwudziestolecie międzywojenne i II wojna światowa, lata 1945–1989 oraz okres po roku 1989) i związanych z nimi uwarunkowań politycznych, scharakteryzowano główne wątki i przedmiot badań, właściwe dla wskazanych okresów. Wyróżniono badania nad: mechanizmami propagandy, wykorzystaniem narzędzi i form wizualnych, konkretnymi instytucjami lub projektami (case studies). Wartość poznawcza: wskazano możliwe kierunki dalszych badań w tym obszarze. Potwierdzono, że badania nad propagandą mieszczą się w głównym nurcie nauk o komunikacji społecznej i mediach, czerpiąc także z dorobku politologii i historii.
The purpose of this article is to characterize the evolution of research on the phenomenon of propaganda, with particular emphasis on the achievements of Polish science in the period from 1918 to the present. Research method: A review of selected literature on the subject. Results and conclusions: Referring to specific historical stages (the interwar period and World War II, the years 1945–1989 and the period after 1989) and the political conditions associated with them, the main themes and subject of research relevant to these periods were characterized. Research on: mechanisms of propaganda, use of visual tools and forms, specific institutions or projects (case studies) was identified. Cognitive value: Possible directions for further research in this area were indicated. It was also confirmed that the study of propaganda falls within the mainstream of social communication and media sciences, drawing also on the achievements of political science and history.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: OBRAZ CZECHOSŁOWACJI W KARYKATURACH OPUBLIKOWANYCH NA ŁAMACH CZASOPISM SATYRYCZNYCH „MUCHA” I „SZPILKI” W LATACH 1945–1948
THE IMAGE OF CZECHOSLOVAKIA IN CARICATURES WHICH WERE PUBLISHED IN SATIRICAL MAGAZINES „MUCHA” AND „SZPILKI” FROM 1945 TO 1948
Autorzy:: Ślęzak, Jolanta
Tematy:: caricature
Polish-Czechoslovakian relationships
visual propaganda; Pokaż więcej
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Powiązania:: https://bibliotekanauki.pl/articles/513129.pdf Link otwiera się w nowym oknie
Opis:: The author presented a vision of Czechoslovakia created by Polish caricatures. The main source was caricatures which were published in Polish satirical magazines „Szpilki” and „Mucha” from 1945 to 1948. The author used quantitative analysis which allowed plots portrayed within the caricatures to be caught. The paper is composed of three parts which contain analysis of the particular caricatures. The first one showed analysis of caricatures which created Czechoslovakia as an enemy of Poland. That vision was connected with border conflicts between the neighbouring countries. The second third parts contain caricatures which presented Czechoslovakia as a friend of Poland. The way Czechoslovakia was presented resulted from the fact that both Poland and Czechoslovakia were members of the socialist bloc countries. The way Czechoslo-vakia was presented changed simultaneously with the changes in the relationships between the neighbouring countries. It was also dependent on the wider context – dependence of both countries on the USSR.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Common propaganda devices in Late Republican Coinage, 79-31 BCE
Autorzy:: Kopij, Kamil
Opis:: The main aim of the article is to identify and analyse the common propaganda devices on late-Republican coins minted in the years 79-31 BCE. to indicate the psychological mechanisms behind the Roman monetary propaganda. A comparative analysis of the frequency of use of the common propaganda devices between coins minted in peacetime (79-50) and civil war (49-31) was also undertaken. Its aim was to test the hypothesis that due to a radical change in the political context of propaganda activities, the set of common propaganda devices changed between the two periods. The research was based on a dataset that included 637 types and variants of coins minted in the analysed period. The legends and images on each coin were subjected to semiotic analysis that became the basis for attributing common propaganda devices to them. In addition, those coins on which the transfer device was registered were assigned the following subcategories: deities, Senate, ancestors/deceased political leaders and offices held. The analysis showed that there are statistically significant differences between the frequency of use of the common propaganda devices (and subcategories of the transfer device) on coins minted in both periods, which can be easily explained by changes in the political context of propaganda activities.
Scopo del contributo è l’identificazione e l’analisi degli elementi propagandistici sulle monete tardo repubblicane emesse tra il 79 e il 31 a.C. nonché la ricerca dei meccanismi psicologici impiegati dalla propaganda monetaria romana. Grazie all’analisi comparativa della frequenza degli espedienti propagandistici in uso nel periodo di pace che va dal 79 al 50 a.C. e durante la guerra civile tra il 49 e il 31 a.C. vengono analizzati 637 tipi e varianti di monete repubblicane. Particolare attenzione viene data all’analisi semiotica, distinguendo tra diverse tipologie di espedienti quali i simboli di benessere, come la cornucopia, di successo, come l’immagine della dea Victoria oppure le personificazioni di città o provincie, nonché i richiami ad autorità superiori come il senato o anche a figure politiche di particolare rilievo (anche appartenenti al passato). Quest’ultimo elemento è il più frequente, con un incremento delle raffigurazioni di personaggi politici eminenti coevi nel periodo della guerra civile. Nello stesso periodo si osserva anche un aumento dell’impiego di motivi che rimandano a benessere e successo nonché di personificazioni di provincie e città. Tale fenomeno è da ricollegare alla necessità da parte di chi batteva moneta di acquistare in un periodo di turbolenze politiche il favore e la lealtà delle popolazioni governate.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 5.

Tytuł:: Pro-regime posters in the Democratic Republic of Afghanistan
Autorzy:: Kłagisz, Mateusz
Opis:: The article discusses three Afghan posters as a source of information on the political system between 1978 and 1992 and its internal dynamics. The posters are an integral part of Afghan visual culture and at the same time they are an inseparable element of the broader propaganda culture developed by communist parties. Consequently, such categories as unity, utility and wishful thinking characteristic for the socialist realist art and propaganda put the posters in the broadly understood phenomenon of Orwellian newspeak. To discuss their Orwellian dimension theoretical tools developed by Umberto Eco have been applied.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 6.

Tytuł:: Teoria komunikacji a propaganda w numizmatyce rzymskiej
A communication theory and a propaganda in Roman coinage
Autorzy:: Kopij, Kamil
Opis:: Artykuł poświęcony jest teoretycznej stronie zagadnienia propagandy w numizmatyce rzymskiej. W pierwszej kolejności pokrótce przedstawione zostały argumenty przeciwników stosowania terminu „propaganda” dla opisu zjawisk antycznych. Następnie wskazano, dlaczego argumenty te wcale nie implikują, jakoby używanie tego terminu w naukach historycznych dla okresów sprzed późnej nowożytności było anachronizmem. Główną część tekstu stanowi przedstawienie szeregu modeli komunikacyjnych (Triada Komunikacyjna Arystotelesa, Model Transmisyjny Shannona-Weavera, Model Aktu Perswazyjnego Lasswella, Kołowy Model Komunikacji Schramma-Osgooda, Model Selekcji Westleya MacLeana oraz Model Semiotyczny Eco) i modelu procesu propagandy Jowetta--O’Donnell oraz krótkie omówienie ich implikacji dla badań propagandy starożytnej, w tym namonetarnej. Artykuł porusza też problem tego, jak powinno się badać propagandę, i prezentuje dziesięciostopniową metodę badawczą zaproponowaną przez Jowetta i O’Donnell. Na koniec omówiono krótko te punkty metody badawczej, które mają największe konsekwencje dla badania propagandy namonetarnej
Propaganda is a popular subject of research in historical studies. In this field numismatists occupy a prominent place among scholars studying past propaganda. Nothing, however, matches the intensity of research on the subject conducted by Roman numismatists. Despite this popularity the use of the term ‘propaganda’ causes discomfort, even pronounced objection, among a considerable number of researchers. This ‘sceptics’ offer several arguments against using ‘propaganda’ to describe ancient societies. None of them, however, proofs that it is wrong or at least anachronistic. This becomes clear when we clash the views held by ‘the sceptics’ with those presented by modern propaganda theorists. The knowledge of the literature on the theory of propaganda is, therefore, crucial for understanding this complex phenomenon and, therefore, for studying it. Determining what propaganda stands for is, however, just the first step in its analysis. The next one is to find an answer to the question ‘how to study it?’. Several models of communication may help us to do just that. The first of them was created in antiquity by Aristotle and is known as the Aristotle’s Triad of Communication. It consists of just three elements: a speaker, a subject of speech and an audience. The remaining models are of modern origin. They were created in the 20th century, when scholars — influencedby, among others, the development of mass media — became interested in the subject of communication. At the middle of the century several models were created, among them the most influential being, Shannon-Weaver’s model of communication, Lasswell’scommunication model, Schramm-Osgood’s Circular Model of Communication, Westley- MacLean’s Selection Model and Eco’s Semiotic Model of Communication. All these models can be used to study propaganda, including coin propaganda. They may help not only to better understand the process of communication of individual messages, but also to notice the importance of several key elements of the process, like coding and decoding. Reconstruction of the whole propaganda campaign is, however, other matter. To do it properly we need to use different models — models of propaganda, e.g. Jowett and O’Donnell’s model of propaganda process. This model can be presented as a ten-step procedure of propaganda analysis that consists of the following questions to answer: • What is the aim of the campaign and the ideology behind it? • What is the context of the campaign? • Who is the propagandist? • What is the structure of the propaganda organization? • What is the target audience? • Which media were used and how? • Which special techniques were use to maximize the effect? • What was the audience reaction? • Were there a counter-propaganda. If yes, what form did it take? • What are the effects of the campaign? The use of the procedure proposed by Jowett and O'Donnell allows us to note the complexity of the propaganda analysis process and broadens the scope of questions we should ask. In effect it can help us to extend the existing state of research on monetary propaganda.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 7.

Tytuł:: ARMIA EUROPEJSKA CZY NOWY WEHRMACHT? PLANY UTWORZENIA EUROPEJSKIEJ WSPÓLNOTY OBRONNEJ W KARYKATURZE POLSKIEJ NA PRZYKŁADZIE CZASOPISMA SATYRYCZNEGO „SZPILKI” 1950–1954
EUROPEAN ARMY OR NEW WHERMACHT? PLANS TO FORM EUROPEAN DEFENCE COMMUNITY IN POLISH CARICATURE BASED ON THE EXAMPLE OF THE SATIRICAL MAGAZINE „SZPILKI” BETWEEN 1950–1954
Autorzy:: Ślęzak, Jolanta
Tematy:: caricature
visual propaganda
remilitarization of West Germany; Pokaż więcej
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Powiązania:: https://bibliotekanauki.pl/articles/513287.pdf Link otwiera się w nowym oknie
Opis:: The paper presented a vision of the plan to form a European Defence Community created by Polish caricatures and recounted over political considerations which affected the way the EDC was presented. The main source was caricatures which were published in Polish satirical magazine „Szpilki” from 1950 to 1954 – from when Pleven’s plan was announced to its rejection by France. The author used quantitative analysis which allowed the demonstration of the artists’ range of interests in EDC and to catch plots. The paper is composed of three parts which contain content analysis of the particular caricatures. It allowed for the discovery that the pictures showed the main Polish exter-nal enemies: the USA and West Germany. EDC was presented as their common plan to bring the Wehrmacht back to life. The way EDC was drawn resulted from the fact that Poland was a member of the socialist block.
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: The Context and Dating of the Pompeys Aureus (RRC 402)
Autorzy:: Kopij, Kamil
Opis:: This article revisits the issue of dating and interpreting the áureus of Pompey the Great (RRC 402), one of the most elusive Roman coins. The lack of any archaeological context and ambiguous imagery hampered the efforts to date the coin. In this study, first, I review all the dates proposed in previous studies. Then, I analyse the imagery focusing particularly on the female head with elephant's skin on the obverse. Subsequently I present earlier coins bearing similar image as well as elephants related both to Asia and Africa. Finally, I propose that given the circumstances in which the Romans minted gold emissions in the late Republic, i.e civil wars, we can narrow down the many possibilities of dating Pompey's áureus to just two. The two most popular among scholars alternatives date the coin to 71 or 61 BCE. The former does not fit both contextual and iconographical analysis. The latter may be accepted in terms of imagery but not so much in terms of the context. There is no reason why Pompey would issue an aureus in 62 or 61 neither in the East nor in Rome. 76-75 or 48 should be regarded as strong possibilities, if not the most plausible dates, of the RRC 402 emission.
Narodowe Centrum Nauki / The National Science Centre Poland
Dostawca treści:: Repozytorium Centrum Otwartej Nauki

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Skocz do pozycji: 9.

Tytuł:: The context and dating of the Pompeys aureus (RRC 402)
Autorzy:: Kopij, Kamil
Opis:: La datazione dell’aureo RRC 402, uno dei rari esempi di emissione romana ad opera di Pompeo Magno, costituisce ancor oggi un problema cronologico di non facile soluzione. Le varie ipotesi finora proposte dagli studiosi oscillano infatti tra l’81 e il 46 a.C. Riesaminando singolarmente gli elementi iconografici raffigurati su ambo i lati della mone- ta nel contesto più ampio della monetazione antica d’epoca ellenistica l’autore giunge a formulare, scartandone altre, una nuova ipotesi di identificazione del particolare contestostorico nel quale l’aureo RRC 402 fu emesso.
This article revisits the issue of dating and interpreting the áureus of Pompey the Great (RRC 402), one of the most elusive Roman coins. The lack of any archaeological context and ambiguous imagery hampered the efforts to date the coin. In this study, first, I review all the dates proposed in previous studies. Then, I analyse the imagery focusing particularly on the female head with elephant's skin on the obverse. Subsequently I present earlier coins bearing similar image as well as elephants related both to Asia and Africa. Finally, I propose that given the circumstances in which the Romans minted gold emissions in the late Republic, i.e civil wars, we can narrow down the many possibilities of dating Pompey's áureus to just two. The two most popular among scholars alternatives date the coin to 71 or 61 BCE. The former does not fit both contextual and iconographical analysis. The latter may be accepted in terms of imagery but not so much in terms of the context. There is no reason why Pompey would issue an aureus in 62 or 61 neither in the East nor in Rome. 76-75 or 48 should be regarded as strong possibilities, if not the most plausible dates, of the RRC 402 emission.
Dostawca treści:: Repozytorium Uniwersytetu Jagiellońskiego

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Skocz do pozycji: 10.

Tytuł:: Hasekura Tsunenaga w Europie – sztuka, polityka i propaganda we wczesnych stosunkach europejsko-japońskich
Autorzy:: Tybus, Maciej
Tematy:: Hasekura Tsunenaga
Japanese-European relations
visual propaganda
Edo period
Jesuit missionaries in Japan
Date Masamune; Pokaż więcej
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Powiązania:: https://bibliotekanauki.pl/articles/915279.pdf Link otwiera się w nowym oknie
Opis:: The early relations between Japan and Europe have been established in the period of civil war and turmoil. One of the most interesting events of that time was an envoy organized by Date Masamune and headed by Hasekura Tsunenaga which set to Mexico (1613) and later on Europe (1615). Although the political and economic goals have not been achieved, on the level of cultural relations this visit was a real breakthrough. The various artworks created and exchanged between the Old Continent and Asia have served as important means of visual propaganda. Thanks to them Hasekura has become a “face” of Japan in Europe, spreading new customs and fashions. His baptism can be also understood as a sing of political ambitions, empowering the Catholic missionaries in Eastern Asia. Though in the following decades Hasekura and his mission have been covered up by the isolationist policy of the shogunate, his achievements have been rediscovered and are nowadays commemorated in a number of ways worldwide.
Dostawca treści:: Biblioteka Nauki

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